A Cure for Wellness

(I saw a preview screening of this.)

Director Gore Verbinski is best known for the Pirates of the Caribbean trilogy, and also Rango, The Ring, and The Mexican, so "quietly understated" is not really his thing, If the Pirates movies are kind of a throwback to old Hollywood swashbucklers, this is a more lurid version of old Gothic suspense thrillers like "Rebecca" or "The Island of Doctor Moreau."

The main character is Lockhart (Dane DeHaan), who is the exact sort of morally bankrupt young financial hotshot you've seen in a bunch of other movies. His bosses are so cartoonishly evil that they may as well be counting wads of cash as they tell him he's being sent off to Europe to fetch a wayward executive whose signature is needed to allow a merger to go forth so as to allow them to rake in more millions. (Oddly, a similar plot undergirds the otherwise-completely different Will Smith vehicle "Collateral Beauty.")

Most of the rest of the movie takes place in a Swiss Alps sanitarium where practically everything looks like it's from some time in the first half of the last century. I half expected John Harvey Kellogg to show up, but instead we get Volmer (Jason Isaacs), the place's director. As with the patients and the staff, there's something not quite right about the overly affable man, and the impatient Lockhart has plenty of time to figure it out after an accident delays his trip back to New York.

Exactly what's going on, and why no one ever seems to leave the place, takes quite a while (almost 2.5 hours) to unspool, but Verbinski successfully distracts the viewer with visually arresting images of hallways, of peacefully exercising old people, of slithery fish, of living and maybe dead bodies in all shapes and sizes (but mostly white and old), and so on. A teen girl (aptly named Mia Goth), the only young person besides Lockhart, may hold some clues. Rather than a lush island, the sanitarium is high on a mountain, but the effect is the same, as if the viewer has been transported to a world apart.

Does this all sound good? Then you'll probably like this very dark fable. The deep mystery of why the place is so strange is possibly layered with too much complication. I think everything fits together pretty well, but I'm not positive. I am positive that this is definitely going to be a lot different than anything else in the multiplex whenever you might choose to see it.

Director deserves applause for depicting a brilliant psychological horror with intencse thrill , stunning cinematography , sound , brilliant direction , performance are enough to make it must watch , it will give you feelings like "Shutter island " ..

This film feels like a Black Mirror episode - but one that treads water for almost two and a half hours without ever reaching its main idea. 250% longer, but only a fraction of the satisfaction.

I really wanted to immerse myself in its atmosphere and ideas, the idea of a David Lynch/Cronenberg style Shining/Shutter Island film seems great. But the film really tests your patience. The main character is icy and unlikable, the other characters are similarly distant. Stuff happens, a lot of stuff, some of it great looking, but with nothing to tie it together or the any character depth to engage with, it ends up feeling like you're being taken through a film students visual exhibition that doesn't end soon enough.

It really doesn't live up to the amazing film that the trailer suggests, a pattern that seems to be more and more common with films these days. Similar to Passengers, I wonder if moments were shot just to make the trailer more powerful in selling the film.

Gore Verbinski, the man who gave us the first "Ring" movie, the "Pirates of the Caribbean" franchise, "Rango," and "The Lone Ranger" is now back with this Hitchcockian Gothic psychological thriller designed to keep you guessing till the very end. Even though its final 20 minutes somewhat go off the rails a bit, overall A CURE FOR WELLNESS is stunning, bold and hypnotic.

Dane DeHaan plays an ambitious young executive, Lockhart, sent to retrieve his company's missing CEO who's decided to stay at a remote wellness center in the Swiss Alps. What is supposed to be an easy assignment turns into a journey of slowly but surely uncovering the center's dark past, uncovering the real reasons as to why the guests keep staying there, longing for the cure, as Lockhart himself starts to question his own sanity.

You will fall in love with the cinematography by DP Bojan Bazelli. Even if you're not a fan of mystery or suspense, Bazelli's cinematography for "A Cure For Wellness' will leave you floored, the word breathtaking doesn't even begin to fairly describe it. There are shots through the tunnel, around the castle, and even during some of the film's most disturbing moments, they draw you in, gorgeous in every possible way. And the fact that they actually filmed a big chunk on location at Castle Hohenzollern in Germany does help because the place becomes a supporting role.

Ever since "Chronicle," Dane DeHaan has been an actor that's caught my attention because I do believe that this rising star has what it takes to be great, A CURE FOR WELLNESS allows him to showcase a tease of that potential. His performance reminds me of Leo DiCaprio's in "Shutter Island" and Jack Nicholson's in "The Shining" where to a certain extent, you're not certain if they'd eventually cross that line or remain on this side of the fence. A CURE FOR WELLNESS is trippy, it's intriguing, it's filled with all kinds of odd imagery, it's definitely not for the faint of heart. It's a sensory experience type of a film, the kind that also evokes all sorts of questions about society and what it means to live well and the ambition for purity. But again, as I said earlier, the final 20 minutes do go off the rails a bit, by that time the film feels like it runs longer than it should and furthermore it gets ruined by its desire to leave us on a happy note. A CURE FOR WELLNESS will find its audience, but it's an acquired taste.

Gore Verbinski has created a visually splendid thriller/horror film, which creates a wonderfully foreboding atmosphere. However, what could have been a great film is marred by a convoluted screenplay that falls to pieces in its final act, and is riddled with plot holes. I waited patiently for all the pieces of the puzzle to fall into place (and with the running time approaching 2 and a half hours, it's quite a wait), yet ultimately I was left somewhat confused and underwhelmed by how it all played out.

I still recommend it for the wonderful cinematography and chilling atmosphere. But with some liberal editing and a tighter screenplay we could have had a real classic on our hands. Shame.