Mar de plástico
- Fernsehserie
- 2015–2016
- 1 Std. 10 Min.
IMDb-BEWERTUNG
7,1/10
2245
IHRE BEWERTUNG
Eine in Südspanien aufgenommene Fernsehserie, die über den Mord an einem Mädchen namens Ainhoa berichtet. Inspektor Hector muss herausfinden, wer es getan hat.Eine in Südspanien aufgenommene Fernsehserie, die über den Mord an einem Mädchen namens Ainhoa berichtet. Inspektor Hector muss herausfinden, wer es getan hat.Eine in Südspanien aufgenommene Fernsehserie, die über den Mord an einem Mädchen namens Ainhoa berichtet. Inspektor Hector muss herausfinden, wer es getan hat.
- Auszeichnungen
- 2 Gewinne & 9 Nominierungen insgesamt
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Empfohlene Bewertungen
This team of detectives is one of the worst I have seen in that kind of crime series. There are so many twists and subplots that you get tired and want to finish it quickly. Most characters are violent and stupid, and eventually you don't care about the solution. Especially irritating is the permanent drama between Hector and his friend's wife. Also the way they all recover in five minutes from terrible injuries, or severe concussions is ludicrous. The only not too bad actor/actress is Nya de la Rubia who plays Lola. The other ones are close to awful. If you don't speak Spanish you will have to guess the dialogues, with white subtitles on white background. So, watchable, but not the top of Netflix.
From IMDB: - "A TV series recorded in the south of Spain which tells us about the murder of a girl called Ainhoa. Inspector Hector must find out who did it."
Two Series, 23 x two hour episodes. Set in a fictional town called 'CompoAmargo,' (roughly 'Bitter Town') where an uneasy group exists, mainly by working for a wealthy land and business owner, who grows crops under 'acres' of plastic tarpaulin.
Our hero 'Sergeant Hector' is in charge of his section of the towns Civil Guard and spends all his time investigating the murder of a local girl, and from there the plot deepens. Facts uncover a hidden secret going back two decades. It's a clever 'whodunnit' worthy of either Sherlock Holmes or Agatha Christie. The ending may either shock or surprise. Series Two introduces 'The Serb' and his human trafficking biz which Hector investigates also.
IF you are tired of watching 'Los Narchos' or TV series about drugs, then this well made detective Story is very much worth your time. In Spanish, with English subs. I give it 9/10.
Two Series, 23 x two hour episodes. Set in a fictional town called 'CompoAmargo,' (roughly 'Bitter Town') where an uneasy group exists, mainly by working for a wealthy land and business owner, who grows crops under 'acres' of plastic tarpaulin.
Our hero 'Sergeant Hector' is in charge of his section of the towns Civil Guard and spends all his time investigating the murder of a local girl, and from there the plot deepens. Facts uncover a hidden secret going back two decades. It's a clever 'whodunnit' worthy of either Sherlock Holmes or Agatha Christie. The ending may either shock or surprise. Series Two introduces 'The Serb' and his human trafficking biz which Hector investigates also.
IF you are tired of watching 'Los Narchos' or TV series about drugs, then this well made detective Story is very much worth your time. In Spanish, with English subs. I give it 9/10.
A totally likable police series from a country that has developed a tradition in the genre. Nice story, nice characters (a little too histrionic for my taste maybe), nice if slightly too long unravelling of the plot. All in all, a thoroughly enjoyable-but not a great-series.
It started off with promise, but sadly,
gradually descended into a clichéd soap opera.
14 hours to come to a conclusion.
I don't know if I can bring myself to watch the second series, knowing that it will probably follow a similar dragged out pattern.
Wusstest du schon
- WissenswertesJesús Castro left the show because he was told his character was a full-on neonazi so he didn't share the idea that he would fell in love with a Muslim character.
- VerbindungenReferenced in Paquita Salas: La actriz 360 (2016)
- SoundtracksNonsense
Performed by Helena Goch
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