Anne auf Green Gables

This movie is so syrupy. After having seen other renditions, including the new series on Netflix, "Anne, With an E," this one is put to shame. First of all, as a teacher, I used these books many times. They are extremely well written and have a real edge to them. Marilla's slow acceptance of Anne is totally lost here. She is a harsh, practical woman and Anne really gets on her nerves. I'm a big fan of Martin Sheen going back forty some years. But his portrayal of Matthew is a total miscast. His cutesy, confident character is the opposite of the Matthew I know. First of all, Matthew is generally frightened of his sister and doesn't dare to confront her. The problem is that she gives up right away and lets Matthew have much more freedom than the real story portrays. Anne's previous experiences are so harsh and are hardly exposed in this new telling. When Marilla starts to accept the sad little girl, it is when she sees the pain of loneliness brutality she has experienced. This makes her turnaround an act of triumph. Ann is also less interesting. She so quickly catches on with the other children, we lose the harshness and unfairness of them. There is only one girl who is really unlikable and she quickly becomes at least tolerant of Anne. Mostly, I just found this so quick and formulaic and lacking in depth with easy plot transitions.

Another reviewer was dead on the money. This felt so very rushed. Too many holes. The cast was okay. They had incredibly large shoes to fill and I think that the writers did not do them any favours. I would have liked to have been given more of this wonderful story closer to as it was written. It may have given me a bit more time to actually warm up to these actors reprising these roles.

I do feel ripped off. This portion of the story alone should have been 4 hours. Hmm they want 10 lines minimum. I guess I can say that I think Sara did a decent job as Mirella. The actress that played Diana Barry was perfectly chosen. They could not have done better. That was the best casting in the whole show. Richard Farnsworth is irreplaceable but Mr Sheen stood up to the challenge and did very well indeed. I truly need to blame the writers for any disappointment that I feel here. Der IMDb. Favour is spelled correctly as I am Canadian and this is a Canadian story. So I am choosing not to change it.

We anxiously waited for the new new "Anne" series hoping it would be on a par with the previous version staring Colleen Dewhurst and Richard Farnsworth. It took about two minutes for us to see that the acting was stilted with characters simply reading the script rather portraying a believable story in an imaginative way. To state that the show lacked chemistry is a tremendous understatement. The production was somewhat faithful to the book but lacked an understanding of the emotional depth of the book, was not true to the story, and foisted 21st century values on the audience. For example, at the time there was no such thing as a social service agency. It put me, a reader of L.M. Montgomery for 50 years, into "the depth of despair". It was only slightly better than watching a stupid NFL game.

This production has the misfortune of following the brilliant 1985 version. Marilla Cuthbert in 1985 was a solid, religious, grounded woman, who learns to love Anne. The present Marilla is merely cranky. The character of Matthew Cuthbert in 1985 was shy and deep. The present Matthew is a superficial fool. The 1985 Anne was passionate. The new Anne seems forced. The actress does not really inhabit the role -- but rushes through her lines and puts on laughter or tears as the script directs. In 1985, the characters interact and change each other. In this production, they seem to bounce off each other. They are not really present. I agree with other reviewers that the story was rushed.

Come to think of it, I don't believe the house had green gables -- or any gables at all. (Maybe I'm wrong about that.)

Maybe if the viewer has never seen this charming story before, the 2016 production would be good. Compared to the earlier version -- still easily available -- it is a great disappointment.

Siblings Marilla (Sara Botsford) and Matthew Cuthbert (Martin Sheen) are looking to adopt a boy to help out on their PEI farm. They are shocked to be given the talkative, precocious orphan Anne Shirley (Ella Ballentine). Marilla tries to send her back. Anne is haunted by abuses at the orphanage and unstable homes. She befriends Diana Barry and Josie Pye is the mean girl. Anne gets into a fight with Gilbert Blythe.

Megan Follows can't be replaced but this one does go a little darker. Anne starts off like a victim. The black and white flashbacks add to that sad and darker start. The well-worn story gets a condensed treatment. It ends when Marilla stops Anne from leaving. The rest is left on the budget cutting floor. Ballentine does a good job. She isn't quite as comical as Follows. This Anne has more feisty anger and bitter sadness.