Einfach das Ende der Welt

I've read some negatives review for this film and disagree completely with all of them. It's a brilliant film centered around dysfunctional family dynamics, with all the associated emotions and behavior. Yes, there is yelling. Yes, there is tension. Yes, there are close-ups and moments of silence. And they all converge into a very deep and touching story (which was the whole purpose!!!)

The cast was perfect. The music was perfect. The images were perfect.

Xavier Dolan is a genius. He was inspired by the play "Juste la fin du monde" but turned it into something completely different. It's not a Hollywood story, please keep that in mind. This is the kind of movie that challenges you (and that only adds to its value).

Critics shouldn't be criticizing films they don't understand. Xavier Dolan's movies are extremely subtle in their acting and dialogues which I think makes it more difficult for non-French speakers to understand. This is especially true for this film since the movie is based upon the impossibility to communicate. That's probably why most of the bad reviews come from American newspapers. I mean, I'm French and I honestly admire non-French speaking fans of Dolan because subtitles aren't enough to communicate the subtlety of each word and tone. Aside from that it's only a matter of taste.

I agree on the fact that some characters are a bit stereotyped, especially during the scenes in which the whole family is gathered. However each actor has a scene in which they speak in private with Louis and that's when their characters get interesting. The film is aesthetically brilliant and allows you to understand things only eyes can communicate. The movie constantly creates an emotional tension, something I've rarely felt.

Most of the critics did not like this movie. Their argument was that it had a great and promising cast, but that the combination didn't add up to much..a disappointment they said. Well, I do not agree at all. And after having seen "Mommy" I was convinced that the director couldn't have spoiled things going forward..if anything, he was even getting better. This is one of those movies that whispers something to you without you even knowing. A whisper about a dysfunctional family, wrong timing, memories trapped halfway between your throat and your mouth..Words left unsaid, and meanwhile, everyone eats, everyone smokes, lunch and dessert..white wine Not red. Old Home and the new.. An airport, a cup of coffee and a magazine. A song, a dance while the protagonist is standing outside looking inside himself while everyone is looking at him and staring, wondering why is he here and trying to read what he hasn't even written yet..They are all wondering whether he has the right to show up just like that after 12 years away from them. But isn't he the writer after all, the one with the burden..and the one with the choice? Should he or should he not? say something.. and why can't he leave just like he entered ...without disturbing the order of things. If only there was someone in the crowd who is able to understand his whisper, his slow gestures and his silent scream that keeps reverberating inside..and time strikes again and again. someone lifts him up under a gigantic blue sky. "Let's go for a drive". A drive down memory lane, a drive inside a family's heart, mind and soul. A highly emotional and daring movie, tensed, real, so real that it will take your breath away more than once. Highly recommended for its authenticity, great cast, pace, music, cinematography and the well deserved Jury Prize in Cannes 2016.

Somehow even worse than your run-of-the-mill terrible movies. "Waterworld" and "Catwoman" are basically benign. Xavier Dolan, with his big name cast, his pretensions of art-house cinematography, his maudlin dialogue, and his iMovie sound mixing, really insults the moviegoers. He thinks we'll eat up this kind of crap-- and, if Cannes is any indicator, we totally have.

I really think that the only real pleasure anyone can derive from watching this Lifetime-Movie-knockoff of a film is by turning around in your seat and watching everyone try to maintain the 'studious cinephile' straight face while watching a slow-motion tear fall from Vincent Cassel's eye. There's also a winning bit with the "Numa Numa" song played over images of children frolicking through a field at dusk. Nostalgia.

b.r.i.l.l.i.a.n.t! I saw this movie at TIFF on Sept. 17 and it was the first Dolan film I've seen. It deserves the award it received at Cannes! Despite all the shouting and intensity, this film conveys with subtlety, suggestive dialogue and glances, the range of emotions felt by different members of a family when there has been an unexplained loss of another family member. Even though the main character, Louis, is still alive and returns to the family, they react as if he has returned from an unexpected death. They range from guilt, rage, idealization, and denial.The close-up filming style also reveals each family member's pain in intimate detail. Dolan is brilliant in his interpretation of that family's deep pain and Louis's coming to terms with not only his own impending death but the "death" the family already has had to deal with when he went away the first time.