IMDb-BEWERTUNG
6,3/10
6263
IHRE BEWERTUNG
Die Geschichte des Schweizer Malers und Bildhauers Alberto Giacometti.Die Geschichte des Schweizer Malers und Bildhauers Alberto Giacometti.Die Geschichte des Schweizer Malers und Bildhauers Alberto Giacometti.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Laura Bernardeschi
- Café Customer
- (Nicht genannt)
Maja Bloom
- French Girl in the Dream
- (Nicht genannt)
Marina Capasso
- Italian Friend of Giacometti
- (Nicht genannt)
Laetitia Cazaux
- French Prostitute
- (Nicht genannt)
Begoña Fernández Martín
- Graveyard Woman
- (Nicht genannt)
Dolly Jagdeo
- Party Girl
- (Nicht genannt)
Empfohlene Bewertungen
Loved the film, it is definitely not for everyone, as an art student it was rather interesting to see an artists process of making a painting. The film itself is rather small, it is centred around one particular event. The acting is great. I would recommend it to artists and people who are interested in creative process of making an artwork.
I understand that there are people that may have problems with this movie. It can be a frustrating movie to watch. But it can also be, funny, exasperating and sad. The acting is great. I don't place a judgement on the artist's behavior. He was as he was. This movie is about the artistic process, and the collaboration in that process. It can be tedious, chaotic and at times mesmerizing. It reminded me of a few of my friends who are artists. They truly do see the world in a different way, and at times you just have to go with it.
I wanted to see this movie because I like Geoffrey Rush and Tony Shalhoub. I'd never seen a movie directed by Stanley Tucci, either, so that interested me. I took myself to see this, and expected a semi-art house flick. This was... OK, in my opinion. Here's why:
The Good: The acting is good, which means the directing was good. Well acted and directed in my opinion.
The Bad: There's a bit more than the good, unfortunately. The scenes get a little repetitive after a while, there's a dark color tone to the film that takes a little while to get used to, and I don't feel like you really have a reason to care about the characters. You get left in the dark, just kind of wondering what's taking so long for this man to finish the portrait. He's all over the place. Sometimes studying his drawing, sometimes carousing his mistress, sometimes cursing up a storm. It's an odd situation, watching this film. I didn't dislike it, as some of the other patrons in my theater did, but I don't see a reason to revisit it. So... I'll give it 5/10.
The Good: The acting is good, which means the directing was good. Well acted and directed in my opinion.
The Bad: There's a bit more than the good, unfortunately. The scenes get a little repetitive after a while, there's a dark color tone to the film that takes a little while to get used to, and I don't feel like you really have a reason to care about the characters. You get left in the dark, just kind of wondering what's taking so long for this man to finish the portrait. He's all over the place. Sometimes studying his drawing, sometimes carousing his mistress, sometimes cursing up a storm. It's an odd situation, watching this film. I didn't dislike it, as some of the other patrons in my theater did, but I don't see a reason to revisit it. So... I'll give it 5/10.
Luckily this movie isn't that long because there isn't that much story. But nevertheless it's interesting for a look a the creative process of one of the most famous sculptors in the world. This isn't a sweeping biopic of the artist's life just a segment.
Geoffrey Rush is effective as the sculptor trying to paint a painting and starting over and over again. His subject is an art critic played by Armie Hammer who looks elegant as he poses in his suits. Clemence Poesy plays a prostitute mistress of Giacometti.
Worth a watch if you are interested in Giacometti.
Geoffrey Rush is effective as the sculptor trying to paint a painting and starting over and over again. His subject is an art critic played by Armie Hammer who looks elegant as he poses in his suits. Clemence Poesy plays a prostitute mistress of Giacometti.
Worth a watch if you are interested in Giacometti.
An interesting portrait about the painter Giacometti at the end of his life, when he painted his last painting before he died. It is curious to see their crises, their insecurities and dissatisfactions in the act of creating. And Geoffrey Rush is very well in the role of the painter while creating an interesting relationship with the character of Armie Hammer.
Wusstest du schon
- WissenswertesLondon doubled for Paris in the film because they couldn't afford to film in Paris. Filming took place over a week and a half and CGI was used to make it look like Paris. According to Tucci, it was cheaper for a small film to use CGI than to visit the real location.
- Zitate
[first lines]
James Lord: [narrating] In 1964, I was a young writer living in Paris. I had written a few articles about Alberto Giacometti, who was one of the most accomplished and respected artists of his generation. I had become good friends with Giacometti and his brother, Diego. And one day, after an exhibition, he asked me to sit for a portrait. He told me it would take no longer than two to three hours. An afternoon at the most.
- VerbindungenFeatured in Conan: Armie Hammer/Nick Swardson (2018)
- SoundtracksJazz à Gogo
Music by Alain Goraguer
Lyrics by Robert Gall
Published by Editions Bagatelle / EMI Music Publishing Ltd
Performed by France Gall
Courtesy of Polydor Records (France)
Under licence from Universal Music Operations Ltd
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Фінальний портрет
- Drehorte
- Ruby's Bar & Lounge, 76 Stoke Newington Road, London, England, Vereinigtes Königreich(old truck and french restaurant scene)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 461.972 $
- Eröffnungswochenende in den USA und in Kanada
- 25.472 $
- 25. März 2018
- Weltweiter Bruttoertrag
- 1.677.835 $
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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