Die "Reiter" kehren ins Rampenlicht zurück, um eine neue Generation anzulernen und den Verkauf eines wertvollen Blutdiamanten zu verhindern.Die "Reiter" kehren ins Rampenlicht zurück, um eine neue Generation anzulernen und den Verkauf eines wertvollen Blutdiamanten zu verhindern.Die "Reiter" kehren ins Rampenlicht zurück, um eine neue Generation anzulernen und den Verkauf eines wertvollen Blutdiamanten zu verhindern.
- Auszeichnungen
- 1 Nominierung insgesamt
- $50,000 Bucks Audience Member
- (as Angela Stander)
Zusammenfassung
Empfohlene Bewertungen
While the second movie was already inferior to the first, at least it expanded the world and took the story in a new direction. With nine years to develop a sequel, you'd expect something fresh, ambitious, and worthy of the franchise. Instead, the filmmakers went for the laziest option possible: a blatant rehash of the first two films-especially the second-recycling the same story beats, structure, and even the same type of plot twist, just with different characters.
The movie is full of overused tropes executed in the most uninteresting way. The dialogue is poor, character interactions even poorer, and the new characters add nothing except clutter, stealing screen time from the main cast-who end up feeling like guests in their own franchise. Even the visuals feel tired and uninspired, which is especially disappointing given the potential of such a unique premise and the always-wonderful cast. With these characters and this setup, the film could have delivered inventive storytelling and striking set pieces-but it doesn't.
A fourth movie is teased, and if it ever happens, I sincerely hope they hire a writer and director interested in making the sequel this franchise actually deserves.
The new magicians lack depth... their skills and personalities aren't well-established, so it's hard to care. The original Horsemen (all five now) are still charismatic, but their roles feel sidelined in favor of underdeveloped newcomers.
The final heist is visually impressive but lacks the satisfying payoff of the first two films. The twists feel forced, and the revenge-driven plot drags down the fun.
That said, it's not a bad movie - just a missed opportunity. If you loved the first two, you'll find enough spectacle to enjoy, but don't expect the same magic.
6/10: A decent weekend watch, but nothing more.
But the writers, director and producers GROSSLY overproduce this flashy sequel to the max. Isla fisher wears a fancy dress in the woods or in action sequences that make your eyes roll. ANY REALISM from filmmakers would help.
For adult, the movie often feels closer to reality-show spectacle-think Masked Singer meets America's Got Talent-than a grounded cinematic story. Your magicians fight WWII Evil. The sets and character design are impressive, but the nonstop implausible stunts and plot holes make it hard to stay invested in the world they're trying to build.
Still, if you overlook the "jump-the-shark" magic moments and just enjoy the popcorn-movie chaos, it's entertaining enough. My daughter gave it an A. I landed on a B mostly thanks to Woody Harrelson and Jesse Eisenberg, who bring enough charm and humor to offset the rapid-fire absurdity. (We completed premier with Cinemascore voting.)
Like many sequels since the '80s, it tries to do too much-too many new characters, too much flash, too much caffeine-and in the process loses warmth, character focus, and believability. But it is entertainment, and we're glad we saw it in a theater, where the spectacle feels bigger and more fun than it would on a streaming screen.
Practically, a new set of magicians uses the image of the former Now You See Me leads, and try to recapture their "Robin Hood"-esque quest. Then it trickles down to a ridiculous plot about a rich billionaire heiress who has a secret she wants to destroy. With the help of the old gang, the new kids on the block will use the film's brand of"Camera Illusion" because being a Magician in this film is not gonna happen - to turn the world around and help make things right.
I hated it the minute my friends said this is the one we need to watch. I just know nothing in this is gonna work at all. It never made sense for me. WHY is she faulted for the cascading incidents that resulted to her mother's death when she was a child? Or all these grandstanding and moralizing. Or how is something popular yet no one really knows him eye to eye or the worst thing - which is "camera illusion" magic. The film really wants you to let go of every little suspension of disbelief you could give. Even the biggest plot twist of the film is just plain ridiculous stupidity. AND IT'S NOT even witty at that.
The fact that towards the end, the best thing I could feel about this film is that it is unrelentingly stupid. It acts smart and it thinks as if it comments on something relevant, but it knows it is stupid and nonsensical. It is proudly bottom of the barrel and a million or so, would still come because sometimes it is fun to be brain dead. Dead dead, we are mortal after all.
That 2.5 film is because it never let me feel like something made sense. It pushes itself to puzzle me and make me feel like that money I spent was not worth it. It was the greatest horror Hollywood made this year and I am still having my nightmares!
The whole movie is around 10 people bickering. It is exhausting to watch and listen to. This movie is definitely for a younger generation than the last as this sort of constant barrage of verbal intercourse reminds me more of college kids bantering than anything else.
So, regardless of that its okay. Nice to see the band back together. Nothing going to set the world alight here just okay.
We do end up with what feels like the 10 horsemen but feel free to disagree.
Wusstest du schon
- WissenswertesWhen Veronika enters her secret caveau we can see a painting held there: that's Caravaggio's "Nativity", stolen in Palermo, Italy in 1969, and never retrieved.
- PatzerAt 1:30 during the sand trap escape, all the water empties from the sand trap through the broken glass wall, and all the sand in the trap is no longer there.
- Zitate
Charlie: How did you... find us?
J. Daniel Atlas: I don't know, took me about... 30 seconds And if it was this easy for me to find you, how hard would it be for the police?
June: Whoa, hold on, the police?
J. Daniel Atlas: Yeah, the police.
Bosco: Why would the police be looking for us?
J. Daniel Atlas: Uh, I don't know, what about that little heist you just pulled? Or... the fact that you're squatting in this place, so that your electricity comes from the circuit box in the corner, I don't know, could be anything, am I right, Bozo?
Bosco: [chuckles] Bosco. Bosco Leroy.
J. Daniel Atlas: [chuckles] Oh yes that's right, Bosco Leroy. What, did you type "fictional magician name" into ChatGPT?
Bosco: No, that's actually my real name, Atlas. What'd your mom have sex with a map?
- VerbindungenFeatured in WatchMojo: Top 10 Must Watch Movies and Shows of November 2025 (2025)
- SoundtracksCrusades
Written by Max Bassin, Dominic DiGesu, Emily Green (as Gus Green), Foster Hudson and Cameron Winter
Performed by Geese
Courtesy of Partisan Records/PIAS
Top-Auswahl
The Year in Posters
The Year in Posters
- How long is Now You See Me: Now You Don't?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Die Unfassbaren 3 - Now you see me
- Drehorte
- Belgien(Exterior)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 90.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 61.532.000 $
- Eröffnungswochenende in den USA und in Kanada
- 21.013.793 $
- 16. Nov. 2025
- Weltweiter Bruttoertrag
- 215.793.543 $
- Laufzeit
- 1 Std. 53 Min.(113 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1







