Deutschland 83

I was in that business around that same time, in West Germany. The details in this production are amazing, right down to two Trabis on the same street in the East, and no Mercedes in the Stasi parking garage. I love the fact that Americans speak with a slight American accent, and use English words -- though not necessarily the ones a German would use. This takes me back, to the uniforms, buildings, concerns of a different time. One I sincerely hope will disappear forever.

The problems of sending an East German to the West reflect the problems we had sending a Westerner east. The 1,001 ways to be tripped up brings back memories of complex plans that felt good, but you knew had huge holes in them no one had noticed. The risk to the actual agent cannot be downplayed, and this series (after only seeing #1) seem to lock in tight on that vital element of spy games.

Refreshing to watch the beginning of this series on Sundance Channel, a foreign language entry that catches a moment in recent German history without the usual quintessential archetypes and funny accents of any random American production involving Germans. The tables are turned in fact because it is the American characters speaking German who seem a bit less than convincing. English subtitles are no major distraction, because the script is terse and direct.

As in most German cinema, nothing is left to the imagination. If a character is destined to be a hero or a saint (or something in between) that element is telegraphed in advance by the director's emphasis on a frown, an arched eyebrow, a look of confusion, or a surreptitious stage movement. We know where the series is going by the end of the first episode, yet we identify with the young man at the center of the story irrespective of his opening attitude. There is none of the ambivalence or inchoate suspense found in one of John Le Carré's filmed spy novels.

I am looking forward immensely to viewing the remainder of the series in spite of not believing, really, that many of the easy coincidences, arch villains, clandestine meetings in the woods, and other stereotypical story devices could have actually happened.

Like most fiction, there are several logical, factual and dramatic flaws but that does not detract in any significant way from this series.

If you like history, are interested in Germany or specifically Germany in the 80s and most of all, if you need your TV drama to be smart and complex, you will love this series.

Yes it is extremely unlikely that a border guard with a fake identity would be accepted as an assistant to a West German general, but the characters and dramatic themes are extremely compelling. The attention to detail in terms of East v West Germany and early 80s vibe are outstanding.

I only wish that a "season" was more than a mere 8 episodes!

I was in the US Army in '83 and intimately involved with the PII deployment and Able Archer. This perspective, from the East and West German point of view, is both reminiscent of my own experience and an enhancement of it. Well acted, produced, and an accurate account of the times. I had many German friends at the time, but due to my position I avoided talking politics as much as possible, but I hear their views echoed here.

Still, I was very aware of my friends reluctance to allow the PIIs and Cruise Missiles into their country. It wasn't until some years later that I discovered how Able Archer was perceived in the East, and this series recounts much of what I learned. It's been said that '83 was on par with the Cuban Missile Crisis in terms of edging toward nuclear war.

So to find a series that takes a piece of my past and twists and supplements it is very interesting. That is very well done makes it a must see for me! There are elements of the plot that get a bit overblown at times, but add to the intrigue and suspense (it is a fictional account, so that's OK). I'm very glad to have found this and would recommend it!!

My Brother was is W. Berlin from 1980 to 1983. I was in Kitzingen, Germany from 1984 to 1987. This show is true to the look, feel and emotions of the Cold War at that time. The emotional and psychological tug of Cold War was palpable during the 80's with every step one took, and this show, somehow, surprisingly brings those feelings and emotions down to the minutest detail alive again. The U.S. and the Soviet Union were preparing for war, and the Fulda Gap was where we practiced our maneuvers for a ground assault (this is common knowledge, so don't get your panties in a wad over this information). Everything in this series, especially the use of music, cars, and women is spot on. Bravo! This series deserves to continue.