IMDb-BEWERTUNG
6,8/10
7014
IHRE BEWERTUNG
Ein arbeitsloser Fabrikarbeiter versucht, im Arbeitermilieu Frankreichs über die Runden zu kommen.Ein arbeitsloser Fabrikarbeiter versucht, im Arbeitermilieu Frankreichs über die Runden zu kommen.Ein arbeitsloser Fabrikarbeiter versucht, im Arbeitermilieu Frankreichs über die Runden zu kommen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 7 Gewinne & 13 Nominierungen insgesamt
Christophe Rossignon
- Employeur sur Skype
- (Synchronisation)
Empfohlene Bewertungen
I love this kind of film. Fly on the wall and powerful. Nothing is spoon fed. It's one of the best ways to develop characters if its done well, and here the character journey is exceptional. Outstanding take on modern times and dealing with it. Thanks film makers. It's nice to have a break from violence and cheap thrills.
This is a Mike Leigh/Ken Loach-style drama, great contemporary social realism, French style, and all the better for it.
A middle-aged man's existence becomes precarious after he's laid-off from his skilled job. Transitioning via the unemployment industry to supermarket security guard is the challenge for our hero. His dialogue with petty bureaucracy is obviously the same in France as it is here. There is claustrophobia and frustration with the relentless, compassionless uselessness of the so-called support.
Witnessing with him a check-out worker's send-off after a lifetime on the job is suitably excruciating. The young, new boss has the honour of fare-welling simple, loyal Gisele who always smiles and was never late in 32 years; a career trajectory from the check-out to the deli section.
The little guy or gal, when he falls out of work, is screwed, especially if he's in his 50's. There are themes of the exploitation and degradation of working life and also of the demands of caring for a disabled dependent.
The story evolves slowly, documentary style, long takes in naturalistic settings. We experience the frustrations and humiliations of the unemployment industry through his jobnetwork appointments and programs. Futlity is a theme.
There are many lovely features and brilliant, understated acting mainly from Vincent Lindon who received a five-minute standing ovation at the Cannes premiere and went on to win the best actor prize both there and in the Cesar Awards.
This is a story about personal principles in our times; a disturbing look at the banal cruelty of modern employment and the struggles and battles of life more generally. When Mike Leigh and Ken Loach have lost their mojo, director Stéphane Brizé picks up the baton for the prols and gives the audience a measured, low-key, steadily building drama with big pay-offs.
The Measure of a Man is quite gut-wrenching and brilliant in its simultaneous simplicity and complexity. It should be compulsory viewing for all supermarket managers & Centrelink and Jobnet (Australia) employees.
Let's Go To The Pictures, Three D Radio, Andrew Bunney
A middle-aged man's existence becomes precarious after he's laid-off from his skilled job. Transitioning via the unemployment industry to supermarket security guard is the challenge for our hero. His dialogue with petty bureaucracy is obviously the same in France as it is here. There is claustrophobia and frustration with the relentless, compassionless uselessness of the so-called support.
Witnessing with him a check-out worker's send-off after a lifetime on the job is suitably excruciating. The young, new boss has the honour of fare-welling simple, loyal Gisele who always smiles and was never late in 32 years; a career trajectory from the check-out to the deli section.
The little guy or gal, when he falls out of work, is screwed, especially if he's in his 50's. There are themes of the exploitation and degradation of working life and also of the demands of caring for a disabled dependent.
The story evolves slowly, documentary style, long takes in naturalistic settings. We experience the frustrations and humiliations of the unemployment industry through his jobnetwork appointments and programs. Futlity is a theme.
There are many lovely features and brilliant, understated acting mainly from Vincent Lindon who received a five-minute standing ovation at the Cannes premiere and went on to win the best actor prize both there and in the Cesar Awards.
This is a story about personal principles in our times; a disturbing look at the banal cruelty of modern employment and the struggles and battles of life more generally. When Mike Leigh and Ken Loach have lost their mojo, director Stéphane Brizé picks up the baton for the prols and gives the audience a measured, low-key, steadily building drama with big pay-offs.
The Measure of a Man is quite gut-wrenching and brilliant in its simultaneous simplicity and complexity. It should be compulsory viewing for all supermarket managers & Centrelink and Jobnet (Australia) employees.
Let's Go To The Pictures, Three D Radio, Andrew Bunney
This is less a 'drama' than a documentary of what happens to people when their already difficult lives are made worse by thoughtless organizations and stupid funding regimes. Thierry has been laid off from his factory job. Presumably, he has stuck this sort of mindless work because he has a disabled son who needs constant care. Thierry is doing everything he can to keep his family together whilst barely scraping together an income. Unemployment is made worse by the organisations who are supposed to be there to help him back to work. They send him on inappropriate training schemes wasting everyone's time and effort as there is no work to be got afterwards. After numerous humiliations Thierry gets himself a shop security job and finds he's forced into making judgements about others that are, in reality, in as dire straights as himself. We wonder at what point he will break, and what he will do when he breaks? Its not a good ending but then, this is all too real for far too many people.
I had the honor to watch the premiere of this beautiful film in Cannes. I am glad to see that there are still experienced directors that can make film like this one: relatively low budget, simple cinematography, a few but good actors, few locations but with a very good story telling. Stephane Brize' is able to tell his story in an entertaining way even if mainly using long uncut scenes and very simple camera setting. No shot and counter shot, none of the usual Hollywood techniques. The director take his time lingering to build tension and emotions.
Everything is based on the skills of the actors, with witty dialogues and situations that recalls the sitcom but with a dramatic treatment. It's an intelligent critic to the French society. Every young filmmaker should watch and learn from this film.
Everything is based on the skills of the actors, with witty dialogues and situations that recalls the sitcom but with a dramatic treatment. It's an intelligent critic to the French society. Every young filmmaker should watch and learn from this film.
people seem to be missing the point on this. This is life how it happens. There is no great drama in a lot of our lives, just overcoming difficulties or succumbing to them. The protagonist here shows an incredible amount of grace when faced with many difficult situations. He's tried, over and over again, to do what is asked of him, most of it is reasonable, but it seldom actually helps his situation. It is very, very well acted and well photographed. I think it is like a modern Agnes Varda. You have to educate yourself and/or face a few situations like these shown to appreciate a film like this. I think folks are missing the point. Is the life portrayed common? Yes. Does the man try to rise above the things that have happened to him? Yes. Does he do so with a true sense of what is important and what isn't? Yes. Does he do so with a huge amount of grace? Yes, I think so, and that what impressed me most. It really does show what the measure of a man should be.
Wusstest du schon
- Wissenswertes9'36 standing ovation at Cannes 2015.
- VerbindungenReferenced in Yo quise hacer Los bingueros 2 (2016)
- SoundtracksI Wanna Be Your Man
Tyler Van den Berg, Thomas Collins
© West One Music Group
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- The Measure of a Man
- Drehorte
- Boussy-Saint-Antoine, Essonne, Frankreich(supermarket)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 112.391 $
- Eröffnungswochenende in den USA und in Kanada
- 10.011 $
- 17. Apr. 2016
- Weltweiter Bruttoertrag
- 6.518.931 $
- Laufzeit
- 1 Std. 31 Min.(91 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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