You & I

Whoever called this a "fetish" film missed the point. Two old friends get together for a road trip. And they do what men do, that is, engage in casual nudity, and one of them isn't shy about bodily functions. That much is obvious. What is less obvious at first, but becomes increasingly so, is the attraction they feel for each other. This attraction becomes more obvious when they are joined by a Polish hitchhiker, and the two men show, in various ways, their jealousy when the other man becomes too attentive to Boris. You have to watch this movie a couple or three times to catch all the subtexts. The film offers a lot more than the normal viewer might catch on a first viewing.

You and I is a must-watch for anyone craving a blend of romance and friendship. With three incredibly attractive leads, the screen practically sizzles with their chemistry. But beyond the eye candy, the film's heart lies in its portrayal of a beautiful friendship blossoming amidst life's trials. And oh, the ending! It's a satisfying conclusion that'll leave you with a warm heart and a smile. Trust me, this one's worth the watch.

That is al I have to say about the film and I think my review covers it all, but IMDb needs more characters to fill up this silly part. If you have read the first paragraph you are good to go.

If you watch this movie with certain expectations, you are going to be disappointed. Which, I think, is why so many of the reviews here are so polarized. You won't find the meaning of life in this movie. You won't find gay themed cliches or tropes. You won't find pretty boys strutting around. You won't find Hollywood-style "spell everything out for the dumb audience" directing. You won't find "the big steamy sex scene". But nor will you find the movie being coy about (European) attitudes to nudity and sex (something which clearly confuses several of the other reviewers here).

Instead, you will find, essentially, a movie about the way people muddle through the conflicting chemistry of friendships and relationships. These are not titanic conflicts, causing huge explosions or overly-dramatic scenes. They are the inner puzzles we have to solve as we grope through life. What DO I feel about someone? What DO they really feel about me?

The reactions of the three principal (well, only) characters are played out against a road trip background -- not a particularly new idea, but the director lets things unfold in a paced manner, just as they do in real life. Things are NOT spelled out here; the clues are all there, but the director (wisely) leaves the viewer to fill in the holes. This leaves us to puzzle out things from these imprecise clues in the same way the characters are puzzling out their lives.

The actors mostly do a good job, the Jonas character for me being the most filled out and well acted. Jonas (a photographer) is clearly using his camera as both a shield and a way to probe the feelings of his companions, but the director wisely refrains from over-doing this (to the point, I suspect, where some reviewers didn't even notice this). Philip is more direct, and apparently more shallow. Boris is in many ways the most ambiguous.

The movie is of course not perfect, and a few scenes didn't quite click for me, but overall the development was perfectly believable, and gently touching, though ultimately sad for at least one of the trio.

I said that this movie is about chemistry, and ultimately I think the movie is best understood in terms of a catalyst .. an apt term (check on Google if you're not sure of the precise definition), though what that catalyst is I shall leave you to find as you watch it.

The synopsis of this short indie film is that Jonas, who is German and straight, has invited his British and gay mate Philip for a camping trip. This is ostensibly so Jonas can carry out a photography project. They head off in an old VW camper and Phil sort of finds any excuse to get his kit off.

Then they run into Boris who is a friend of Jonas' and he tags along. At first the chemistry of all three is thrown out by the new arrival but then Phil and Boris start to get along a bit too well and all bets are off.

Now as I said this is a fairly short film at 79 minutes and a lot of that time not very much happens, but that may be the point. It could be seen as a slow build up I suppose but it does not translate very well. There is some chemistry but it takes a while to rear its head. And despite a lot of nude bits being shown there is no real bedroom action either. In German and English too with good sub titles; this is a film for those who like their stories to be fairly simple and take their time getting there. I am still in two minds as to whether I really liked it so am giving the benefit of the doubt. However, this is one of those films I would not want to watch twice – so maybe try a rental option.

The first virtue of it is simplicity. Familiar pieces - friendship becoming love, a road trip , relations and their structure, slow rhytm and the character changing, step by step, the equilibrium, an open end and a film without the desire to demonstrate anything. I love it for the courage and art to be different, to propose, in natural manner, a simple and precise in details story, good acting and the fair development of facts. My favorit - the image of the window at the end of hall.