Als sie von einer True-Crime-Doku mit einem Geheimnis aus ihrer Schulzeit konfrontiert wird, droht das perfekte Leben einer Journalistin in New York City auseinanderzufallen.Als sie von einer True-Crime-Doku mit einem Geheimnis aus ihrer Schulzeit konfrontiert wird, droht das perfekte Leben einer Journalistin in New York City auseinanderzufallen.Als sie von einer True-Crime-Doku mit einem Geheimnis aus ihrer Schulzeit konfrontiert wird, droht das perfekte Leben einer Journalistin in New York City auseinanderzufallen.
- Auszeichnungen
- 2 Gewinne & 3 Nominierungen insgesamt
Gage Munroe
- Peyton Powell
- (as Gage Alexander McIver Munroe)
Empfohlene Bewertungen
My advice is to go into this movie with no expectation... in other words, stop reading the reviews! Lol! I think the lack of expectations makes this movie the masterpiece that it is. -- Luckiest Girl Alive, what a great movie!!! The third person dialogue really nudges this movie beyond great in my opinion. Couldn't have chosen a better actress for this role. Mila is amazing as always! The mystery of "what happened" is executed so well. Revealing small pieces of the puzzle without revealing the full plot was executed wonderfully. I truly wasn't sure what direction the movie was going to go in. The direction it did end up going was unexpected and dark, and it was done so well. Sadly it's very relatable being a young woman. The trauma she lives with and the person she turns herself into is exactly what survivors go through every day. And the "villain" in this movie, is so typical... I highly recommend this movie, and if you're able to watch it with a boyfriend or a brother, even better!
Film is an interesting blend.
A "boss girl" type film, the protagonist even has the typical sassy inner monologue.
However the movie has an incredibly nuanced portrayal of a woman who has suffered serious trauma.
Many films portray victims as weathered survivors.
This film shows the victim as extremely put-together and successful.
It's a take I haven't seen before, and it's definitely one that is good to see.
The movie uses two incredibly sensitive topics as plot devices, if the movie was any lesser, it would have trivilalized those topics.
But the unrelenting nature of the portrayals of those topics only adds to the movie to show what the protagonist has overcome.
A "boss girl" type film, the protagonist even has the typical sassy inner monologue.
However the movie has an incredibly nuanced portrayal of a woman who has suffered serious trauma.
Many films portray victims as weathered survivors.
This film shows the victim as extremely put-together and successful.
It's a take I haven't seen before, and it's definitely one that is good to see.
The movie uses two incredibly sensitive topics as plot devices, if the movie was any lesser, it would have trivilalized those topics.
But the unrelenting nature of the portrayals of those topics only adds to the movie to show what the protagonist has overcome.
I cannot put my finger on what was wrong with this movie. The story was good. I am not sure where it went wrong. It could have been Mila's performance, the perfect rich unicorn boyfriend, the one dimensional characters or the editing. First of all, the movie could have been much shorter. Second of all, it failed to make me care much about Mila's character. I don't know why. She had a good story and I understood what she went through. I think it's how she acted, it was a bit off, one dimensional. Actually all the characters were one dimensional. It was annoying in a sense, same stereotypes and say exactly what you expect them to say. And the boyfriend was just so patient and perfect it makes one nauseous. It felt unrealistic. It's one of those movies, that I am not sure if I am happy I watched or not.
Knoll should stick to writing books, not screenplays. In the convoluted, incohesive and dragged out 113 minute runtime, the story is all over the place, with poorly placed timeline tidbits, and ridiculous and mostly unnecessary scenes and dialogue.
The entire film felt one hour too long and failed to maintain any fluidity to the sensitive nature of its content. It lacked the consistency, depth and tone to be a suspenseful narrative, and instead, chose pretentious shock value trauma in a misguided self-serving fantasy theme.
And that's too bad, because the casting and performances were spot-on, especially Kunis who shined. Had any seasoned filmmaker made some much needed edits, they would've have gone a long way to make this a great watch, instead of getting impatient, frustrated and uninterested in what was going to happen next in the bender-mixed writing and directing. It's a generous 6/10 mainly for the performances.
The entire film felt one hour too long and failed to maintain any fluidity to the sensitive nature of its content. It lacked the consistency, depth and tone to be a suspenseful narrative, and instead, chose pretentious shock value trauma in a misguided self-serving fantasy theme.
And that's too bad, because the casting and performances were spot-on, especially Kunis who shined. Had any seasoned filmmaker made some much needed edits, they would've have gone a long way to make this a great watch, instead of getting impatient, frustrated and uninterested in what was going to happen next in the bender-mixed writing and directing. It's a generous 6/10 mainly for the performances.
The luckiest girl alive, had to dig deep to survive, to establish a career, to crack down on all her fear, give the scars their time to heal, reconnect the nerves that feel, gain the courage to fight back, after multiple attacks.
Sadly, a not unfamiliar story of abuse against a young woman in a culture that even to this day wants to bury its head in the sand and pretend these far from isolated incidents don't take place (the world over unfortunately). Two spectacular performances from Chiara Aurelia and Mila Kunis, with brilliant dialogue (both spoken and narrated, especially the narrated), make this an excellent companion piece to Promising Young Woman.
Sadly, a not unfamiliar story of abuse against a young woman in a culture that even to this day wants to bury its head in the sand and pretend these far from isolated incidents don't take place (the world over unfortunately). Two spectacular performances from Chiara Aurelia and Mila Kunis, with brilliant dialogue (both spoken and narrated, especially the narrated), make this an excellent companion piece to Promising Young Woman.
Wusstest du schon
- WissenswertesLionsgate and Pacific Standard - actress Reese Witherspoon and producer Bruna Papandrea's production company - bought the film rights to Jessica Knoll's debut novel before it had even been published. The rights were secured in April 2015, over a month before the book hit stores.
- PatzerOnscreen headlines show that Ani was in high school in the late 90s. During the flashback to Ani's high school field trip, she makes a note of witnessing a commanding woman walking on the sidewalk talking into her cell phone. This woman is speaking into a flat, rectangular smartphone that wasn't introduced until the first iPhone was released in 2007.
- Zitate
Ani Fanelli: I've managed to not eat lunch for six years, just to have this joker call me petite.
- Crazy CreditsThe title of the movie appears at the very last second of the movie.
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- La chica más afortunada del mundo
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- 1 Std. 53 Min.(113 min)
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- 2.35 : 1
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