IMDb-BEWERTUNG
5,8/10
10.161
IHRE BEWERTUNG
Die Frau eines erfolgreichen Filmproduzenten unternimmt mit einem der Geschäftspartner ihres Mannes eine Autoreise von Südfrankreich nach Paris.Die Frau eines erfolgreichen Filmproduzenten unternimmt mit einem der Geschäftspartner ihres Mannes eine Autoreise von Südfrankreich nach Paris.Die Frau eines erfolgreichen Filmproduzenten unternimmt mit einem der Geschäftspartner ihres Mannes eine Autoreise von Südfrankreich nach Paris.
- Auszeichnungen
- 1 Nominierung insgesamt
Élodie Navarre
- Carole
- (Synchronisation)
Aurore Clément
- Concierge
- (as Aurore Clement)
Empfohlene Bewertungen
I am sure the French Tourist Office paid for this movie. A long homage to French food, and wine, and sensuality, real or imagined. Diane Laine, the lady who impersonates chic-lit for chick flicks, is not stretched, and Alec Baldwin, appears and disappears. Who's the French guy? He's charming and such a walking French cliché, but does not set the world on fire. Sigh, what Maurice Chevalier could have done with the role! It's a lovely road trip with no tension, and wonderful food and flowers. It will be a hit in cold Australia, and even more people will visit France, the world's most popular tourist destination, but a great story, no. Quelle domage!
Paris Can Wait is absolutely a great comedy-romance movie from the talented director Eleanor Coppola.
It is an entertaining movie from the beginning to the end. Great scenery of Paris ,amazing acting, enchanting romance,delicious French food and stunning direction.
Rated PG and suitable for all children .Adults would definitely enjoy it especially when they learn that this movie was screened in the Special Presentations section at the 2016 Toronto International Film Festival.
God Bless The Amazing Eleanor Coppola (The Wife Of The Great Director Francis Ford Coppola).
Indeed:" Behind A Great Man There Has To Be A Great Woman.
It is an entertaining movie from the beginning to the end. Great scenery of Paris ,amazing acting, enchanting romance,delicious French food and stunning direction.
Rated PG and suitable for all children .Adults would definitely enjoy it especially when they learn that this movie was screened in the Special Presentations section at the 2016 Toronto International Film Festival.
God Bless The Amazing Eleanor Coppola (The Wife Of The Great Director Francis Ford Coppola).
Indeed:" Behind A Great Man There Has To Be A Great Woman.
I don't get the low rating for this film. As a man, I can understand how it would be borderline boring, but still it is a good movie, with good acting and very beautiful content. I went through a trip in France, with the great lighting and the great food and the beautiful countryside and I can tell you it's truly what women want. My wife was happy for months. And this is the film adaptation of such a trip, written and directed by Eleanor Coppola.
There are two problems with this film. One is that this is about rich people traveling through France and getting the best of the best from fancy restaurants and places for the in-people. That can annoy some folk. The other is that there really is no story. There's just a French guy trying to woo a beautiful American married woman.
One can learn a lot from this film, too. Basically, the writer says "hey, men that take their wives for granted! Your women want romance!". OK, that can be annoying, too, but also serves as a manual on how women would like to be made to feel.
Bottom line: a true romantic road trip movie, with no pointless comedy or drama added. Refreshing and inspiring.
There are two problems with this film. One is that this is about rich people traveling through France and getting the best of the best from fancy restaurants and places for the in-people. That can annoy some folk. The other is that there really is no story. There's just a French guy trying to woo a beautiful American married woman.
One can learn a lot from this film, too. Basically, the writer says "hey, men that take their wives for granted! Your women want romance!". OK, that can be annoying, too, but also serves as a manual on how women would like to be made to feel.
Bottom line: a true romantic road trip movie, with no pointless comedy or drama added. Refreshing and inspiring.
So own my way to posting this, I discovered that the director, Eleanor Coppola is 80 years old and this is her fist feature narrative. I like that. I assumed that Eleanor was some new 20- something year old Coppola getting into the family business, but as it turns out she's been in the biz along side her hubby Francis Ford for over 5 decades. I mean, this may be her first narrative but the film game an'it new to her (You could probably say that about any Coppola at any age).
Paris can wait was what I like to call a slow burn. It's a great movie that takes it's time getting to the point but it's a very enjoyable romp getting to that point.
And now I'm seeing something about the film I've never seen before. Similar to her daughter, Sofia's film Lost in Translation, the film is about the wife of a film producer who is far too busy to spend time with his wife as he's getting a movie made. She's unable to fly do to ear problems so the husband has one of his employees drive her from Cannes to Paris, and he takes the scenic route about it. Somewhere in this story is a lot of real life I'm sure.
The movie is not for everyone, I would say. I can see that appeal for women who know exactly what it's like to be in a relationship with a man married to his job, but for the most part, I find the movie concentrates or centers around the food of France a lot. Lots of really cool scenes of Diane Lane and her co-star, Arnaud Viard sharing meals with each other, and the meals look great. Far better than the scenery of France. I must admit, I was expecting France to look far more beautiful than it does in this movie, but I guess what Eleanor thinks of this road trip is different than what I was expecting (But what do I know I'm no Coppola).
You know what was great to look at? Diane Lane. So beautiful. I feel like the word MILF does not go with the elegance and grace she brought to the performance. Perhaps Cougar? Either way, smoking hot.
It's a very classically done comedy. You don't see movies made like this anymore. Very laid back and relax with the purpose of everything unfolding naturally.
Like some of the food in the movie it's a required taste, but I recommend taking a bite.
http://cinemagardens.com
Paris can wait was what I like to call a slow burn. It's a great movie that takes it's time getting to the point but it's a very enjoyable romp getting to that point.
And now I'm seeing something about the film I've never seen before. Similar to her daughter, Sofia's film Lost in Translation, the film is about the wife of a film producer who is far too busy to spend time with his wife as he's getting a movie made. She's unable to fly do to ear problems so the husband has one of his employees drive her from Cannes to Paris, and he takes the scenic route about it. Somewhere in this story is a lot of real life I'm sure.
The movie is not for everyone, I would say. I can see that appeal for women who know exactly what it's like to be in a relationship with a man married to his job, but for the most part, I find the movie concentrates or centers around the food of France a lot. Lots of really cool scenes of Diane Lane and her co-star, Arnaud Viard sharing meals with each other, and the meals look great. Far better than the scenery of France. I must admit, I was expecting France to look far more beautiful than it does in this movie, but I guess what Eleanor thinks of this road trip is different than what I was expecting (But what do I know I'm no Coppola).
You know what was great to look at? Diane Lane. So beautiful. I feel like the word MILF does not go with the elegance and grace she brought to the performance. Perhaps Cougar? Either way, smoking hot.
It's a very classically done comedy. You don't see movies made like this anymore. Very laid back and relax with the purpose of everything unfolding naturally.
Like some of the food in the movie it's a required taste, but I recommend taking a bite.
http://cinemagardens.com
The Coppola name comes with big expectations nowadays, but Eleanor Coppola (wife of Francis Ford, mother of Sofia) offers up a sweet, simplistic and somewhat conventional film about a 50 something woman who stumbles her way into a delightful adventure.
Diane Lane plays Anne, the elegant but somewhat neglected wife of a successful producer. They are supposed to take a long-delayed vacation in Paris only for that vacation to get delayed again when her husband, Michael, has to rush to Budapest for work. Anne is initially supposed to go with him, but when a severe earache prevents her from flying Michael's producing partner Jacques steps in and offers to drive her up to Paris. What is supposed to only be a quick car ride slouches into a several day long trip as spendthrift Jacques insists on making numerous detours to sample the architectural, culinary and cultural delights.
The movie is full of clichés (I mean really, a charming Frenchman named Jacques?) but Lane and Arnaud Viard have good chemistry and it's fun playing tourist by proxy as they stroll around the countryside flirting and looking chic. The movie only stumbles towards the end when it tries to get serious.
Early on the film comments about the importance of timing the perfect soufflé so that it doesn't deflate. Unfortunately, while made up of all the perfect ingredients this film isn't time quite write. It deflates a little upon conclusion but much like a soufflé would be, it still tastes perfectly alright.
Diane Lane plays Anne, the elegant but somewhat neglected wife of a successful producer. They are supposed to take a long-delayed vacation in Paris only for that vacation to get delayed again when her husband, Michael, has to rush to Budapest for work. Anne is initially supposed to go with him, but when a severe earache prevents her from flying Michael's producing partner Jacques steps in and offers to drive her up to Paris. What is supposed to only be a quick car ride slouches into a several day long trip as spendthrift Jacques insists on making numerous detours to sample the architectural, culinary and cultural delights.
The movie is full of clichés (I mean really, a charming Frenchman named Jacques?) but Lane and Arnaud Viard have good chemistry and it's fun playing tourist by proxy as they stroll around the countryside flirting and looking chic. The movie only stumbles towards the end when it tries to get serious.
Early on the film comments about the importance of timing the perfect soufflé so that it doesn't deflate. Unfortunately, while made up of all the perfect ingredients this film isn't time quite write. It deflates a little upon conclusion but much like a soufflé would be, it still tastes perfectly alright.
Wusstest du schon
- WissenswertesDiane Lane's real life daughter Eleanor Lambert plays her daughter in the film.
- PatzerOn the staircase at the end of the museum tour, Anne thanks the tour guide twice. The second time she says: "thank you", her mouth does not move.
- Zitate
Anne Lockwood: Let's make a little detour and see the beautiful cathedral there.
Jacques Clement: Who are you and what have you done with my American friend, always in a hurry to get to Paris?
- VerbindungenFeatures Danse serpentine (1897)
- SoundtracksFences
Written by Thomas Mars (as Thomas Pablo Croquet), Christian Mazzalai, Laurent Brancowitz (as Laurent Mazzalai), Deck D'Arcy (as Frederic Jean Joseph Moulin)
Performed by Phoenix
Courtesy of Glassnote Entertainment Group, LLC
Published by Ghettoblaster S.A.R.L.
Administered by Kobalt Music Publishing America, Inc.
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Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 5.617.731 $
- Eröffnungswochenende in den USA und in Kanada
- 98.850 $
- 14. Mai 2017
- Weltweiter Bruttoertrag
- 13.203.541 $
- Laufzeit
- 1 Std. 32 Min.(92 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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