Mindhorn

Mindhorn is the cinematic equivalent of that friend who takes forever to decide what they want to eat: chances are you'll have a good time regardless of the decision, but that doesn't make the journey there any less frustrating. Written by lead actor Julian Barratt and supporting cast member Simon Farnaby, the film's script is scattershot to say the least. But it's also charming, light hearted and frequently very funny.

Mindhorn establishes its tone immediately in its 1980s-set TV shoot, as actor Richard Thorncroft (Barratt) tries to woo his actress girlfriend (Essie Davis) on the set of his cop show Mindhorn - he plays the titular character. We then jump into the present and find Thorncroft as a failed actor, until he's contacted by the police with a strange request. A deluded criminal on the Isle of Mann - where the series was shot and set - believes Mindhorn to be a real detective, and will only divulge information to him. Happy for the publicity, Thorncroft enthusiastically dons the costume and heads to the island, but the case proves more complex than he initially thought.

Right off the bat, the best thing about Mindhorn is its performances. Every actor here brings their A-game: Barratt is unashamedly wacky in the lead role; Farnaby turns a one-note character into a reliable joke cannon; Davis brings her character through a notable comedic journey across the film. Russell Tovey is also on hand in a scene stealing turn as the accused criminal, both his line delivery and physical comedy are perfectly executed but he still infuses his character with an appropriate vulnerability. It's a simply brilliant comedic performance.

Never taking itself too seriously, Mindhorn soars through its brief running time. This is a film of fundamental silliness, one that couldn't work if it tried to grow up a bit. Its stupidity is infectious though, especially demonstrated through a handful of terrific visual gags. In one, Thorncroft escapes the murderer by darting backwards through a bush, and in another a graffitied car window is rolled up in a rather awkward place. Like the best visual gags, they're impossible to explain without context but impossible not to love in the moment.

While the visual jokes are consistently effective, Mindhorn tends to struggle in forming its own comedic identity, or any identity at all in fact. The film is wacky, but not quite wacky enough for this to be its niche. It ends up stuck in the uncomfortable midpoint between conventional comedy and delirious farce. It stumbles between the two and handles them both solidly but it would perhaps fare a bit better if it pushed the wackiness that little bit further.

Mindhorn as a film consistently feels unsure of itself. The script reportedly took a decade to piece together but it still lacks confidence, never quite plucking up the courage to go all out - every time the film sets its sights on something insane, it always pulls back again. It demonstrates good self control, but Mindhorn should be a film that doesn't need it. Go all out, be mad and weird and wacky - who knows, you could stumble on something great.

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Mindhorn is the ultimate treat for anyone who has an appreciation for ludicrous humour. The film is set on the Isle of man which in my eyes sets the plot up for greatness as the clash of action and crime with understated countryside life is always a winner for me! I love to see the quaintness of British life being fondly ridiculed by a silly parody action sequence! Mindhorn is immediately funny and the 80s Mindhorn montage sequence reached both people who feel nostalgic about the 80s action genre (my dad was roaring) but it also tickled a 22 year old like myself. I love the parody form and Mindhorn's purposefully cheesy devices landed with rip-roaring comedic success.

The acting in this film was spot on because the actors had amazing command of physical humour and timing and the script didn't scrimp on funnies! Visual comedy is a really intelligent and inventive form of humour and the mark of a good script. Mindhorn has some brilliant moments of this and you can clearly tell from watching the film that the art department had a whale of a time! l also thoroughly enjoyed the use of garish colour in this film there was a strong use of carefully considered yet brazenly bold costumes and set. A piece of art as well as a good comedy! I'm sure I could pick faults but because I laughed the entire way through I don't think I need to.

'Mindhorn (2017)' is pretty much consistently chuckle-worthy and the almost meta satire is on-point, especially in an early glimpse into the eponymous television show that haunts the protagonist as his only legacy - a typically cheesy detective show with a schlocky sci-fi central conceit. It's the cocksure lead character's chance to re-live his 'glory days' that allows him to see they perhaps weren't all that great to begin with. Barratt plays the part with self-assured gusto and throws everything into it, even though most of the gags are inevitably on him, and the rest of the players do a good job of keeping an ostentatious streak alive throughout the piece. The failings of the picture arrive in its plot, though, which is hackneyed, under-cooked and often side-lined for the characters' smugly silly antics. The flick also ends so abruptly (almost mid-sentence) that it leaves you wondering if a couple of scenes were accidentally left on the cutting room floor. 6/10

A ludicrous but heart-felt comedy action which pays homage to some of the cheesiest TV cop shows and action series of the late 70's and early 80's. If you remember "Bergerac", "Starsky & Hutch" and "The 6 Million Dollar Man", then you might just get a kick out of this film which takes place in the Isle of Man. Detective Bruce Mindhorn was imprisoned and tortured by the Russians. After escaping captivity, he has the ability to see truth and lies in people thanks to an experimental cybernetic eye.

Brief summary: 80s cop show star returns to the public eye when he tries to hell police bring down a suspected killer.

Detailed Summary: Mindhorn was the biggest cop show in the 80s, when it ended the lead actor Richard Thorncroft left his life behind to try and conquer Hollywood. 20 - 30 years later he is a failed actor and a failure in life. He is contacted by the police in his old stomping ground, the Isle of Man, to try and help capture a suspected killer. The potential bad guy is obsessed with the TV show "Mindhorn" and believes it to be real. Having made a lot of people on the Isle of Man unhappy though, it is the last place that Thorncroft wants to be, but he goes back anyway thinking that he could relight his failed career. He soon learns there is more to the suspected murder than meets the eye and has to face the truth of his life before he can help bring down the corruption on the island.

Film Stuff: This low budget independent film is directed by Sean Foley (also making a cameo appearance), who has some notable British TV series under his belt, this 89-minute action comedy is rated 15. It is written by Julian Barrett and Simon Farnaby who both star in it, based on Farnaby's original idea. The Mindhorn character is something that has been seen before, having briefly made an appearance in an episode of cult TV series "The Mighty Boosh". Expect to see over the top acting and ludicrous prosthetics and make up as this film takes a lot of inspiration from the stylings of the aforementioned TV series.

Casting: Julian Barrett plays Richard Thorncroft, aka Mindhorn. You may know him from cult TV program "The Mighty Boosh". The character he plays in this is not a million miles away from the role he played in that. He is awkward and living in denial, he knows he is a failure but does not entirely believe he should be. Simon Farnaby stars as Clive Parnevik, Thorncroft's one-time stunt man turned rival. Although his character is stereotypically European, there are some laughs to be garnered, especially when Barrett and Farnaby are in the same scene acting off each other. Essie Davies appears in this too as Richard's one-time love interest, she plays this role well and is convincing in still having some feelings for Richard. Steve Coogan makes a brief appearance as a smug colleague of Richard's who actually made it big off the back of the program. Russell Tovey gives a good performance as Paul Melly, the suspected murderer. I almost did not recognize Andrea Riseborough as DS Elena Baines - she is convincing as the lead investigator working under hard-faced Chief Inspector Derek Newsome (David Schofield). All in all, a decent casting with a few famous faces you may recognize from British TV and film, and cameo appearances from big hitters Sir Kenneth Brannagh and Simon Callow.

Wrap up: I like cheesy TV shows and movies that do not take themselves seriously and this is definitely one of those. It is not a massively original plot, it certainly is not glitzy and shiny, but this film does have a heart and it was able to tickle my funny bone too. The cast do a good job and the film is entertaining. Because of its relatively short runtime, and its good editing this film never feels like its dragging. With adult themes which will not be suitable for some audiences this film is aimed more so at people who are able to look back on the 70s and 80s and the rubbish cop shows that graced our screens. I would probably expect a British audience to enjoy this film more than American audiences, not because they would not have nostalgia at lame cop shows of yesteryear, but more because the humour in this film feels more British. I enjoyed this and would happily recommend it to others.

On paper there is a lot to get excited about with Mindhorn. The cast is deep with talent that comes with a lot to like - particularly the links to a style of humor that is Mighty Boosh, and Alan Partridge. On top of this the location of Isle of Mann, and the 'faded x-list celebrity" held out hope that the tragic and cringey element of the comedy would be well formed. It isn't to be though, and the film never really gets into that space even though it is clearly trying to do so.

There are moments where this works, and it can be occasionally very funny, but mostly it only half-hits, misfires, or gets too silly. The setup takes too long, the final 30 minutes are far too silly in the detail. It does still manage to be quite funny, but I couldn't shake the feeling of it being inconsistent, and lacking a clear conviction for what it was trying to do. I guess part of my reservation was that I was looking for it to be something it wasn't, because I wanted more of that tragic cringe comedy which would have had Mindhorn be more like Partridge - and the bits I enjoyed the most were the bits that pained me the most.

The cast work hard to make it all work, and even when the written elements don't really work, the cast are still good. I am surprised by how many big names and recognizable faces they got involved in this, and then at the same time it also then feels like a missed opportunity that they couldn't make the film as a whole rise to that level.