IMDb-BEWERTUNG
6,7/10
16.452
IHRE BEWERTUNG
Eine junge Autistin flüchtet vor ihrer Betreuerin, um ihr Manuskript für einen "Star Trek"-Schreibwettbewerb einzureichen.Eine junge Autistin flüchtet vor ihrer Betreuerin, um ihr Manuskript für einen "Star Trek"-Schreibwettbewerb einzureichen.Eine junge Autistin flüchtet vor ihrer Betreuerin, um ihr Manuskript für einen "Star Trek"-Schreibwettbewerb einzureichen.
Domonique Brown
- Self
- (as Dominique 'Big D' Brown)
Madeleine Noel Murden
- Young Audrey
- (as Madeleine Murden)
Empfohlene Bewertungen
Dakota Fanning continues to prove herself to be a solid actress, and that is clearly evident in Please Stand By. I felt she did an admirable job of portraying some of the things that can come with autism. There were only a couple of scenes where I felt she might have let the mannerisms drop a little too much, but otherwise she was spot on. However, I do struggle at times with movies like this, because I wonder how much research they put into the realities of being on the spectrum. It can often seem they steer too dramatically into the extremes of the disorder, and also that they infantilize those who are dealing with it. But I'm no expert, so I suppose if those who know more than me have not raised an uproar about this film, then it's probably fine. I did appreciate that they made the main character extremely relatable and likable, so we were able to quickly get on her side. You can understand where she's coming from and you want to see her succeed.
I had fun with the journey that she goes on throughout the movie, and I appreciated the relative simplicity of her goal. I've never been a huge fan of Star Trek, but I connected with all the references, and liked how the story she had written was used as a parallel to her own life experiences. There are some tough-to-watch moments in the movie, and you certainly lose faith in humanity a couple of times because of the ridiculous behavior of certain individuals. Aside from those scenes, though, Please Stand By is a heartwarming story. The end is a strange mix of disappointing and uplifting, and I thought that played well, even if it seemed her reaction to how things were resolved was a bit out-of-character. There were a few other minor things that bugged me, because I detected story inconsistencies that would make no sense for someone who lived such a regimented life, but I had to let those things go because they were nitpicks at best. Despite its flaws, Please Stand By was a solid movie and one that sheds a positive light on people with autism, which is always a good thing.
I had fun with the journey that she goes on throughout the movie, and I appreciated the relative simplicity of her goal. I've never been a huge fan of Star Trek, but I connected with all the references, and liked how the story she had written was used as a parallel to her own life experiences. There are some tough-to-watch moments in the movie, and you certainly lose faith in humanity a couple of times because of the ridiculous behavior of certain individuals. Aside from those scenes, though, Please Stand By is a heartwarming story. The end is a strange mix of disappointing and uplifting, and I thought that played well, even if it seemed her reaction to how things were resolved was a bit out-of-character. There were a few other minor things that bugged me, because I detected story inconsistencies that would make no sense for someone who lived such a regimented life, but I had to let those things go because they were nitpicks at best. Despite its flaws, Please Stand By was a solid movie and one that sheds a positive light on people with autism, which is always a good thing.
Similar to the Asperger's Syndrome film "Adam" of a decade earlier, "Please Stand By" tells of a 21-year-old autistic woman thrust into the sudden need to be self-sufficient, styled in the format of a traditional Road Movie. Quality casting and acting fail to overcome scripting issues that result in a timid, unfortunately bland result.
At the advance screening I attended, in the audience discussion following the showing a viewer disparaged the movie by comparing it to a Hallmark Channel TV movie. That was a bit harsh, but it did suffer from being well-meaning but low impact.
Dakota Fanning exquisitely plays the young girl living at a communal house run by ever-patient Earth Mother Toni Collette, with her regimented daily routine clearly set out, right down to which sweater she must wear each day of the week. Cutesy gimmick dominating the film in Michael Golamco's facile script has her obsessed with her 400-plus-page screenplay to be completed for a Paramount Pictures writing competition.
In order to meet an impending deadline she sets out by bus from Oakland to Los Angeles to hand in her script, and scripter Golamco, a graduate of the "Grimm" TV series, piles on the problems she encounters on the road. Notably she is robbed by a mean-spirited couple, replete with baby in tow, and even suffers a concussion from a crash after being befriended by wonderful Marla Gibbs, out shopping via Shuttle Bus from her retirement home.
The real issues underlying the care for an autistic relative are brought to light by the role of Dakota's older sister, very well-played by Alice Eve in a departure from her usual "too beautiful for words" casting. However, I was heavily distracted by the sister act in that even in home movies of the duo as young kids, all I could think of was Dakota and her real-life acting sister Elle, the logical if too obvious casting for such a picture, in which Elle would have gotten Dakota's role here.
Self-indulgence by Golamco is fatal to the overall effect of the picture, especially in many contrived scenes aiming too blatantly at warmth, typified by an otherwise amusing conversation in the Klingon language (!) between Fanning and an ultra-kindly and far, far from realistic cop who was chasing her. Ultimately the semi-happy, upbeat ending, a bit in the "Go the distance" cliche vein of Stallone's "Rocky" ties the bow on this ephemeral package.
It suffered from what I term the Indie Syndrome, as over the past four decades the notion of Indie Films has been raised on a pedestal and marketed to an audience as an alternative to commercial cinema. Certainly indies such as the first films of artists like John Sayles, Spike Lee, Kathryn Bigelow, Wayne Wang and the Coen Bros. made their mark, but the originality and even quirkiness of these fledgling efforts of 30-plus years back have given way to a mundane sameness in recent "indie" product. "Please Stand By" is typical: attracting top talent to play meaty roles for the love of their art (rather than big pay-days) in a resulting film that is minor and low-key almost on purpose. The pretentiousness of a "Big Picture" is thankfully lacking, but also is the demonstration of importance.
At the advance screening I attended, in the audience discussion following the showing a viewer disparaged the movie by comparing it to a Hallmark Channel TV movie. That was a bit harsh, but it did suffer from being well-meaning but low impact.
Dakota Fanning exquisitely plays the young girl living at a communal house run by ever-patient Earth Mother Toni Collette, with her regimented daily routine clearly set out, right down to which sweater she must wear each day of the week. Cutesy gimmick dominating the film in Michael Golamco's facile script has her obsessed with her 400-plus-page screenplay to be completed for a Paramount Pictures writing competition.
In order to meet an impending deadline she sets out by bus from Oakland to Los Angeles to hand in her script, and scripter Golamco, a graduate of the "Grimm" TV series, piles on the problems she encounters on the road. Notably she is robbed by a mean-spirited couple, replete with baby in tow, and even suffers a concussion from a crash after being befriended by wonderful Marla Gibbs, out shopping via Shuttle Bus from her retirement home.
The real issues underlying the care for an autistic relative are brought to light by the role of Dakota's older sister, very well-played by Alice Eve in a departure from her usual "too beautiful for words" casting. However, I was heavily distracted by the sister act in that even in home movies of the duo as young kids, all I could think of was Dakota and her real-life acting sister Elle, the logical if too obvious casting for such a picture, in which Elle would have gotten Dakota's role here.
Self-indulgence by Golamco is fatal to the overall effect of the picture, especially in many contrived scenes aiming too blatantly at warmth, typified by an otherwise amusing conversation in the Klingon language (!) between Fanning and an ultra-kindly and far, far from realistic cop who was chasing her. Ultimately the semi-happy, upbeat ending, a bit in the "Go the distance" cliche vein of Stallone's "Rocky" ties the bow on this ephemeral package.
It suffered from what I term the Indie Syndrome, as over the past four decades the notion of Indie Films has been raised on a pedestal and marketed to an audience as an alternative to commercial cinema. Certainly indies such as the first films of artists like John Sayles, Spike Lee, Kathryn Bigelow, Wayne Wang and the Coen Bros. made their mark, but the originality and even quirkiness of these fledgling efforts of 30-plus years back have given way to a mundane sameness in recent "indie" product. "Please Stand By" is typical: attracting top talent to play meaty roles for the love of their art (rather than big pay-days) in a resulting film that is minor and low-key almost on purpose. The pretentiousness of a "Big Picture" is thankfully lacking, but also is the demonstration of importance.
I like Please Stand By a lot - especially the performance by Dakota Fanning as our autistic heroine is excellent. The story is here and there maybe a little too predictable and sugar candy but there is also a good shot of bitter-sweet pain. All in all a fine little flick that shows a little fairy tale embedded in every day life. My rate = 6 + 1 for Dakota's superb game.
Not sure which movie the two who slated this movie watched but I thought Dakota was as great. I've lived with an autistic person and it's so difficult to get it right because they are all different. This is a good feel movie and was directed perfectly.
If you're not a Star Trek fan, don't be put off, it's a minor sub plot.
Great film which shows some of the struggles autistic people suffer everyday but with a lighthearted take.
Worth the watch!
Wusstest du schon
- WissenswertesThough they never ran a screenwriting contest, the production teams of Raumschiff Enterprise: Das nächste Jahrhundert (1987), Star Trek: Deep Space Nine (1993) and Star Trek: Raumschiff Voyager (1995) allowed amateur writers in the general public to submit episode scripts for consideration, some of which were used in their series while they were on the air.
- PatzerAs Scottie drives to get Wendy from the police station, her car is missing the rear license plate. When she pulls up to the parking, the license plate is back.
- Zitate
Scottie: She's trying to get to L.A. and turn in a script for this competition.
Sam: Is it any good?
Scottie: What's that?
Sam: The script.
Scottie: Oh, I could only get a few pages in. I don't get it.
Sam: What don't you get?
Scottie: Okay, so, I know he's the hero of Star Wars. But who exactly is this Kirk person?
Sam: Please, crash this car right now because we both deserve to die!
- Crazy CreditsDuring the closing credits, Wendy's small dog Pete finds his way back to her childhood home instead of the group home which she resided.
- VerbindungenFeatured in Half in the Bag: 2018 Catch-Up (part 2 of 2) (2018)
- SoundtracksEveryday Pleasures
Written by Mark Richmaond Philips, Yoav Goren and Jeffrey Fayman
Courtesy of 5 Alarm Music obo One Revolution Music
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Un nuevo camino
- Drehorte
- Produktionsfirmen
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Box Office
- Bruttoertrag in den USA und Kanada
- 9.868 $
- Eröffnungswochenende in den USA und in Kanada
- 4.090 $
- 28. Jan. 2018
- Weltweiter Bruttoertrag
- 406.732 $
- Laufzeit
- 1 Std. 33 Min.(93 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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