Personal Shopper

I have to admit that Kristen Stewart's performance makes up 80% of the entire movie. She actually manages to transfer feelings to others without even needing to open her mouth. The plot is unusual and interesting, the atmosphere tastes exactly like Europe. Overall, a good movie!

Personal Shopper is pretty straightforward and the ending concretizes it: Kristen Stewart projects her malevolent existence outward and it manifests as ghostly images, sounds, moving objects, and texts which draw out her insecurities. There are secondary plot elements that are less important and some thematic touches on how technology creates isolation, but they are thin and stats quo for today. The movie draws you along until the end reveal and then you realize it was pretty empty like the message it conveyed.

I saw this movie a few days ago and have been haunted by it ever since. I am writing this review more to clarify my own thoughts and feelings rather than to try and influence anyone to see (or not see) it. I have always believed the sexiest/most compelling thing about a woman is her confidence, and, for me, Personal Shopper is the cinematic equivalent of that belief. I cannot remember ever seeing a movie so supremely confident in itself, which kept my eyes glued to the screen wanting to know more. Director Olivier Assayas managed to create a film that is so sure of itself it defies all genres, conventions, and expectations. He found a perfect balance between not caring what the audience thinks about his movie without alienating or insulting his audience with how much he doesn't care. No emotional manipulation or trying to cater to/please the widest possible audience here, which is so very refreshing. This is what he has to say. Take it or leave it. Love it or hate it. So, while it is not the best movie I have ever seen and has it's flaws, I am still giving it a very high rating for daring to be different. On a side note, taste in movies is extremely subjective, so I can understand and respect the reasons why other reviewers gave this movie such low ratings. However, I do not agree with the common practice of putting down other reviewers/calling them idiots for having different opinions. In a perfect world, I wish we could all just agree to disagree without being hateful/hurtful. Peace.

I normally like when arthouse touches on horror but this piece of crap didn't do anything for me. Neither as a drama nor a genrefilm.

And the 30 minute scene of Kirsten Stewart texting is by far the most laughable non-cinematic experience I've ever had. The director needs o go back to film school.

First it seems like a haunted house trope, but no, then a ghost hunt, nope, then some kind of mystery thriller, but neither... It´s ultimately a grief film that drags on and on, relying exclusively on Kristen Stewart to sustain everything. It´s so subtle is almost not even there. To people who might make it to the end here´s a fine minimalistic drama that holds back from many clichés, a serious story, too serious maybe. There are a couple of great moments but it isn´t really rewarding. It just disguises a realistic drama as a ghost story, which is not the best idea cause it calls for an audience bound to be disappointed. I´m trying to like it but it´s just not good enough, it seems to add slightly relevant events just to fill the runtime. And it is confirmed, Kristen Stewart can´t smile. She tries at one point and it was like watching Wednesday Addams all over again.