Das Internat: Zum Schweigen verurteilt
Originaltitel: Gyeongseonghakgyo: Sarajin sonyeodeul
- 2015
- 1 Std. 39 Min.
IMDb-BEWERTUNG
5,7/10
4023
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA sickly girl Ju-ran transfers to a new sanatorium boarding school to regain health. But she discovers that students are disappearing and notices abnormal changes happening to her body. She ... Alles lesenA sickly girl Ju-ran transfers to a new sanatorium boarding school to regain health. But she discovers that students are disappearing and notices abnormal changes happening to her body. She tries to discover what secret is hidden.A sickly girl Ju-ran transfers to a new sanatorium boarding school to regain health. But she discovers that students are disappearing and notices abnormal changes happening to her body. She tries to discover what secret is hidden.
- Auszeichnungen
- 6 Gewinne & 6 Nominierungen insgesamt
Kim Dong-hyun
- Driver
- (as Kim Dong-Hyun)
Park Joo-hee
- Joo-Ran's Mother
- (as Joo-hee Park)
Park Sung-yeon
- Counselor
- (as Seong-yeon Park)
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It was perhaps a good film, but its style was a bit confusing. Individual scenes were suddenly cut off for no apparent reason, with the missing part shown much later in flash-back.
And unless you have a lot of friends or acquaintances that are oriental you might have trouble keeping track of the characters. (The old "they all look alike" cliché.)
For an OWM (old white male) like me, it especially didn't help that not only did most of the characters look very similar, they all wore identical clothing. The scenes that were fast paced didn't give me enough time to figure out who is who.
Just to make it worse, each character had two different names (their real name and their school name), and to top it off, one of the names was used for two different characters.
Being able to recognize the difference between Korean and Japanese might help too.
I suspect I'd like it better if I watched it a second time.
And unless you have a lot of friends or acquaintances that are oriental you might have trouble keeping track of the characters. (The old "they all look alike" cliché.)
For an OWM (old white male) like me, it especially didn't help that not only did most of the characters look very similar, they all wore identical clothing. The scenes that were fast paced didn't give me enough time to figure out who is who.
Just to make it worse, each character had two different names (their real name and their school name), and to top it off, one of the names was used for two different characters.
Being able to recognize the difference between Korean and Japanese might help too.
I suspect I'd like it better if I watched it a second time.
The Silenced is by no means your ordinary supernatural film featuring teenage students in a school of Victorian setting. Sure, it has the elements above featured in the film. But Director Lee Hae-young bravely mixed and revolutionized them into a horror tale of colonialism. Sadly though, it never reached its potential to stand out and will leave the audience divisive.
Set in 1938 during the Japanese occupation in Korea, a sick young girl named Ju-ran/Shizuko (Park Bo-young) is transferred into a girls' boarding school that is disguised as a sanitorium to recover her health. Through its tame opening, there's an eerie and creepy atmosphere as we follow Ju-ran entering the boarding school. When Ju-ran arrives, the film successfully distinguishes itself from typical boarding school horror films. All of these kids look fine. There's no signs of supernatural being in the school. But the chills that I got tell my senses that something's wrong and glued my eyes to the screen.
As Ju-ran settled, the film seems more straight to a slow drama where she bonds with her new friend Yeon-deok (Park So-dam) and tries to adapt to her new environment. However, Lee Hae-young smartly inserts some disturbing moments and behaviors from Ju-ran surroundings that reminding us this is still a horror film. Those moments are greatly balanced with the drama of Ju-ran and Yeon-deok's bonding and made the first act a pleasant time to watch.
Slowly, however, Ju-ran started to sense something is wrong with the school from her friends and teachers as well as her treatment. I really appreciate how Hae-young decided to not approach the films with typical jump scares, but rather, with slow-burning atmosphere building to terrorize the audience. This is achieved through most of the supporting cast performances that make the audience experience spine-chills and how the abnormal moments are inserted in unexpected places. Unfortunately, these potentials are never achieved as the film second-act being too slow, dwindling anywhere without moving the story forward added with its beautiful yet misplaced music cues that lose the film tension.
Still, even when the story didn't move forward, the character did develop and there's still an emotional attachment that audience could relate to. I personally love on how Ju-ran changes not only from her health but socially as she became braver to interact with others and her speech being more fluent. Park Bo-young, who's performance is popular from A Werewolf Boy (2012), shows more range of talent in this film. The breakthrough are from Park So-dam though, who already attracts me from its charming aura yet a cool demeanor that is so similar from Parasite (2019). Praise also needs to be given to the production team and cinematographer Kim Il-Yeon that beautifully captures the visuals, making the film bearable to watch even with its flaws.
The audience might be divided on how the mystery was resolved. As I mentioned several times above, this is by no means a typical Victorian horror. There's a social context mix with a history of colonialism that truly creates a horrifying moment for those who could relate. However, for those that don't, the revelation could be off-putting and the third act could appear to be ridiculous and over-the-top. Personally, I did felt the latter but I can't deny that I enjoy it and still have sympathy for all of the characters thanks to its strong development in scriptwriting.
The film is a mix-bag. However, if you're bored watching typical horror films and try to find a slow-burning terror with great characters and cinematography, then The Silenced might be a recommended choice for you.
Set in 1938 during the Japanese occupation in Korea, a sick young girl named Ju-ran/Shizuko (Park Bo-young) is transferred into a girls' boarding school that is disguised as a sanitorium to recover her health. Through its tame opening, there's an eerie and creepy atmosphere as we follow Ju-ran entering the boarding school. When Ju-ran arrives, the film successfully distinguishes itself from typical boarding school horror films. All of these kids look fine. There's no signs of supernatural being in the school. But the chills that I got tell my senses that something's wrong and glued my eyes to the screen.
As Ju-ran settled, the film seems more straight to a slow drama where she bonds with her new friend Yeon-deok (Park So-dam) and tries to adapt to her new environment. However, Lee Hae-young smartly inserts some disturbing moments and behaviors from Ju-ran surroundings that reminding us this is still a horror film. Those moments are greatly balanced with the drama of Ju-ran and Yeon-deok's bonding and made the first act a pleasant time to watch.
Slowly, however, Ju-ran started to sense something is wrong with the school from her friends and teachers as well as her treatment. I really appreciate how Hae-young decided to not approach the films with typical jump scares, but rather, with slow-burning atmosphere building to terrorize the audience. This is achieved through most of the supporting cast performances that make the audience experience spine-chills and how the abnormal moments are inserted in unexpected places. Unfortunately, these potentials are never achieved as the film second-act being too slow, dwindling anywhere without moving the story forward added with its beautiful yet misplaced music cues that lose the film tension.
Still, even when the story didn't move forward, the character did develop and there's still an emotional attachment that audience could relate to. I personally love on how Ju-ran changes not only from her health but socially as she became braver to interact with others and her speech being more fluent. Park Bo-young, who's performance is popular from A Werewolf Boy (2012), shows more range of talent in this film. The breakthrough are from Park So-dam though, who already attracts me from its charming aura yet a cool demeanor that is so similar from Parasite (2019). Praise also needs to be given to the production team and cinematographer Kim Il-Yeon that beautifully captures the visuals, making the film bearable to watch even with its flaws.
The audience might be divided on how the mystery was resolved. As I mentioned several times above, this is by no means a typical Victorian horror. There's a social context mix with a history of colonialism that truly creates a horrifying moment for those who could relate. However, for those that don't, the revelation could be off-putting and the third act could appear to be ridiculous and over-the-top. Personally, I did felt the latter but I can't deny that I enjoy it and still have sympathy for all of the characters thanks to its strong development in scriptwriting.
The film is a mix-bag. However, if you're bored watching typical horror films and try to find a slow-burning terror with great characters and cinematography, then The Silenced might be a recommended choice for you.
Usually the South Korean Cinema makes very great movies and quite often memorable horror movies. However, it would be impossible to keep making such movies. And "The Silenced" (aka "Gyeongseonghakyoo: Sarajin Sonyeodeul") was a deviant from the usual impressive line of horror movies to make it out of South Korea.
I hadn't heard about "The Silenced" before I stumbled upon it while browsing the horror selection on Netflix. Being a fan of the horror genre and being particular fond of Asian movies, then of course I would give "The Silenced" a go. However, it turned out to be a less than mediocre experience.
The story is about a girl who is sent to a remote boarding school where things seem quite out of place. And in order to survive, the new student must uncover the secrets stored within the walls of the school.
"The Silenced" wasn't scary at all, it was not even a thriller; it was, a best a mystery laced with supernatural elements. As such, then it was a major disappointment, because I had expected it to be more within the typical horror genre; a genre that South Korean Cinema does so well.
It should be said that the acting in the movie was quite good, and that is what kept me sticking with the movie to the very end. Even after that preposterous turn of events after the reveal of what was actually going on.
The story in "The Silenced" just wasn't particularly riveting, nor was it particularly memorable. I have seen the movie to the end, but I am sure that the movie will soon fade from memory, because it just didn't manage to find any foothold.
"The Silenced" was a disappointing movie to me, and as such I am rating it a mere 4 out of 10 stars. If you enjoy a good South Korean horror movie, then there are far better choices available.
I hadn't heard about "The Silenced" before I stumbled upon it while browsing the horror selection on Netflix. Being a fan of the horror genre and being particular fond of Asian movies, then of course I would give "The Silenced" a go. However, it turned out to be a less than mediocre experience.
The story is about a girl who is sent to a remote boarding school where things seem quite out of place. And in order to survive, the new student must uncover the secrets stored within the walls of the school.
"The Silenced" wasn't scary at all, it was not even a thriller; it was, a best a mystery laced with supernatural elements. As such, then it was a major disappointment, because I had expected it to be more within the typical horror genre; a genre that South Korean Cinema does so well.
It should be said that the acting in the movie was quite good, and that is what kept me sticking with the movie to the very end. Even after that preposterous turn of events after the reveal of what was actually going on.
The story in "The Silenced" just wasn't particularly riveting, nor was it particularly memorable. I have seen the movie to the end, but I am sure that the movie will soon fade from memory, because it just didn't manage to find any foothold.
"The Silenced" was a disappointing movie to me, and as such I am rating it a mere 4 out of 10 stars. If you enjoy a good South Korean horror movie, then there are far better choices available.
As someone who knows next to nothing about what makes a movie "good" and has no standards, I liked this movie. It certainly wasn't "horror", but it had good twists and the ending made me cry because I'm a baby who cries about everything. It was all very well acted and good enough (for me) to watch like 3 times. If you too have low movie standards, you'll probably enjoy this.
You can ask yourself many things with this. From morality (to mortality I guess), to group dynamics, to children with bad influences to bullying. Of course it's not that the movie points everything out, or spells everything out. Also for a movie playing mostly inside a building, this is very "far out"! There are some pretty strange things going on and by the end of it you will catch up.
Of course, the end will split a lot of people. Because while we are aware this is nothing ordinary, what we get to see is way extra ordinary. Is that something the movie can pull off? I'd say more no than yes, but it depends on the viewer. It's well done overall and it can be a pleasant watch, if you let it
Of course, the end will split a lot of people. Because while we are aware this is nothing ordinary, what we get to see is way extra ordinary. Is that something the movie can pull off? I'd say more no than yes, but it depends on the viewer. It's well done overall and it can be a pleasant watch, if you let it
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- WissenswertesDuring the argument between the Japanese officer and the Headmistress, the officer's haircut is very casual by Japanese military standards of that era. It looks more like a contemporary style. It's doubtful that a Japanese officer, or enlisted soldier, would have been allowed to wear his hair in such a way, as the style would more likely have been either closely cropped or very closely trimmed along the edges.
- PatzerThe fidelity of the props to the setting of Japanese Empire in Korea during the late 1930's is actually quite impressive. However, one detail kept cropping up over and over, and that is the intravenous (IV) equipment. What I see are spiked drip chambers using clear plastic and topped by white plastic spikes. Plus, the fluid runs through clear IV tubing regulated by white plastic roller-type flow regulators. These did not exist in the '30's. The standards of the time utilized rubber "surgical" tubing, metal thumb clamps, and rate controlled by eyeballing fluid volume administered over a given time, such as 4 ounces per hour. This would be read off of a scale printed or cast molded onto the side of the bottle.
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- Weltweiter Bruttoertrag
- 2.457.364 $
- Laufzeit1 Stunde 39 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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By what name was Das Internat: Zum Schweigen verurteilt (2015) officially released in India in English?
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