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7,8/10
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IHRE BEWERTUNG
Die Geschichte eines zukünftigen französischen Präsidenten und eines seiner Freunde, des Bürgermeisters einer kleinen Stadt in Nordfrankreich.Die Geschichte eines zukünftigen französischen Präsidenten und eines seiner Freunde, des Bürgermeisters einer kleinen Stadt in Nordfrankreich.Die Geschichte eines zukünftigen französischen Präsidenten und eines seiner Freunde, des Bürgermeisters einer kleinen Stadt in Nordfrankreich.
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Unless you're very familiar with the French politics the plot is difficult to follow except that apparently if someone needs to think about something they have to stare out of a window.
Nothing particularly exciting happens other than it seems that nobody can get along with anyone else.
Nothing particularly exciting happens other than it seems that nobody can get along with anyone else.
My wife and I really enjoy this series!
Phillippe reminds me of JR Ewing of Dallas; always plotting ahead and trying to steer things/people to his benefit. He's not the one you wish you were, but you sure wish you had his shrudeness sometimes.
This is politics, and I am pretty sure that what happens in the series is not far from real life. Even in our Swedish, compared to this series, very calm political scene I am sure there is a lot of similarities. The Håkan Juholt "thing" a couple of years ago for example.
I get good laughs and giggles from this!
Entertaining drama for those with a particular interest in French political intrigues. It has a left-wing perspective / bias given it's from the point of view of a socialist politician.
I just watched all three seasons of this show over the course of a few weeks. I really enjoyed it, and now I'm yearning for a fourth season, although rumor suggests it won't be happening.
I found the characters very compelling, above all Kad Merad as Philippe Rickwaert, the master Machiavellian. After one episode I thought, "This guy reminds me James Gandolfini, which would make Rickwaert the Tony Soprano of French politics" -- and sure enough, by season 3 one of the characters was making the same comparison. (Rickwaert doesn't kill people, but his associates do have a habit of committing suicide.)
Almost as notable as Merad are Anna Magloulis as Amelie, Astrid Whetnall as Veronique, and Hugo Becker as Cyril Balsan, all of whom were new to me. I've watched other French shows (Village Francais, Engrenages, Dix Pour Cent, Parlement) but the only faces I recognized in BN were Philippe Resimont as Kalhenberg (he played a collabo in VF) and Scali Delpeyrat as Borde (an uber creepy aristocrat in Engrenages).
Several commenters have compared the show to Borgen, and I agree. But whereas Borgen seems positive and feel-good, Baron Noir delights in exposing the vanity, deceit, and ruthless venality of its political players.
I knew next to nothing about French politics before I watched this show, and my ignorance made it hard to follow certain episodes (especially given the subtitles, which can be misleading). But the series is so well-produced that I kept going. By season two I was consulting Wikipedia a lot. At least to this outsider, French politics seems far more complex and labyrinthine than politics in the US or UK -- e.g., the sheer profusion and volatility of the political parties. When I finished watching the whole thing, I read some formal reviews and realized that many of the characters were directly inspired by real people.
This show won't be everybody's cup of tea. It's most likely to appeal to political junkies and those with a taste for European TV. I fall into both categories. I also have a goal of improving my French, so I watched many scenes twice in quick succession, reading the subtitles the first time & ignoring them the second. That tactic really improved my comprehension, and made me appreciate the series' production values even more.
I found the characters very compelling, above all Kad Merad as Philippe Rickwaert, the master Machiavellian. After one episode I thought, "This guy reminds me James Gandolfini, which would make Rickwaert the Tony Soprano of French politics" -- and sure enough, by season 3 one of the characters was making the same comparison. (Rickwaert doesn't kill people, but his associates do have a habit of committing suicide.)
Almost as notable as Merad are Anna Magloulis as Amelie, Astrid Whetnall as Veronique, and Hugo Becker as Cyril Balsan, all of whom were new to me. I've watched other French shows (Village Francais, Engrenages, Dix Pour Cent, Parlement) but the only faces I recognized in BN were Philippe Resimont as Kalhenberg (he played a collabo in VF) and Scali Delpeyrat as Borde (an uber creepy aristocrat in Engrenages).
Several commenters have compared the show to Borgen, and I agree. But whereas Borgen seems positive and feel-good, Baron Noir delights in exposing the vanity, deceit, and ruthless venality of its political players.
I knew next to nothing about French politics before I watched this show, and my ignorance made it hard to follow certain episodes (especially given the subtitles, which can be misleading). But the series is so well-produced that I kept going. By season two I was consulting Wikipedia a lot. At least to this outsider, French politics seems far more complex and labyrinthine than politics in the US or UK -- e.g., the sheer profusion and volatility of the political parties. When I finished watching the whole thing, I read some formal reviews and realized that many of the characters were directly inspired by real people.
This show won't be everybody's cup of tea. It's most likely to appeal to political junkies and those with a taste for European TV. I fall into both categories. I also have a goal of improving my French, so I watched many scenes twice in quick succession, reading the subtitles the first time & ignoring them the second. That tactic really improved my comprehension, and made me appreciate the series' production values even more.
Wusstest du schon
- WissenswertesCharacters smoke so much that at one point Canal Plus envisioned to name the série Black Lung
- VerbindungenFeatured in De quoi j'me mêle!: Folge #1.3 (2019)
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