The Best of Enemies

This film tells the story of two opposing parties in the racially segregated society decades ago.

The story is captivating and beautifully told. It tells a process of increasing mutual understanding, thereby reaching a groundbreaking consensus. It is a thought provoking and truly inspiring tale. I am deeply moved by it.

The incredible skill and range of Henson and Rockwell (long one of my favorite actors) is on display here in a story that needed to be told on the world stage (although the book had been out for some twenty years). I'm no SJW, but I'm glad we are getting more of these movies with real life examples of people coming together, especially when their backgrounds and motivations are so well explained. If it helps even a single extremist to change their ways, it was well worth it. For the rest of us it is an apt reminder of how things were not long ago, how much work still remains to be done, and how it CAN be done. Bravo.

The Best of Enemies is a movie, that on the surface, is about the integration of mixed cultures in school, but in reality is much more about people and change.

The film, cleverly in my opinion, stays away from cliched, cartoonish characters, choosing instead to have a more nuanced approach for its characters. It makes them people, with needs, concerns, beliefs and so on.

The result is an enjoyable film showing that with great courage, great things can be accomplished.

Any movie where you can be entertained and educated at the same time is always off to a good start in my opinion, recommended viewing :)

My wife and I watched this movie at home on BluRay from our public library. The disc has some interesting "extras" including taped interviews of each of the two main characters in their later years.

This story is factual, about real people. It was an important chapter in the long road towards eliminating discrimination based on skin color, a journey far from being completed. It was 1971 in Durham, N.C. and even though laws had already been implemented to eliminate desegregation in schools the city officials and the KKK had thus far prevented it. When a fire at the all-black middle school caused a big problem the issue came to a head.

The two main characters, two people who initially despised each other, are Taraji P. Henson as black activist Ann Atwater and Sam Rockwell as local businessman and KKK leader C.P. Ellis. An interesting outfall of the events in 1971 was their becoming good friends for the rest of their lives.

The movie is uncomfortable most of the time, as it should be. This was a very serious time, but in the end it shows that hatred and prejudice is a result of fear and lack of understanding, usually on all sides.

A very well made and well acted story.

Greetings again from the darkness. It's easy to complain (and many do) about how Hollywood usually explores racism. Sometimes the stories seem a bit over-simplistic, as with THE HELP, GREEN BOOK, and HIDDEN FIGURES; however, rather than criticize, perhaps we should be thankful for any effort to prod. Often getting the conversation started is the best first step. That's really the message from Robin Bissell's directorial debut of a script he adapted from Osha Gray Davidson's 1996 book "The Best of Enemies: Race and Redemption in the New South". Mr. Bissell has previously been Executive Producer on THE HUNGER GAMES and SEABISCUIT, and Mr. Davidson's book was previously adapted for a stage production.

Based on a true story that took place in 1971 Durham, North Carolina, the film portrays the remarkable events that led to the integration of public schools and a stranger-than-fiction friendship. Taraji P Henson stars as Ann Atwater, an African-American activist and community organizer, while Sam Rockwell co-stars as Claiborne "CP" Ellis, the Exalted Cyclops (basically the Chapter President) of the Ku Klux Klan. It seems the previous stranger-than-fiction description is aptly applied here when an aggressive black woman known as "Roughhouse Annie" can effectively sway the long ingrained beliefs of a KKK leader, and forge a friendship that would last 3 decades.

A school fire that partially gutted the elementary school attended by the black children in the community was the proverbial spark that kicked off the chain of events. When the white folks refused to share their school, the black children were forced to hold classes in the areas least affected by the fire ... while demolition and renovation was being carried out. This led to the NAACP getting involved, which resulted in a judge ordering a "Charrette" - a blend of a committee and a civic debate - to determine how the community would move forward. Bill Riddick (Babou Ceesay, FREE FIRE, 2016) was charged with organizing the Charrette, and he named Ms. Alexander and Mr. Ellis as co-chairs. Keep in mind this was 17 years after Brown vs. Board of Education ruled in favor of school desegregation, but many pockets of the south were slow to come around.

The story structure offers synchronicity between the lives of Alexander and Ellis, as they each struggle with poverty and family challenges. It's just one of the ways of trying to show they were more alike than different, and much more of the time is devoted to how the transition slowly occurs for Ellis. Of course, even though each side dislikes the other, it's Ellis whose eyes must be opened as he clings to the only way of life he's known. Because of this, Mr. Rockwell has the meatier role, but it's Ms. Henson (and her fat suit) who draws the most laughs and nods of approval from the audience.

As you would expect, it's a strutting Mr. Rockwell and boisterous Ms. Henson that dominate the film, however, some tremendous actors fill the supporting roles: Wes Bentley (as a Confederate soldier hat-wearing Klansman), Anne Heche (as Ellis' wife), Nick Searcy, Bruce McGill, John Gallagher Jr, and Caitlin Mehner.

The film is a most entertaining (though a bit lightweight) look at an historic chain of events, and it's right up there with a black cop infiltrating the Klan in Spike Lee's 2018 film BLACKkKlansman for believe-it-or-not points. In 1980, Studs Terkel conducted an interview with Mr. Ellis, and it's worth a read to gain a bit more insight into a man that truly changed his evil ways. The ending of this film leans heavily on the "feel-good" and "can't we all just get along" approach, and maybe that's not such a bad thing. The end credit sequence features some tremendous clips of the real Ms. Alexander (who died in 2016) and Mr. Ellis (who died in 2005), making it a bit easier to understand how the two opposites connected for the greater good.