Ich bin Ingrid Bergman

My thoughts about the film are the same as Isabella's about the correspondance; I thought there would be a story in here about a woman becoming a star in Hollywood, about struggle and cinema, but its just all children. Which would be fine, if not for Bergman's tendancy to shy away from thinking/writing about the negatives in that relationship, and once even from acting it out. Vague, but hypnotic.

This documentary representing the life story of a great actress Ingrid Bergman, the tribute to her can be a life changing for you. Besides the glory and fame, her choices that may be for some to hardcore. Can you choose family over career? Can you have them both? Well the director Stig Björkman will take you on bits of her history and reveal some toughs thru the descriptions of Ingrid's four children. I would say this is an inspirational piece and the main point would be a career decision, presented by a true star of the cinema.

There is not much to add if you know something about Ingrid Bergman before. She had a glamorous life in Hollywood but wanted some more, and met the director Rosselini from Italy and there was Love - and some movies.

After a decade in American films, she starred in Roberto Rossellini's Stromboli (1950), following the revelation that she was having an extramarital affair with the director. The affair and then marriage with Rossellini created a scandal in the US that forced her to remain in Europe for several years, when she made a successful Hollywood return in Anastasia (1956), for which she won her second Academy Award

There is so much to tell about her life so I recommend Wikipedia for a more complete story about her life.

During the time with Rosselini she was more or less banned from Hollywood.

Her first husband was Petter Lindström (1937–1950) Sweden

Roberto Rossellini (1950–1957) Italy

Lars Schmidt (1958–1975) Sweden

She died 29 August 1982 (aged 67) London, England Cause of death Breast cancer

She used to stay on a private island outside Fjällbacka on the Swedish west-coast, "Dannholmen" that I visited when I was a teen, but she was not at home, it's a very beautiful island/part of Sweden.

In the Swedish version there is Alicia Vikander that are the teller of this story, and she seems to be another well worthy Swedish actress export to Hollywood, but that is of course up to her.

I cannot disagree more with the post above. Notorious is a well regarded Hitchcock classic. It was Bergman's film and she gave the vest performance from any Hitch films. Journey to Italy is considered the first modern film, a major classic of cinema and hailed by such influential directors as Truffaut, Godard, Rohmer, Scorsese and of course Bazan. Bogie will not be a romantic idol without the radiant and luminous Bergman. Can you picture another major actress at that time in the role of Ilsa? All three films are on the list of Sight and Sound 2012 best films ever poll.

And there are still a large audience for films such as Gas light, spellbound, Anastasia and Autumn sonata.

Ingrid Bergman: In Her Own Words, through her own title, wishes to give the main idea of ​​the documentary, besides a posthumous tribute made by the person who is alive, her desire is that the central figure (Bergman) Own and pictures too. Such images were, therefore, a confessable passion of the actress, who manifested herself as a child when her father recorded her daughter on a daily basis.

After her father's death, Ingrid continued the records on her own, altering only the order of her captures, it was she, who now assumed the records of various moments and of the various people she met in her life.

Directed by the Swedish Stig Björkman, the documentary partially fulfills its promise, and the reason is soon unattainable, since without the presence of Bergman to talk about his life and also by the focus that the actress directed his letters and his diary, almost was little About his career, about his work and what causes a certain astonishment, since this was notoriously his greatest pleasure and where he felt happier. His records were largely concerned with the death of his mother and his brothers at an early age, and of the only figure he had left, but also of his father. Then his records are focused on the love life followed by the life of the four children, these being, figures that add a great part and time in the writing of the actress.

Thus Bergman's words presented through a rich collection of images and home movies, is the strongest and most interesting element of the documentary, which extracts through interviews, archives and diaries of the Swedish star, the voice (own) Of the figure-character.

The lack of any significant research on performance styles is appreciably felt, particularly due to the very different methods of its principal directors: George Cukor, Alfred Hitchcock, Robert Rossellini, Jean Renoir, Stanley Donen, Ingmar Bergman. There is some slight personality analysis - she was led, she was shy, "love came through the lens of the camera," she was brave - and the four children painted an attractive portrait of her largely absent mother. However, the psychological depth, Bjorkman, maker of documentaries like "Ingmar Bergman" and "Lars von Trier", barely goes beyond the level of a portrait of the Channel Biography. As such, Bergman is actually very difficult to read, and we are drawn to it even more because of it.

With so much reference material at his disposal, Björkman can not overcome this mystery entirely, but what he does quite elegantly is to explore the mixed feelings of these four surviving children, all of which make it clear how fun it was and also give Light for the mother's felt absence at the desire of the actress in love with the craft.

Perhaps there is nothing radically new to those with some knowledge of Ingrid Bergman's story of many other biographical TV portraits, but this is still a worthy door-to-call for all the curious about one of the greatest icons of cinema.