Jack Goes Home

Jack (Rory Culkin) seems cold to the news of his father being decapitated in a car crash. His pregnant girlfriend Cleo (Britt Robertson) is away visiting her parents. His lesbian friend Shanda (Daveigh Chase) finds him disturbingly sleepwalking. He goes home to care for his mother (Lin Shaye) and uncovers hidden family secrets. Shanda joins him.

Thomas Dekker is an actor trying to branch out into filmmaking. There is some good creepiness mostly due to Culkin's disturbing acting. This is a psychological horror which is outside the norm. Dekker's work is professional but lacks an excitement. There are moments of tension but it never maintains its intensity. It all adds up to an uneven attempt with some interesting aspects.

There is a list published of the events that cause the most stress and trauma in the human experience. The #1 "event" listed is death of a spouse. Surprisingly, losing a parent is not that high up on the list,although many of us would beg to differ. There are many events not included in the list. Culkin is phenomenal as the snotty hipster turned severely emotionally damaged as he delves into secrets long left behind in his old childhood home that he revisits. I mean, he really was incredible. The mother play equally well, as the Mother From Hell (my words) who has occasional slips of the tongue where you think she may actually be normal. She is not. No one in this movie is normal - no one. Everyone is broken in some way. This movie is incredibly dark - it really was too dark for me, but I can't fault it for that - it did keep my interest and the acting was superb. It did leave me feeling unsettled - I won't soon forget this movie. But I wish I could. Make of that what you will. I do question the retention of memories of trauma, but I am not a mental health professional. However, I obliged for purposes of watching this movie. Oh - and yes, it is a creepy movie. There are fine lines between what a tormented mind can come up with, what really happened and what is happening in the world beyond us. I found this movie had elements of Sybil, Flowers in the Attic and The Changling (the old one with George C. Scott, not the Jolie one which is a different movie of the same name).

I enjoyed this one, because in my honest opinion, it had a lot to offer. From the great acting, to the dialogue, the effects, the plot, the confusion, everything falls quite lovely in place and the puzzle reveals itself little by little. I had fun here, I kept asking myself questions, I was waiting to see more, started to suspect one and the other.

It is a beautiful psychological drama, with some horror elements to spark the atmosphere, and pretty much no dull moments. So if you are a fan of the oldies and crazies like Identity, The Pact, Session 9, this one will fit the list just fine. Some will consider it better, some perhaps not so much, but you will find a lot of familiar traces here.

Jack Goes Home is indeed a little gem of a movie, that should be recommended and watched by more people because it surely delivers on so many levels. Of course, bare in mind, I did say, little movie. I won't place it up there, with your big budget productions.

Cheers!

Starts out slow with a boy going home for his father's funeral. Then things start to heat up with secrets from the past coming out with what seems to be some supernatural occurrences/entities. It proceeds deeper into the rabbit hole of twisting confusion of what/who is truly real/alive and what who is demonic/spiritual or is the main character having a psychotic break. Towards the end there seems to be some clarification on what is real, while leaving a lot of unanswered questions about the past and then it tries for another twist.

It tries to do too much at once and seems to fail to truly accomplish anything in the end.

I wasn't sure what to expect, but I'm glad I watched this. A guy (Rory Culkin) receives a phone call to say his parents have been involved in a car crash and the film then follows his psychological reaction to the event. I don't usually enjoy slow, emotional dramas, but this had enough bite to it to keep my interest throughout. His lesbian best friend from childhood lends him support and a gay, nineteen year old, male neighbour befriends him, but throughout the film you're left to wonder what is really happening, and if any of it actually is happening. There are enough horror and mystery elements combined here that makes this film quite watchable, but sometimes more than a little uncomfortable. Great acting, great characters and a very well put together production that draws you in and just doesn't let you go until it's over.