Beowulf

Beowulf: Return to the Shieldlands is one of those series that would have been better off re scripted as a comedy. Regrettably, the writers decided to play this series as a serious fantasy drama. What a mistake.

Almost everything about Beowulf screams comedy. From what appears to be an old mine site, which has been rehashed as an early medieval village, of sorts, through to the costumes, that look like they were recycled from a heavy metal concert.

The storyline is chuckle worthy too. The main character Beowulf is on a testosterone overdose. He's incessantly simmering with cheesy, macho rage, wanting to fight everyone and everything in sight. The rest of the cast are shoe horned into equally awful, clinched, characterizations. Imagine, if Game of Thrones had been scripted by Monty Python and you are there.

All this silliness is inexplicable given this series has an excellent cast of actors, including a cameo or two by William Hurt! If money could be spent on a cast of this caliber, why not a story fitting their talents?

If you can adjust your sights and view Beowulf: Return to the Shieldlands as a comedy of errors its actually not too dreadful. Try to take it seriously, however, and you may do yourself a mental mischief. Four out of ten from me.

Comparison inevitably will be made to The Vikings since these shows walk on the same genre. However, Beowulf is the more casual of the two, using special effect and colorful scenery for broader demographic, a bit like the animation from years earlier only without CG Angelina Jolie. This direction if fine, not all recent works must be brooding and gritty, although Beowulf suffers from erratic shifts in plot as well as a few dubious displays of mythical creatures.

It is noticeable that the story pushes the titular Beowulf into many tribulations from the first steps. Unfortunately, this sets up too many subplots at the same time. Characters are being murdered, betrayed and chased even before any connection could be made to any of them, which presents a couple of strange seemingly rushed developments. It also tries to present some mystery and political struggle, but these aspects lack depth since they have to share the scene with many other angles like childhood memories or shoehorned romance.

Much of the resources evidently went to costume and setting. The attires these characters don are incredibly polished, certainly different yet appreciated fashion from typical medieval series. Its surroundings are fairly gorgeous as well, colorful both in human settlement and natural landscape. If any flaws should come from this eye-catching presentation, it's that the characters look a tad too modern for the era.

CG effect is a toss-up, some scenes look terribly crude while few others look very meticulous. At its best, the display of creature is presentable, having decent features and surprising detail on fur or beastly motion. On the other hand, when it falters, it further weakens the immersion since the human characters already react unconvincingly to inorganic monsters.

Beowulf: Return to the Shieldlands is a light excursion for wider audience with more colorful presentation, although the cumbersome plot and sloppy CG might undermine that effort.

Bad acting. Inaccurate view of the era/location, even considering it's based on a myth. Within the first 20 minutes of episode 1 you are introduced to a multicultural Britain. Several Africans and Indians are present. Even families who have integrated into the society. I could see MAYBE a foreign slave or two but even that would be far-fetched with no historical justification. In short, another attempt to infiltrate European history with multiculturalism and ruin a great piece of European identity. Even setting this aside, it still sucks. A clear (and horrible) attempt to ride the Vikings/Game of Thrones fanwagon.

When i saw Beowulf in the TV listings, i immediately hoped that a decent drama had been created, based on the historical poem, and produced to a high standard. I was quickly disappointed.

Although the story is very loosely based on the old English poem about a Scandinavian monster terrorising a Danish King, that is pretty much where the similarity ends. You are very quickly introduced to CGI trolls working a in human village in place of oxen, turning a wheel. It is at this point you realise the slant is farther toward the fantasy realm drama than the historical realm drama.

In terms of the characters, they are rather cliché and lacked depth. The sets are OK in parts and in others look like cheap fantasy set pieces. They also seem inconsistent as great halls with cast relief gates in bronze are hardly likely to be the product of a 20 person village. The grandeur of some of the buildings is far out of whack with the population size and any semblance of industry or agriculture.

Casting, and cast diversity - within minutes you are introduced to characters that are obviously Indian Asian, and also Black (African). There are quite a few characters with diverse ethnic origins. Again, if you were expecting something akin to the fantastic 'Vikings' or even the Stars productions like 'Spartacus' forget it.There is no attempt at historical, cultural, or geographic realism as a backdrop for this show.

A Black male actor appears in Arabic dress who speaks with a solid south England accent. I totally get diversity in a modern TV show about modern society, or even in culturally mixed locations like Rome, but in something apparently 'based' on an AngloScandinavian tale/poem it hardly fits. This reality works in both directions, if i were watching a show about the rise of a chieftain in Africa in 300BC, then i'd hardly expect to see the cast featuring heavily with Chinese and white Australian sounding actors (it just drags you out of the show). It's another element that constantly reminds the viewer that there is no historic setting for this and it is little more than a uber low budget Lord of The Rings rip off merged merged with the title Beowulf.

If this show were targeting adults, one has to ask, who watches stuff like this? The script, acting, story seems quite immature. It does feel more like a teen show, however it is on UK TV in a late evening slot. For this reason i suspect it won't pick up the viewers, and won't make a second season.

As a complete fantasy addict who is normally very forgiving, and a lover of early history, I personally had high hopes, but this show is a huge disappointment. It is far inferior to modern series like the Vikings, Last Kingdom and Game of Thrones.

There is nothing wrong with a modern telling of an ancient story for a young audience today. To fill out and even creatively adapt the epic for a 21st century audience would be good if it was done well. This wretched mixed up travesty abuses and soils the name of one of the the original and greatest works in the English literature. It has very little to do with the original Anglo-Saxon epic of Beowulf, rather it is a badly written 21st century quasi-medieval fantasy that steals a few names from the original and begins to tell the audience a utterly different inferior story.

Good grief the whole program is a bad with below average direction, production and acting. The whole cast where wholly unconvincing and Beowulf himself was a very poor version of the super top notch warrior of English literature. And what the hell have they done with Heriot, the great hall was some weird Mayan, tolkienesque, 21st century fantasy temple hybrid, were warriors did not have banquets but mingled at cocktail parties. So many of the costumes and sets appeared to be either bad or borrowed from other fantasy productions.