Die wahre Geschichte des Tennismatches zwischen der damaligen Weltranglistenersten Billie Jean King und dem Ex-Champion und notorischen Chauvinisten Bobby Riggs im Jahr 1973.Die wahre Geschichte des Tennismatches zwischen der damaligen Weltranglistenersten Billie Jean King und dem Ex-Champion und notorischen Chauvinisten Bobby Riggs im Jahr 1973.Die wahre Geschichte des Tennismatches zwischen der damaligen Weltranglistenersten Billie Jean King und dem Ex-Champion und notorischen Chauvinisten Bobby Riggs im Jahr 1973.
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- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 24 Nominierungen insgesamt
Empfohlene Bewertungen
This is a very interesting movie especially because of the real life subject. The movie has taken a few minor liberties to the original story but it is still extremely eye-opening. The struggle for women is real and the hustle even tougher. The direction has a lot of heart and pretty no non-sense.
Just watched Battle of the Sexes. Overall it was a pretty solid movie. The film tells the true story of a infamous tennis match between Billie Jean King and Bobby Riggs. The movie uses the setting perfectly as a backdrop to deal with both the women's rights movement and LGBT issues. The acting was very well done all around. Emma Stone's performance in particular was a standout. It may be one of the best performances of her career. The film did have a few uneven moments pacing wise, but still managed to entertain. A 7 out of 10.
Funny to see all those offended over a simple biographical drama crying sexism and politics. Too bad those can't simply enjoy a great film with great acting and directing. It was an interesting story told very well. 8/10 from me
A light, fluffy, sweet treat, Battle of the Sexes is assuredly a crowd-pleasing movie. But much like cotton candy-the movie offers very little to digest.
Overall, the movie will win over most viewers with its familiar feel-good true story angle. If you liked 2016's Hidden Figures, chances are that this is a movie for you.
It strives for and ultimately achieves the classic feel-good movie moments. Hero activist beats chauvinist pig. Good triumphs over evil. Or something like that. There is no deeper exploration. There is no hard-hitting, brutal honesty. The examinations are superficial and dive no deeper than the surface.
Basically, movie is too simple. But sexism and the problems that it causes are complicated. In the movie, everything is spelled out in a painfully obvious way. It condescends to make sure that everyone understands. The sexist characters come out in shameless and laughably overt ways. The good person defeats the bad person and everyone cheers. It's a fairy tale ending, hooray! But none of that is realistic.
Sexist and discriminatory people in power don't publicly profess their feelings in such blunt ways. So, when the movie scenes portray characters as loud and proud sexists, I can only roll my eyes. I know the movie uses these exaggerated characters and moments to make the situation abundantly clear to the audience. I just prefer a bit of subtlety.
Instead, the movie handles the delicate, nuanced topics of sexism and repression of homosexuality with the blunt force of a lumberjack with a giant axe. Wrong professional and wrong tool. We needed a surgeon with medical instruments.
The movie still has its upside. Steve Carell and Emma Stone are charming and wonderful, which is an amazing feat considering the character that Carell plays. Bobby Riggs (Carell) flaunts his chauvinism in such a flamboyant manner that showmanship is clearly his primary focus. This is one detail that the movie gets right, thanks largely to Carell. Riggs doesn't actually believe the gross, archaic things he says about women. It's an act. He says them to attract interest in the upcoming Man vs. Woman tennis match with Billie Jean King (Stone).
The storytelling is clear, even if not always smooth. The combination of King's life-changing romance along with the battle of the sexes tennis match fit awkwardly. Though, I'm sure those two things also fit awkwardly in King's life at the time, so I accept the somewhat clumsy clash of the two storylines. Again, if you liked Hidden Figures, you will like Battle of the Sexes. It's uplifting and sends a valuable and inspiring message to young girls everywhere. On that basis, I applaud the movie. Despite its flaws, it's still a story worthy of knowing.
It strives for and ultimately achieves the classic feel-good movie moments. Hero activist beats chauvinist pig. Good triumphs over evil. Or something like that. There is no deeper exploration. There is no hard-hitting, brutal honesty. The examinations are superficial and dive no deeper than the surface.
Basically, movie is too simple. But sexism and the problems that it causes are complicated. In the movie, everything is spelled out in a painfully obvious way. It condescends to make sure that everyone understands. The sexist characters come out in shameless and laughably overt ways. The good person defeats the bad person and everyone cheers. It's a fairy tale ending, hooray! But none of that is realistic.
Sexist and discriminatory people in power don't publicly profess their feelings in such blunt ways. So, when the movie scenes portray characters as loud and proud sexists, I can only roll my eyes. I know the movie uses these exaggerated characters and moments to make the situation abundantly clear to the audience. I just prefer a bit of subtlety.
Instead, the movie handles the delicate, nuanced topics of sexism and repression of homosexuality with the blunt force of a lumberjack with a giant axe. Wrong professional and wrong tool. We needed a surgeon with medical instruments.
The movie still has its upside. Steve Carell and Emma Stone are charming and wonderful, which is an amazing feat considering the character that Carell plays. Bobby Riggs (Carell) flaunts his chauvinism in such a flamboyant manner that showmanship is clearly his primary focus. This is one detail that the movie gets right, thanks largely to Carell. Riggs doesn't actually believe the gross, archaic things he says about women. It's an act. He says them to attract interest in the upcoming Man vs. Woman tennis match with Billie Jean King (Stone).
The storytelling is clear, even if not always smooth. The combination of King's life-changing romance along with the battle of the sexes tennis match fit awkwardly. Though, I'm sure those two things also fit awkwardly in King's life at the time, so I accept the somewhat clumsy clash of the two storylines. Again, if you liked Hidden Figures, you will like Battle of the Sexes. It's uplifting and sends a valuable and inspiring message to young girls everywhere. On that basis, I applaud the movie. Despite its flaws, it's still a story worthy of knowing.
Whilst Emma Stone puts down her marker for a possible third Oscar nomination the film as a whole left me slightly cold. But then, when did you last see a GREAT tennis movie. That's right. You didn't.
But this potentially offered more because it appeared multi layered and could have been more nuanced than it is.
It tackles two themes simultaneously. First, Billie Jean King's lesbian relationship with her hairdresser Marilyn Barnett (Andrea Riseborough) that eventually ended in controversy as she was publicly outed by her lover when they split in 1981. Throughout King remained married to her first love Larry (played sympathetically but a little limply by Austin Stowell). This is handled very tastefully and, for me, was the better part of the whole.
Second, and the source of the title, the movie explores sexism in the women's tennis game that led to her breaking away from the WTA and its sexist president, Jack Kramer (in an unconvincing performance by Bill Pullman), and taking on a challenge billed as THE BATTLE OF THE SEXES with 55 year old ex tennis champion and self proclaimed Male Chauvinist, Bobby Riggs (Steve Carrell).
I disliked Carell's part greatly, not because he didn't perform it well but that it is written to make him out to be a complete idiot (which no doubt he was). He becomes a character of himself quickly and I neither liked nor disliked him (I was annoyed by him though). It all makes for a strange mix of comedy, politics, sexuality and revolt.
And the revolt was all too gentlemanly for me - despite the subject matter and the ire it must have stirred nobody really ever loses the plot and so the film lacks edge and dramatic tension.
What's more, it's 30 minutes too long and the overwrought soundtrack (Nicholas Britell - it really is a shocker) is over-pervasive and just plain annoying.
Emma Stone rarely puts a foot wrong in my view and at times you really do think BJK is on screen. That part, and the general 70's styling of the movie, is excellent but it's ponderously directed and although the final shoot out between BJK and Riggs has an element of tension we all know the outcome and Britell's pomp and circumstance was gradually doing my nut in.
Just because you loved Little Miss Sunshine it does not follow that you will love this.
But this potentially offered more because it appeared multi layered and could have been more nuanced than it is.
It tackles two themes simultaneously. First, Billie Jean King's lesbian relationship with her hairdresser Marilyn Barnett (Andrea Riseborough) that eventually ended in controversy as she was publicly outed by her lover when they split in 1981. Throughout King remained married to her first love Larry (played sympathetically but a little limply by Austin Stowell). This is handled very tastefully and, for me, was the better part of the whole.
Second, and the source of the title, the movie explores sexism in the women's tennis game that led to her breaking away from the WTA and its sexist president, Jack Kramer (in an unconvincing performance by Bill Pullman), and taking on a challenge billed as THE BATTLE OF THE SEXES with 55 year old ex tennis champion and self proclaimed Male Chauvinist, Bobby Riggs (Steve Carrell).
I disliked Carell's part greatly, not because he didn't perform it well but that it is written to make him out to be a complete idiot (which no doubt he was). He becomes a character of himself quickly and I neither liked nor disliked him (I was annoyed by him though). It all makes for a strange mix of comedy, politics, sexuality and revolt.
And the revolt was all too gentlemanly for me - despite the subject matter and the ire it must have stirred nobody really ever loses the plot and so the film lacks edge and dramatic tension.
What's more, it's 30 minutes too long and the overwrought soundtrack (Nicholas Britell - it really is a shocker) is over-pervasive and just plain annoying.
Emma Stone rarely puts a foot wrong in my view and at times you really do think BJK is on screen. That part, and the general 70's styling of the movie, is excellent but it's ponderously directed and although the final shoot out between BJK and Riggs has an element of tension we all know the outcome and Britell's pomp and circumstance was gradually doing my nut in.
Just because you loved Little Miss Sunshine it does not follow that you will love this.
Wusstest du schon
- WissenswertesIn 1973, Billie Jean King was 29 and Bobby Riggs was 55. At the time of filming, Emma Stone was 28 and Steve Carell was 54.
- PatzerWhen Marilyn leaves the hair salon for Houston, she's shown foiling a client's hair. Foiling was not patented until 1977, so it should have been a frosting cap.
- Zitate
Billie Jean King: I'm not saying women are better. I've never said that. I'm saying we deserve some respect.
- Crazy CreditsThe Fox Searchlight Pictures and TSG Entertainment logos are redone in period-appropriate styles.
- VerbindungenEdited from Das 300 000-Dollar-Match (1973)
- SoundtracksMovie House Theme
Written and Performed by Nicholas Britell
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- La batalla de los sexos
- Drehorte
- Westin Bonaventure Hotel & Suites - 404 S. Figueroa Street, Downtown, Los Angeles, Kalifornien, USA(Hotel where Marylin & Larry run into each other in the elevator)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 12.638.526 $
- Eröffnungswochenende in den USA und in Kanada
- 518.332 $
- 24. Sept. 2017
- Weltweiter Bruttoertrag
- 18.598.607 $
- Laufzeit
- 2 Std. 1 Min.(121 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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