Yeonpyeong haejeon

Northern Limit Line is a portrayal of the 2002 "Second Battle of Yeonpyeong" (the first having been a somewhat similar encounter a few years earlier) in which North Korean warships attacked two South Korean patrol boats in disputed waters on the west coast of Korea. (The title refers to the maritime boundary that (in the US and ROK view) was established in the 1953 armistice, but which is not accepted by the DPRK.) Some of the external reviews complain that the film is bifurcated -- the first part establishing the personalities and interactions of the crew, and the second part dealing with the battle itself. This, while accurate, seems to miss the point: The message of the film is that a nation's battles are not fought by either flawless heroes or by oppressed victims. Rather the film presents a ship's crew that is both a proud and disciplined unit controlled by a hierarchical order of command and a group of individuals with their own ambitions, dreams, fears, friendships, and dislikes. When a unauthorized party or watching a soccer game on an unauthorized link is interrupted by a general stations drill, the sailors show they are displeased, but they go to their stations. In fact, my sense was that, in contrast to the reviewers' opinion it is the first part of the film, not the second to which non-Koreans and those of us who have never served in the military should pay most attention. The concept of showing the character of relationships in a military unit is pretty much a standard war movie device, but what makes this special is that the relationships are distinctively Asian. True, there are resemblances to how any collection of young men (and int the film, also a young female officer) in a military unit move between the highly structured military role and being typical late adolescents. But in a way that is hard to define, but comes across clearly, there is a special Asian (and presumably particularly Korean) character to the interrelationships -- the way they talk, the things they seek, what annoys them, the way they trick the system in which they nonetheless take pride. In my view, without that establishment of context, the second part --the battle itself - would be just another action sequence and much less involving for the viewer -- especially, one suspects, for a Korean audience. We come to care deeply about what happens to these kids when the North Korean ship turns a routine encounter at sea into a pitched battle. The combat scenes are presented with a candor and explicitness about what war is really like-- the chaos, the terror, the determination, the failures and bitter costs -- that few if any American war flicks would risk. In particular, I have seldom seen a film that is as uncompromisingly honest about what battle wounds look like-- would an American film show, as Northern Limit Line does --the severed arm of one of the central characters lying next to the hemorrhaging stump? Certainly, the film takes a unequivocally pro-South Korea perspective -- it is quite explicitly a tribute to the skill and dedication of the nation's navy. But it is both brutally honest about what war means and, in a rather more low key way, critical of the civilian population who are cheering at a big soccer match while the battle goes on. That the civilian don't know about the battle and pay due honor to their nation's soldiers afterward makes their innocent detachment from the sacrifices of the sailors who are fighting all the more poignant.

I absolutely fell in love with the characters, and how they interacted with one another. The film was a little slow moving in the beginning as we get to know the characters, but it was all good. The climatic battle scene was hard-hitting and quite emotional. A maritime war movie well done!

Extremely displeased that both Japan and South Korea would act as hosts for the 2002 World Cup, the government of North Korea is determined to tarnish these athletic games at all costs. So in order to do that they decide to ambush a South Korean gunboat named Chamsuri 357 in the Yellow Sea. This film essentially covers that battle but first devotes some time developing some of the characters involved in the conflict with one key sailor by the name of "Park Dong-Hywok" (Hyun-Woo Lee) featured most prominently. Other notable characters include the commander of the boat "Captain Yoon Young-Ha" (Mu-Yeol Kim) and a shipmate of Park Dong-Hyeok by the name of "Staff Sergeant Han Sang-Kook" (Goo Jin). Now as far as the overall movie is concerned I thought that the director (Hak-Sun Kim) did a reasonably good job in setting the stage which greatly increased the emotional impact of the human component at the end. On the other hand, I thought that the actual battle scene was much too prolonged and I likewise didn't care for the manner in which the sporting events were so randomly mixed in either. In any case, I thought that this was a good film for the most part and have rated it accordingly. Slightly above average.

Found this movie while surfing for something to watch.

Korean language with English subtitles.

It was a gripping and entertaining movie to say the least.

Well worth the watch.

Based on true events and a lasting legacy to those who perished that day.

Definitely leaves you looking for those kleenex at the end to wipe those tears.

As with any movie there are gaffs that nitpicking people will point out. So what?

This movie delivers across many fronts and is definitely guaranteed to not be a disappointment.

With all the drivvle coming out of hollyweird these days, pleasure your mind with a good movie like this.

Full Disclosure; I like foreign movies, especially war movies as depicted by what ever nation is portrayed. This movie ranks as one of the best with Tae Guk Gi. The battle scene is well done. Watch it....I bought the Blu-Ray after reading reviews about it. Glad I did. If you can see it on NetFlix by all means go for it!