Die wahre Geschichte des Tennismatches zwischen der damaligen Weltranglistenersten Billie Jean King und dem Ex-Champion und notorischen Chauvinisten Bobby Riggs im Jahr 1973.Die wahre Geschichte des Tennismatches zwischen der damaligen Weltranglistenersten Billie Jean King und dem Ex-Champion und notorischen Chauvinisten Bobby Riggs im Jahr 1973.Die wahre Geschichte des Tennismatches zwischen der damaligen Weltranglistenersten Billie Jean King und dem Ex-Champion und notorischen Chauvinisten Bobby Riggs im Jahr 1973.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 24 Nominierungen insgesamt
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Whilst Emma Stone puts down her marker for a possible third Oscar nomination the film as a whole left me slightly cold. But then, when did you last see a GREAT tennis movie. That's right. You didn't.
But this potentially offered more because it appeared multi layered and could have been more nuanced than it is.
It tackles two themes simultaneously. First, Billie Jean King's lesbian relationship with her hairdresser Marilyn Barnett (Andrea Riseborough) that eventually ended in controversy as she was publicly outed by her lover when they split in 1981. Throughout King remained married to her first love Larry (played sympathetically but a little limply by Austin Stowell). This is handled very tastefully and, for me, was the better part of the whole.
Second, and the source of the title, the movie explores sexism in the women's tennis game that led to her breaking away from the WTA and its sexist president, Jack Kramer (in an unconvincing performance by Bill Pullman), and taking on a challenge billed as THE BATTLE OF THE SEXES with 55 year old ex tennis champion and self proclaimed Male Chauvinist, Bobby Riggs (Steve Carrell).
I disliked Carell's part greatly, not because he didn't perform it well but that it is written to make him out to be a complete idiot (which no doubt he was). He becomes a character of himself quickly and I neither liked nor disliked him (I was annoyed by him though). It all makes for a strange mix of comedy, politics, sexuality and revolt.
And the revolt was all too gentlemanly for me - despite the subject matter and the ire it must have stirred nobody really ever loses the plot and so the film lacks edge and dramatic tension.
What's more, it's 30 minutes too long and the overwrought soundtrack (Nicholas Britell - it really is a shocker) is over-pervasive and just plain annoying.
Emma Stone rarely puts a foot wrong in my view and at times you really do think BJK is on screen. That part, and the general 70's styling of the movie, is excellent but it's ponderously directed and although the final shoot out between BJK and Riggs has an element of tension we all know the outcome and Britell's pomp and circumstance was gradually doing my nut in.
Just because you loved Little Miss Sunshine it does not follow that you will love this.
But this potentially offered more because it appeared multi layered and could have been more nuanced than it is.
It tackles two themes simultaneously. First, Billie Jean King's lesbian relationship with her hairdresser Marilyn Barnett (Andrea Riseborough) that eventually ended in controversy as she was publicly outed by her lover when they split in 1981. Throughout King remained married to her first love Larry (played sympathetically but a little limply by Austin Stowell). This is handled very tastefully and, for me, was the better part of the whole.
Second, and the source of the title, the movie explores sexism in the women's tennis game that led to her breaking away from the WTA and its sexist president, Jack Kramer (in an unconvincing performance by Bill Pullman), and taking on a challenge billed as THE BATTLE OF THE SEXES with 55 year old ex tennis champion and self proclaimed Male Chauvinist, Bobby Riggs (Steve Carrell).
I disliked Carell's part greatly, not because he didn't perform it well but that it is written to make him out to be a complete idiot (which no doubt he was). He becomes a character of himself quickly and I neither liked nor disliked him (I was annoyed by him though). It all makes for a strange mix of comedy, politics, sexuality and revolt.
And the revolt was all too gentlemanly for me - despite the subject matter and the ire it must have stirred nobody really ever loses the plot and so the film lacks edge and dramatic tension.
What's more, it's 30 minutes too long and the overwrought soundtrack (Nicholas Britell - it really is a shocker) is over-pervasive and just plain annoying.
Emma Stone rarely puts a foot wrong in my view and at times you really do think BJK is on screen. That part, and the general 70's styling of the movie, is excellent but it's ponderously directed and although the final shoot out between BJK and Riggs has an element of tension we all know the outcome and Britell's pomp and circumstance was gradually doing my nut in.
Just because you loved Little Miss Sunshine it does not follow that you will love this.
Just watched Battle of the Sexes. Overall it was a pretty solid movie. The film tells the true story of a infamous tennis match between Billie Jean King and Bobby Riggs. The movie uses the setting perfectly as a backdrop to deal with both the women's rights movement and LGBT issues. The acting was very well done all around. Emma Stone's performance in particular was a standout. It may be one of the best performances of her career. The film did have a few uneven moments pacing wise, but still managed to entertain. A 7 out of 10.
There is no doubt that the event on which "Battle of the Sexes" is based on was a monumental moment in sports and cultural history. The exhibition tennis match between Bobby Riggs & Billie Jean King was in part a circus, but also (in large part) a key moment in the taking of women athletes seriously on the national stage. While this film eventually arrives at that point, I felt like it took far too long for it to "get to the point", so to speak.
For a basic plot summary, this film tells the story of the run-up to the Battle of the Sexes match. Riggs (Steve Carell) is a male chauvinist through and through (or at least plays the role of one), while King (Emma Stone) is perhaps the premiere women's tennis player of her era. While King struggles with her confusing sexuality and Riggs falls on hard times with his own wife, this sets the wheels in motion for a match that will be more than just an exhibition, as it seemingly carries with it the weight of the Women's Liberation movement of the 1970s.
Let me be clear about one thing: This isn't a "bad" movie by any stretch. Great acting performances are given, and the final 30 minutes are fully riveting. I completely understood and appreciated the message that was being conveyed.
That being said, the entire film is predicated on the notion that the setup (e.g. the first 70-80 minutes or so) of both lead figures will lead to more dramatic payoff in the end. For me, that didn't happen (in fact, it actually had the opposite effect). I'm not sure that King's sexual leanings needed to be a focal point of the story, and in Riggs' case his relationship with his wife (played by Elisabeth Shue) should have been developed even more. Because neither of these things really get on track, at least the first half of the film felt slow and stodgy to me.
Once the match is set and the buildup/execution of it begins, though, the film really shines. I only have video footage to go on here (I was not alive for the real thing), but Stone is sometimes a dead-ringer for King on the court. Carell's antics as Riggs were also accurate from what I have read/heard.
So, while being a solid film, I cannot give "Battle of the Sexes" more than just above-average marks for the lackluster opening acts. I felt like a different lens was needed (or the execution of the chosen lens needed to be better) in order to make the movie truly riveting in the end instead of "just" somewhat inspirational. It never got to that "next level" for me (aside from the material about the actual match itself).
For a basic plot summary, this film tells the story of the run-up to the Battle of the Sexes match. Riggs (Steve Carell) is a male chauvinist through and through (or at least plays the role of one), while King (Emma Stone) is perhaps the premiere women's tennis player of her era. While King struggles with her confusing sexuality and Riggs falls on hard times with his own wife, this sets the wheels in motion for a match that will be more than just an exhibition, as it seemingly carries with it the weight of the Women's Liberation movement of the 1970s.
Let me be clear about one thing: This isn't a "bad" movie by any stretch. Great acting performances are given, and the final 30 minutes are fully riveting. I completely understood and appreciated the message that was being conveyed.
That being said, the entire film is predicated on the notion that the setup (e.g. the first 70-80 minutes or so) of both lead figures will lead to more dramatic payoff in the end. For me, that didn't happen (in fact, it actually had the opposite effect). I'm not sure that King's sexual leanings needed to be a focal point of the story, and in Riggs' case his relationship with his wife (played by Elisabeth Shue) should have been developed even more. Because neither of these things really get on track, at least the first half of the film felt slow and stodgy to me.
Once the match is set and the buildup/execution of it begins, though, the film really shines. I only have video footage to go on here (I was not alive for the real thing), but Stone is sometimes a dead-ringer for King on the court. Carell's antics as Riggs were also accurate from what I have read/heard.
So, while being a solid film, I cannot give "Battle of the Sexes" more than just above-average marks for the lackluster opening acts. I felt like a different lens was needed (or the execution of the chosen lens needed to be better) in order to make the movie truly riveting in the end instead of "just" somewhat inspirational. It never got to that "next level" for me (aside from the material about the actual match itself).
Directed by Valerie Faris and Jonathan Dayton, the film brings to life the famous 1973 tennis match between Billie Jean King, portrayed by Emma Stone, and Bobby Riggs, played by Steve Carell.
The film takes us back to a time when women's sports struggled for recognition and respect, and Billie Jean King emerges as a formidable figure fighting for gender equality both on and off the tennis court. Emma Stone captured King's determination, resilience, and internal struggle as she grapples with her own personal journey while championing the cause of equal pay and equal rights.
Steve Carell shines in his portrayal of Bobby Riggs, a charismatic and self-proclaimed male chauvinist who challenges King to a highly publicized match. Carell brings both humor and depth to the character, capturing Riggs' larger-than-life personality while also highlighting the underlying insecurities and complexities that drove him.
Beyond the tennis match itself, "Battle of the Sexes" explores the broader social and cultural context of the time. The film portrays the struggles faced by women in the sports industry and the larger feminist movement of the 1970s. It delves into the personal lives of the characters, shedding light on the challenges they faced in their relationships and their efforts to navigate societal expectations.
The film takes us back to a time when women's sports struggled for recognition and respect, and Billie Jean King emerges as a formidable figure fighting for gender equality both on and off the tennis court. Emma Stone captured King's determination, resilience, and internal struggle as she grapples with her own personal journey while championing the cause of equal pay and equal rights.
Steve Carell shines in his portrayal of Bobby Riggs, a charismatic and self-proclaimed male chauvinist who challenges King to a highly publicized match. Carell brings both humor and depth to the character, capturing Riggs' larger-than-life personality while also highlighting the underlying insecurities and complexities that drove him.
Beyond the tennis match itself, "Battle of the Sexes" explores the broader social and cultural context of the time. The film portrays the struggles faced by women in the sports industry and the larger feminist movement of the 1970s. It delves into the personal lives of the characters, shedding light on the challenges they faced in their relationships and their efforts to navigate societal expectations.
Funny to see all those offended over a simple biographical drama crying sexism and politics. Too bad those can't simply enjoy a great film with great acting and directing. It was an interesting story told very well. 8/10 from me
Wusstest du schon
- WissenswertesIn 1973, Billie Jean King was 29 and Bobby Riggs was 55. At the time of filming, Emma Stone was 28 and Steve Carell was 54.
- PatzerWhen Marilyn leaves the hair salon for Houston, she's shown foiling a client's hair. Foiling was not patented until 1977, so it should have been a frosting cap.
- Zitate
Billie Jean King: I'm not saying women are better. I've never said that. I'm saying we deserve some respect.
- Crazy CreditsThe Fox Searchlight Pictures and TSG Entertainment logos are redone in period-appropriate styles.
- VerbindungenEdited from Das 300 000-Dollar-Match (1973)
- SoundtracksMovie House Theme
Written and Performed by Nicholas Britell
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- La batalla de los sexos
- Drehorte
- Westin Bonaventure Hotel & Suites - 404 S. Figueroa Street, Downtown, Los Angeles, Kalifornien, USA(Hotel where Marylin & Larry run into each other in the elevator)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 12.638.526 $
- Eröffnungswochenende in den USA und in Kanada
- 518.332 $
- 24. Sept. 2017
- Weltweiter Bruttoertrag
- 18.598.607 $
- Laufzeit
- 2 Std. 1 Min.(121 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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