Ich. Bin. So. Glücklich.

The luckiest girl alive, had to dig deep to survive, to establish a career, to crack down on all her fear, give the scars their time to heal, reconnect the nerves that feel, gain the courage to fight back, after multiple attacks.

Sadly, a not unfamiliar story of abuse against a young woman in a culture that even to this day wants to bury its head in the sand and pretend these far from isolated incidents don't take place (the world over unfortunately). Two spectacular performances from Chiara Aurelia and Mila Kunis, with brilliant dialogue (both spoken and narrated, especially the narrated), make this an excellent companion piece to Promising Young Woman.

I have to say, I had my fair share of the doubt during the first 30 minutes or so, because it started off as a typical rom com with a quirky protagonist.

But I'm glad I gave it a chance, because once it picks up, it's done masterfully. I was afraid at some point it would slide to "who done it" kind of a thriller, but fortunately that never happened.

That is not to say there isn't mystery. It's just properly balanced, so it never feels over the top. Characters are believable and much more nuanced than you typically get in this type of dramas.

We all heard a stories like this, but they are rarely explored respectfully and without going over the top. However, this movie manages to do it.

I'm glad the writers didn't go for twists and turns, but stayed true to the message they wanted to deliver. And it is a message we all need to hear.

Knoll should stick to writing books, not screenplays. In the convoluted, incohesive and dragged out 113 minute runtime, the story is all over the place, with poorly placed timeline tidbits, and ridiculous and mostly unnecessary scenes and dialogue.

The entire film felt one hour too long and failed to maintain any fluidity to the sensitive nature of its content. It lacked the consistency, depth and tone to be a suspenseful narrative, and instead, chose pretentious shock value trauma in a misguided self-serving fantasy theme.

And that's too bad, because the casting and performances were spot-on, especially Kunis who shined. Had any seasoned filmmaker made some much needed edits, they would've have gone a long way to make this a great watch, instead of getting impatient, frustrated and uninterested in what was going to happen next in the bender-mixed writing and directing. It's a generous 6/10 mainly for the performances.

Film is an interesting blend.

A "boss girl" type film, the protagonist even has the typical sassy inner monologue.

However the movie has an incredibly nuanced portrayal of a woman who has suffered serious trauma.

Many films portray victims as weathered survivors.

This film shows the victim as extremely put-together and successful.

It's a take I haven't seen before, and it's definitely one that is good to see.

The movie uses two incredibly sensitive topics as plot devices, if the movie was any lesser, it would have trivilalized those topics.

But the unrelenting nature of the portrayals of those topics only adds to the movie to show what the protagonist has overcome.

The 1st 30 minutes of this movie is almost unbearable. I'm not a fan of voice overs at the best of times but this was overkill beyond belief. Just when I was thinking I can't stand having every scene described to me in detail like I'm a complete imbecile, the voice over narrative backed off a bit and allowed the story to tell itself. Apparently the Novelist adapted her own book. Big mistake. She's clearly just lifted chunks from her Novel and used as voice over to set the scene rather than use dialogue. As I say, once the story got going and the writer didn't feel so compelled to have a voice over explain everything, the story became quite compelling. It's a pity someone didn't step in and re write at least the 1st half of the film. Could have been so much better. If you can get past the 1st 30 mins, it's worth a watch.