In This Corner of the World

"In This Corner of the World" is one of the most beautiful anime I have ever seen. It is a story that will touch the heart of the viewer, a story that tells what seems a simple story, but that has layers and more layers in it, and that will stay with you for a long time after the end credits roll.

The story centers on Suzu, a young girl from Hiroshima, before, during and after the Second World War. She has a brother and a sister, she loves to paint and draw (and is a real artist), she enjoys simple things and has an easy smile, she just wants to be happy and help the ones that surround her.

However, life is never so simple and here, the war comes into play. And "In This Corner of the World" does a great job in balancing the small (Suzu) with the big (Hiroshima, the war and its consequences...). Even if Suzu is almost always there, on the screen, many little details, small conversations, and the interaction between characters depict a world of violence, of hate, of power and unresolved conflict. It is sad, it is touching and it shouldn't be a surprise if it makes you cry.

The animation is amazing. It is all very cute and smily, which makes the hard moments hit harder, the sad moments be sadder, and the angry moments make you angrier. The color palette, and the character's expressions help to bring the story to life and to make all of them feel real and close and their needs and desires truthful.

It is a great movie and totally worth viewing. Highly recommended.

This film, centred on Suzu Urano, opens when she is a child in pre-war Japan. She lives in a small town that is part of the city of Hiroshima. She helps her parents farming seaweed and in her free time engages in her love of art. Then, when she is eighteen in 1943, she receives a marriage proposal from a man in the city of Kure; a naval port fifteen miles away. She accepts to proposal and moves to Kure where she becomes part of his family. At first they are unaffected by the war but gradually shortages increase and then the city is targeted by American bombers leading to wide scale destruction and personal tragedy.

Sitting down to watch this I expected that it would be a tear-jerker at times; and it certainly is. What I didn't expect was the sheer joy of most of the first half of the film; pre-war Japan looked idyllic and even in during the war, while the war is far away, it is little changed apart from the shortages and the large number of naval vessels in Kore Bay. There are charming scenes as Suzu gets to know her new home; particularly the scenes where she talks to her new young niece Harumi. The animation is delightful; its water-colour style mirroring Suzu's artwork. Inevitably there will be comparisons with 'Grave of the Fireflies' as both are set in wartime Japan the films feel quite different; while this certainly has its tragic moments the ending isn't so clearly signposted. Overall I'd definitely recommend this thoughtful film; just expect to shed a few tears.

A coming of age story set during WWII depicting the story of Suzu a girl forced to marry away from her home. Viewers may find parallels to 'Grave of the fireflies' another animated Japanese film depicting war time struggles of the ordinary people. In fact the struggles of the everyman(woman) is heavily featured in this story of a young girl in a fish out of water situation while maintaining her inherent innocence in spite of the horrors of war.

It is very interesting how through this character and the gentle animated artstyle a story of war depicting horrible imageries from bombings, to explosions, to death can all seem innocent and calm. A particular scene of explosions in the air transitions perfectly to colourful splatters of colours in the sky in the eyes of our protagonist. Her innocence and naivete is challenged throughout the film yet through the many challenges she faces yet it is maintained constantly.

What's great about this film is that because of such a characterisation her struggles to daily life often seems even on par to that of the horrors of war, focusing on the everyman's struggle is a new and innovative way of viewing war, struggles from finding her way and managing rations. Such a character seems almost the opposite of war and bloodshed as she sets the tone for this film which seems unlike one that focuses on war setting In this corner of the world apart from the bunch. Yet we still witness the character mature and grow throughout even though she doesn't lose her sense of imagination and innocence, it's a tough notion to balance and goes against traditional ideas in a coming of age tale where a main protagonist must understand the 'true colours' of society, the world, humanity…… in order to come to fruition. By doing so solidifying itself as a staple supporting that of peace and the good in being ordinary.

Suzu is a young girl living in a peaceful seaside Japanese city. It's revealed to be pre-war Hiroshima. Her family farms seaweed. At 18, she receives a marriage proposal from a relative stranger, a young earnest man from Kure who fell in love with her at first sight. She marries and moves in with his family. Kure is a Navy town and everybody works at the base. As food gets rationed, she finds ways to adapt. She continues to draw and is beloved by her adoring niece Harumi. The winds of war blow harsh as life grows ever more difficult.

The animation is simply beautiful which contrast nicely with the fear of impending doom. I really liked not naming Hiroshima at first. I'm sure everybody in Japan noticed the building right away but outside Japan, the audience may not catch on. It would be more compelling to stay silent on the city name longer. I actually expected more of a love triangle especially with that amazing sea rabbit drawing. It didn't turn out that way which is perfectly fine. I grew to like Shusaku which is exactly what Suzu does. There are some devastating drama but it also leave some heart-warming turns for the audience. Hiroshima is handled with class. It's Fireflies without the unrelenting depression.

Greetings again from the darkness. There is something hypnotic about the hand-drawn animation of writer/director Sunao Katabuchi's film based on the 2007-09 Japanese manga (comic) by Fumiyo Kouno. With some similarities to Takahata's 1988 classic Grave of the Fireflies, it's more than a wartime drama – it's a story of the human spirit.

It's 1935 and Suzu is a young girl who lives in Eba, a town in Hiroshima. She is an exceptional artist with a vibrant imagination and an adventurous approach to life. Her innocence and pleasant childhood existence is rocked when, as a teenager, she receives an out-of-the-blue marriage proposal from a stranger. Life with his family in Kure forces Suzu into a daily routine of cleaning, mending and cooking – all while longing for her family in Eba.

The film clicks through the months and years, and provides a history of war time from the perspective of a family and village. While the date of August 6, 1945 hovers on the viewer's mind, we experience how family dynamics are affected by war time. For Suzu, her daily routines such as food preparation provide a necessary structure and distraction, despite the ever-worsening shortage of food and supplies. These stresses are compounded by air raid warnings over the radio and Suzu suffers through vivid nightmares.

We so easily connect with Suzu as she continually fights through hardships – both physical and emotional – because of her determination to live a good life and overcome all obstacles. This is such expert story telling with a beautiful presentation, that the film periodically reminds us that war is close by. Even in a war torn country, the people must find a way to go about daily life while treasuring the rare moments of joy and understanding the strength of togetherness. It's rare that an animated movie can deliver such a humanist look at fully formed characters and their feelings … all within a historical setting.