Als sie von einer True-Crime-Doku mit einem Geheimnis aus ihrer Schulzeit konfrontiert wird, droht das perfekte Leben einer Journalistin in New York City auseinanderzufallen.Als sie von einer True-Crime-Doku mit einem Geheimnis aus ihrer Schulzeit konfrontiert wird, droht das perfekte Leben einer Journalistin in New York City auseinanderzufallen.Als sie von einer True-Crime-Doku mit einem Geheimnis aus ihrer Schulzeit konfrontiert wird, droht das perfekte Leben einer Journalistin in New York City auseinanderzufallen.
- Auszeichnungen
- 2 Gewinne & 3 Nominierungen insgesamt
Gage Munroe
- Peyton Powell
- (as Gage Alexander McIver Munroe)
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Film is an interesting blend.
A "boss girl" type film, the protagonist even has the typical sassy inner monologue.
However the movie has an incredibly nuanced portrayal of a woman who has suffered serious trauma.
Many films portray victims as weathered survivors.
This film shows the victim as extremely put-together and successful.
It's a take I haven't seen before, and it's definitely one that is good to see.
The movie uses two incredibly sensitive topics as plot devices, if the movie was any lesser, it would have trivilalized those topics.
But the unrelenting nature of the portrayals of those topics only adds to the movie to show what the protagonist has overcome.
A "boss girl" type film, the protagonist even has the typical sassy inner monologue.
However the movie has an incredibly nuanced portrayal of a woman who has suffered serious trauma.
Many films portray victims as weathered survivors.
This film shows the victim as extremely put-together and successful.
It's a take I haven't seen before, and it's definitely one that is good to see.
The movie uses two incredibly sensitive topics as plot devices, if the movie was any lesser, it would have trivilalized those topics.
But the unrelenting nature of the portrayals of those topics only adds to the movie to show what the protagonist has overcome.
The movie starts slowly as we get to know Ani, through her actions, inner monologue, and a series of flashbacks.
We get hints that she has suffered a terrible trauma while at an expensive high school, but has done her best to push all of the trauma down.
Her resulting life is hollow, obsessed with status, and her writing focused on sexualizing every topic.
That Ani is finally forced to confront her trauma, to let it ooze out of the dark corners where she's repressed it, is predictable. The story, however, is not nor is her reaction.
Not to give anything away, but the movie confronts a serious, important subject and gets better as it moves along.
Acting and editing are highlights. Visuals, however, are rather dull.
(This, however, may be on point as well given how the character lives life at a distance every day since high school.)
I'm glad I didn't go to see this in a theater, but it's a solid enough movie to screen on Netflix, with a follow up conversation in your friend-group almost mandatory.
We get hints that she has suffered a terrible trauma while at an expensive high school, but has done her best to push all of the trauma down.
Her resulting life is hollow, obsessed with status, and her writing focused on sexualizing every topic.
That Ani is finally forced to confront her trauma, to let it ooze out of the dark corners where she's repressed it, is predictable. The story, however, is not nor is her reaction.
Not to give anything away, but the movie confronts a serious, important subject and gets better as it moves along.
Acting and editing are highlights. Visuals, however, are rather dull.
(This, however, may be on point as well given how the character lives life at a distance every day since high school.)
I'm glad I didn't go to see this in a theater, but it's a solid enough movie to screen on Netflix, with a follow up conversation in your friend-group almost mandatory.
My advice is to go into this movie with no expectation... in other words, stop reading the reviews! Lol! I think the lack of expectations makes this movie the masterpiece that it is. -- Luckiest Girl Alive, what a great movie!!! The third person dialogue really nudges this movie beyond great in my opinion. Couldn't have chosen a better actress for this role. Mila is amazing as always! The mystery of "what happened" is executed so well. Revealing small pieces of the puzzle without revealing the full plot was executed wonderfully. I truly wasn't sure what direction the movie was going to go in. The direction it did end up going was unexpected and dark, and it was done so well. Sadly it's very relatable being a young woman. The trauma she lives with and the person she turns herself into is exactly what survivors go through every day. And the "villain" in this movie, is so typical... I highly recommend this movie, and if you're able to watch it with a boyfriend or a brother, even better!
The book was a million times more (not better; apples and oranges) than the movie. I don't think it's fair to expect 1.5 hours to do it justice. I can't give an unbiased review if the movie after reading the book so the movie was decent but the depth and development in the book deserves a mini series. Without the buildup, background, and character development some of the story seems incomplete and really paints a better picture of surviving/victimhood. I worry that it became more of a message than a quality story. That being said, the casting for Ani and Luke (especially) was great! I think it's a movie worth watching if you haven't read the book.
The 1st 30 minutes of this movie is almost unbearable. I'm not a fan of voice overs at the best of times but this was overkill beyond belief. Just when I was thinking I can't stand having every scene described to me in detail like I'm a complete imbecile, the voice over narrative backed off a bit and allowed the story to tell itself. Apparently the Novelist adapted her own book. Big mistake. She's clearly just lifted chunks from her Novel and used as voice over to set the scene rather than use dialogue. As I say, once the story got going and the writer didn't feel so compelled to have a voice over explain everything, the story became quite compelling. It's a pity someone didn't step in and re write at least the 1st half of the film. Could have been so much better. If you can get past the 1st 30 mins, it's worth a watch.
Wusstest du schon
- WissenswertesLionsgate and Pacific Standard - actress Reese Witherspoon and producer Bruna Papandrea's production company - bought the film rights to Jessica Knoll's debut novel before it had even been published. The rights were secured in April 2015, over a month before the book hit stores.
- PatzerOnscreen headlines show that Ani was in high school in the late 90s. During the flashback to Ani's high school field trip, she makes a note of witnessing a commanding woman walking on the sidewalk talking into her cell phone. This woman is speaking into a flat, rectangular smartphone that wasn't introduced until the first iPhone was released in 2007.
- Zitate
Ani Fanelli: I've managed to not eat lunch for six years, just to have this joker call me petite.
- Crazy CreditsThe title of the movie appears at the very last second of the movie.
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- 1 Std. 53 Min.(113 min)
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- 2.35 : 1
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