My Sweet Audrina

My sweet audrina is one of the best books I've ever read. This movie however is awful. The acting is terrible and I can't seem to figure out why Arden and audrina seem to have Scottish accents??? If you enjoyed the book save yourself and do not watch this garbage excuse for a movie.

V.C. Andrews is a great writer, her movies are beautifully reproduced in these telemovies MySweet Audrina is no exception, and the addition of the music box music makes the story complete, Other notables are Heaven and of course Flowers In The Attic. It is such a refreshing change to all these Marvel vs DC movies. Class is the only way to describe these Stories.

Having not read the novel it originated from, I was able to go into My Sweet Audrina totally cold with no knowledge of the story except that it was billed as a creepy, gothic family drama much like V. C. Andrews' more popular Flowers in the Attic which I enjoyed.

Perhaps it was the Lifetime trope of speeding up the events of the story to squeeze in as much into 90 minutes as possible that caused this movie to fall flat to me or maybe it was the awkward acting by just about everyone in the film, but this one was a dud to me. As I was watching, I could tell the concept and story itself were interesting and strong, but the adaptation felt off. The filmmakers aren't allowed to let moments flow naturally and everyone's at the same emotional pitch throughout most of the movie. Things happen so fast and there's not enough time for the actors, characters, or audience to deal with some of the pretty insane things that happen throughout the movie.

When she was nine-years-old, something awful happened to Audrina. This character is referred to as "the first Audrina." The tragedy has caused everyone to go crazy. The parents have another Audrina and try to protect her from the same awfulness by secluding her in the family mansion. This "second Audrina" is home-schooled. Also, she is forbidden to associate with the surrounding community. However, when a sexy piano teacher offers lessons, brooding papa James Tupper (as Damian Adare) lets the alluring young India Eisley (as Audrina) share the handsome man's piano seat. Strange. Modestly costumed, but in sultry make-up, Ms. Eisley's only friend is sisterly sexpot Tess Atkins (as Vera). Finally, although he supposedly only knows her as the village freak, muscular blond William Moseley (as Arden Lowe) has fallen madly in love with Eisley...

The above set-up really doesn't make much sense. However, the situations do become clear, by the end of the story. It's not a bad story, but what this TV movie does is show us the highlights in long family mystery. Unfortunately, events just happen. There is little attempt to build a mystery or piece them together. We are shown, not guided or told. The emphasis is clearly on sex fantasies. Apparently, this is the main thrust (sorry) of the assignment given director Mike Rohl and his crew. The performances are all highly sexualized. You don't see much sex, by the way, since this movie is geared toward foreplay and fantasy. The problem is... the story really wasn't about sex. The violent incident triggering the drama, and its repercussions, are lost in the mix. The best you can say that is everyone looks sexy and the photography, by James Liston, is outstanding.

**** My Sweet Audrina (2016-01-09) Mike Rohl ~ India Eisley, William Moseley, James Tupper, Tess Atkins

Audrina Adare (Farryn VanHumbeck) lived in isolation with with her father Damian (James Tupper), mother Lucietta, aunt Ellsbeth and cousin Vera (Kacey Rohl) in a mansion. She lived in the shadow of her dead sister namesake. She is confused with time and lost memories. Vera constantly taunts her. Her father pushes a connection with the original Audrina. Arden Lowe is a local boy in love with Audrina. Lucietta dies in childbirth and baby Sylvia is autistic. Years later, Audrina (India Eisley) takes piano lessons from Lamar Rensdale while Vera (Tess Atkins) flirts.

This starts off like a moody horror movie. In the end, it's only a spooky mystery. Kacey Rohl should have stayed as Vera. The change in Audrina actresses is acceptable and Arden is inevitable. Rohl could easily play all the different ages. India Eisley has the innocent fragility and beauty for the part. Her speaking voice does mumble her lines sometimes which isn't the greatest for a lead. The middle is a lot of slow rambling sexual melodrama. It's somewhat aimless. It needs a direction and the simplest is Audrina researching her namesake predecessor. By the end, the reveal doesn't satisfy as much as releases the movie from its expectations.