Füge eine Handlung in deiner Sprache hinzuA seemingly meaningless journey of an old man and an EMT specialist in an ambulance becomes unexpectedly meaningful for both of them.A seemingly meaningless journey of an old man and an EMT specialist in an ambulance becomes unexpectedly meaningful for both of them.A seemingly meaningless journey of an old man and an EMT specialist in an ambulance becomes unexpectedly meaningful for both of them.
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What the Indian press is saying about "Orange Mittai"
"Orange Mittai is a beautiful film Like the candy it is named after, Orange Mittai with its sweet and sour moments, is a beautifully narrated film with just the right balance of humour and emotions." Rediff Movies
"Orange Mittai is that one rare movie which comes in Kollywood with a good message." The Wire.
"Orange Mittai is a simple feel good movie without much fuss and hype silently will enter into your hearts " India Glitz
"Orange Mittai is a colourful entertainer that engages you." Kolly 360
" the film is a quiet ode to the bittersweet life." The Hindu
"Vijay Sethupathi proves his mettle once again in an unconventional role with his power packed performance." Deccan Chronicle
Tamil cinema star Vijay Sethupathi and director Biju Viswanath teamed up to write Orange Mittai for the inaugural project of the actor's newly-formed Vijay Sethupathi Productions, in collaboration with producer B. Ganesh. Sethupathi himself takes and conquers the challenging central role of a middle-aged ailing eccentric, Kailasam, who has been alienated from his son. The story converges around Kailasam and the young paramedic, Satya, who comes to his aid and finds that things are not quite as they appear to be. Satya, sensitively played by Ramesh Thilak, is feeling the recent loss of his father, and the ambulance ride with Kailasam is the premise for a type of father-son confrontation. The subtly-tuned drama is tempered by comedic moments provided by Arumugam Bala as the Sancho Panza-like ambulance driver. It should also be pointed out that this film goes off the beaten track in its lack of classic song-and-dance treatment, a fact which could be regarded by some as a courageous choice for Tollywood. The soundtrack is appropriate and compelling without being overwhelming, and includes several outstanding songs that do not detract from the verité tone of the story. Viswanath's cinematography is a visual treat. It takes up the lyric style of his earlier films and runs with it, offering a sense of immediacy, an inner stillness that savors "the now" and values it as something precious, beautifully supporting the concept that "journey is destination." – Kudos.
"Orange Mittai is a beautiful film Like the candy it is named after, Orange Mittai with its sweet and sour moments, is a beautifully narrated film with just the right balance of humour and emotions." Rediff Movies
"Orange Mittai is that one rare movie which comes in Kollywood with a good message." The Wire.
"Orange Mittai is a simple feel good movie without much fuss and hype silently will enter into your hearts " India Glitz
"Orange Mittai is a colourful entertainer that engages you." Kolly 360
" the film is a quiet ode to the bittersweet life." The Hindu
"Vijay Sethupathi proves his mettle once again in an unconventional role with his power packed performance." Deccan Chronicle
Tamil cinema star Vijay Sethupathi and director Biju Viswanath teamed up to write Orange Mittai for the inaugural project of the actor's newly-formed Vijay Sethupathi Productions, in collaboration with producer B. Ganesh. Sethupathi himself takes and conquers the challenging central role of a middle-aged ailing eccentric, Kailasam, who has been alienated from his son. The story converges around Kailasam and the young paramedic, Satya, who comes to his aid and finds that things are not quite as they appear to be. Satya, sensitively played by Ramesh Thilak, is feeling the recent loss of his father, and the ambulance ride with Kailasam is the premise for a type of father-son confrontation. The subtly-tuned drama is tempered by comedic moments provided by Arumugam Bala as the Sancho Panza-like ambulance driver. It should also be pointed out that this film goes off the beaten track in its lack of classic song-and-dance treatment, a fact which could be regarded by some as a courageous choice for Tollywood. The soundtrack is appropriate and compelling without being overwhelming, and includes several outstanding songs that do not detract from the verité tone of the story. Viswanath's cinematography is a visual treat. It takes up the lyric style of his earlier films and runs with it, offering a sense of immediacy, an inner stillness that savors "the now" and values it as something precious, beautifully supporting the concept that "journey is destination." – Kudos.
I was so unlucky that I missed this movie in theatres. Was waiting badly to watch this movie after seeing a few scenes on TV. Thank God, Netflix made it possible. Yaay, I watched it. I should say this is one of the sweetest films I've ever seen. This is not your regular masala movie. This is a brave experiment that needs to be appreciated. The beauty of the story lies in its simplicity. All the characters have played their part very well. Cinematography was top notch. Vijay sethupathi as usual lived his character. This is the first time he had played a character of an aged person. No wonder this man is liked by all. Director Biju's narration needs a special mention. The director has made it clear to keep the narration as natural as possible avoiding all possible cliches. The scene where Kailasam (Vijay sethupathi) gets down from the auto and starts dancing on the road in the middle of the night was a treat to watch. Quirky dialogues ensured every character had their own depth. Ramesh Thilak needs a special mention. His role as a paramedic will be one of his best. Watch it if you like feel good cinema. You won't regret. I have added this film to my list of favourites and will watch it whenever I want to feel light. Orange mittai tasted good. Real good. Thanks to the entire crew of "Orange Mittai". You made my day :-)
The protagonist doesn't have his partner to grow old together as his wife expired long ago. The pain of loneliness results in mood swings of the protagonist.
All he needs is a company. The drama he creates often for that and the mood swings of him leads the story. It doesn't matter what the world thinks about his personality, the scene when he stops the auto and dances on the road literally tells me how liberating it would have felt for Protagonist to have someone to care him and share his feelings. I have watched this movie 6 times and every time it gave mea different feel.
10annino
A very moving film.Very well thought out and was shot very well. They dynamic between both characters were very dynamic. It was a very deep and meaningful film. It had a fine blend of comedic timing while with a good balance of dramatic expression. It has a very surreal and expressionistic approach. A great reflection how sometimes relationships do not work out and in some ways time will heal it has a very philosophical approach that many including myself can relate to in regards to loss. A lot of visual metaphorical meaning through out the film. The story shows how a simple gesture might be hard to express in a relationship. Vijay Sethupathi character has impeccable comedic which transcends throughout the whole cast.
Orange Mittai.... according to the title, movie has both sweet and sour.... Beautifully Revolves around 3 characters. Not a usual melodrama. thanks to the director :-)
visuals are interesting.
Wusstest du schon
- VerbindungenFeatures Ratha Kanneer (1954)
- SoundtracksStraight Ah Poyee
Produced by Justin Prabhakaran
Written by Vijay Sethupathi
Performed by Vijay Sethupathi
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- Orange Candy
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- Laufzeit1 Stunde 42 Minuten
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- Seitenverhältnis
- 2.35 : 1
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