Ich. Bin. So. Glücklich.

I have to say, I had my fair share of the doubt during the first 30 minutes or so, because it started off as a typical rom com with a quirky protagonist.

But I'm glad I gave it a chance, because once it picks up, it's done masterfully. I was afraid at some point it would slide to "who done it" kind of a thriller, but fortunately that never happened.

That is not to say there isn't mystery. It's just properly balanced, so it never feels over the top. Characters are believable and much more nuanced than you typically get in this type of dramas.

We all heard a stories like this, but they are rarely explored respectfully and without going over the top. However, this movie manages to do it.

I'm glad the writers didn't go for twists and turns, but stayed true to the message they wanted to deliver. And it is a message we all need to hear.

I cannot put my finger on what was wrong with this movie. The story was good. I am not sure where it went wrong. It could have been Mila's performance, the perfect rich unicorn boyfriend, the one dimensional characters or the editing. First of all, the movie could have been much shorter. Second of all, it failed to make me care much about Mila's character. I don't know why. She had a good story and I understood what she went through. I think it's how she acted, it was a bit off, one dimensional. Actually all the characters were one dimensional. It was annoying in a sense, same stereotypes and say exactly what you expect them to say. And the boyfriend was just so patient and perfect it makes one nauseous. It felt unrealistic. It's one of those movies, that I am not sure if I am happy I watched or not.

Movies depicting the aftermath of a sexual assault are incredibly difficult to watch and often too triggering for many to sit through, but deliver some of the most profound and impactful filmmaking we have seen on screen of late, be it the Oscar-nominated "Promising Young Woman (2020)" or the moving Netflix series "Unbelievable (2019)". Although "Luckiest Girl Alive" doesn't rise to such astronomic levels in terms of pure craft, the Mila Kunis starrer is a chilling account of how society's first reaction to such assault is always victim-shaming and how toxic masculinity continues to be celebrated.

Based on a superhit 2015 novel of the same name written by Jessica Knoll, the movie traces the life and career of aspiring columnist "Ani Fanelli" (Mila Kunis) as she balances preparing for her upcoming wedding, a job that is at a crossroads while struggling with the PTSD of a grievous sexual assault from her past. As the mental anguish of all of it continues to take a call, the enterprising but vulnerable Ani is forced to face her demons and how she navigates the aftermath forms the rest of this disturbing but immersive mystery drama.

The performer in Mila Kunis has long been missing in action, with her last memorable outing being the fierce "Lily" in the Oscar-winning "Black Swan (2010)", with the actress seemingly having fallen into a rabbit hole of pointless romcoms. But the Golden Globe nominee sinks her teeth into this brilliantly written role and delivers a moving, dichotomous portrayal that balances ambition and industriousness with the emotional baggage and the scars of her scandalous past.

"Luckiest Girl Alive" is an excellent companion piece to other female-led literary works that translated into excellent mystery thrillers on screen, like "Gone Girl", "The Girl on the Train (2016)" as well as the "Girl with the Dragon Tattoo" series. Be forewarned of difficult-to-stomach scenes of sexual assault and violence but I promise you, the final act will leave you satisfied with the culmination of events. Recommended!

Knoll should stick to writing books, not screenplays. In the convoluted, incohesive and dragged out 113 minute runtime, the story is all over the place, with poorly placed timeline tidbits, and ridiculous and mostly unnecessary scenes and dialogue.

The entire film felt one hour too long and failed to maintain any fluidity to the sensitive nature of its content. It lacked the consistency, depth and tone to be a suspenseful narrative, and instead, chose pretentious shock value trauma in a misguided self-serving fantasy theme.

And that's too bad, because the casting and performances were spot-on, especially Kunis who shined. Had any seasoned filmmaker made some much needed edits, they would've have gone a long way to make this a great watch, instead of getting impatient, frustrated and uninterested in what was going to happen next in the bender-mixed writing and directing. It's a generous 6/10 mainly for the performances.

The movie starts slowly as we get to know Ani, through her actions, inner monologue, and a series of flashbacks.

We get hints that she has suffered a terrible trauma while at an expensive high school, but has done her best to push all of the trauma down.

Her resulting life is hollow, obsessed with status, and her writing focused on sexualizing every topic.

That Ani is finally forced to confront her trauma, to let it ooze out of the dark corners where she's repressed it, is predictable. The story, however, is not nor is her reaction.

Not to give anything away, but the movie confronts a serious, important subject and gets better as it moves along.

Acting and editing are highlights. Visuals, however, are rather dull.

(This, however, may be on point as well given how the character lives life at a distance every day since high school.)

I'm glad I didn't go to see this in a theater, but it's a solid enough movie to screen on Netflix, with a follow up conversation in your friend-group almost mandatory.