Das unbekannte Mädchen

Dr. Jenny Davin is a caring doctor. One evening She hears a knock on the surgery's front door after closing time and decides to ignore it. The next day, the body of the unknown visitor found on the banks of the Meuse and it's not from natural causes. With the help of security camera footage, Jenny decides to find out the identity of the unknown visitor. The story of the movie is very intimate and like Dardenne brothers previous movies, this film also focuses on a female character. Jenny's character was nicely handled by Haenel. They always place the female character in an unfamiliar situation. Like 'Two Days, One Night' this film also follows some door to door conversation. Overall, it's a one time watchable investigation drama and Haenel's caring character was one of the best things that happened in this film.

"The Unknown Girl" is one of the most refreshing and original pictures to come out in several years. It is a character study of a female doctor coming to grips with her conscience as she ignores a frantic after-hours caller who is subsequently killed. She becomes a part- time detective to find out what happened to the girl, becoming obsessed at the expense of her practice and at considerable risk to her own safety.

French actress Adele Haenel gives a thoughtful, understated performance as the doctor/ detective. She is in nearly every scene, wearing a hooded parka out of season and with a determined innocence and disregard for normal investigative procedure, which she improvises as she goes. The film achieves the 'suspension of disbelief' necessary for films to work, and receives great assistance from an almost-perfect mise en scene on the streets of Liege, Belgium. It becomes real, for an hour and 50 minutes. Ignore bad reviews and see if you agree it is as close to perfection as filmdom can get.

"A good doctor is not emotional," maintains Dr. Jenny Davin. "If you are moved by a patient's suffering, it causes a bad diagnosis." Dr. Davin runs a medical clinic in Liege and is moving swiftly up the career ladder. Late at night the clinic door buzzer rings. There is a young woman and a plea for help. The plea is ignored. Dr. Davin wants her good doctor mantra to stick for her office intern. "She will come back tomorrow," says Dr. Davin of the unknown girl. Yet the next day the woman, an immigrant, is found dead. Consumed by guilt, Dr. Davin searches for clues to who this woman is and why she died. In this way Dr. Davin enters an underworld in the community, full of fear and manipulation, that she never knew of before and from which she may not return.

The film explores enticing themes; immigrants trapped in a web of fear, finding the balance between too much emotion and too little, and – the most beguiling – the right amount of emotion for a doctor to utilize in their trade. "Wouldst thou, then, have preferred the condition of a weak woman, exposed to all evil, and capable of none?" Dr. Rappaccini asks his daughter Beatrice, in Hawthorne's wonderful story. "I would fain have been loved," answers Beatrice "not feared." Dr. Davin walks the same line between love and fear, empathy and professional judgment, arrogance and weakness, . . .

The Dardenne brothers are masters at their trade. They specialize in portraying economic and social justice, as they do here. It is a slow-paced, yet seducing film. It is two weeks after I saw the film and the lessons it teaches linger. The story simmers in a tantalizing way in my mind. Seen at the Miami International Film Festival.

When you settle down to watch a Dardenne brothers film, you know you'll be put through the wringer. Desperate people, harrowing situations--your emotions will be put to the test. I wanted to yell at Jenny Davin at several points "You are not a character in a Dostoevsky novel! Don't take all this grief on yourself!" But so compelling is the story, and so successful is Adele Haenel at embodying this young doctor, that my sang froid soon returned.

The stalwarts Jeremie Renier and Olivier Gourmet contribute solid performances here, and bit players are often effective (the black actor playing the pimp is really scary) but it's Haenel you'll remember for a long time. She was the girl on a survival course in Les combattants, and the really vain teenager in Naissance des pieuvres; now she has made a really important title for her filmography.

It's a small and dull city as many other in Belgium and Europe. It is inhabited by a mixed population, 'local' Europeans, more recent but well integrated Europeans (some of them are police inspectors), recent immigrants, some legal, some not. Again, as in many other cities of Belgium and Europe. This quite typical landscape of a place like many other in an Europe in change is the setting for 'La fille inconnue' the most recent film of brothers Jean-Pierre Dardenne and Luc Dardenne and as in many of their recent movies the characters fight not only the dullness of life and problems in communication but also face moral choices and need to assume responsibility for their acts.

The lead character is a young doctor in the community, who deeply cares about her patients. Being just a professional is not enough if you are a physician, this kind of message is quite obvious and smartly developed, as the best scenes in the film are the ones where we see doctor Jenny Davin interacting with her patients, taking care of their bodies but also of their life conditions and eventually of their souls. When faced with the guilt of not having answered a ring at the door much later than her work hours, which led to the tragic death of a young woman apparently followed by some bad people, the feelings of guilt will lead her to run her own inquiry with the main goal of discovering the identity of the victim and ensuring her family knows her fate, and that she is properly put to rest. This will let to the eventual discovery of the murderer, in a case that involves a non-negligible dose of shared responsibility of the people who surrounded her.

The film is very much based on the lead character, one of these people who are capable of showing compassion and giving almost everything in there personal lives in order to help their human fellows. From this point of view it resembles another film of the Dardenne brothers which I liked a lot - The Kid with a Bike (Le gamin au velo). There are bad people in this world, but there are also good ones, and it's worth making films about them - this seems to be the shared message of the two films. 'La fille inconnue' however lacks the magnetism of The Kid and although Adèle Haenel gives a remarkable performance, this is not enough to fill in for the lack of pace and the rather unconvincing ending. Brother Dardenne's characters may seem to good to be true, and they do not owe anybody an explanation for being so - that's fine, but in the absence of a solid motivation there need to be more dramatic substance in the story. This is exactly what is missing in this film, just seeing good people in action in a difficult community may be enough for a documentary, but not for a full feature.