IMDb-BEWERTUNG
6,0/10
21.792
IHRE BEWERTUNG
Ein junger Engländer schmiedet Rachepläne gegen seine geheimnisvolle, wunderschöne Cousine, von der er annimmt, sie habe seinen Vormund ermordet. Seine Gefühle kommen jedoch durcheinander, a... Alles lesenEin junger Engländer schmiedet Rachepläne gegen seine geheimnisvolle, wunderschöne Cousine, von der er annimmt, sie habe seinen Vormund ermordet. Seine Gefühle kommen jedoch durcheinander, als es sich immer mehr von ihrem betörenden Charme in den Bann gezogen fühlt.Ein junger Engländer schmiedet Rachepläne gegen seine geheimnisvolle, wunderschöne Cousine, von der er annimmt, sie habe seinen Vormund ermordet. Seine Gefühle kommen jedoch durcheinander, als es sich immer mehr von ihrem betörenden Charme in den Bann gezogen fühlt.
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- 1 Gewinn & 5 Nominierungen insgesamt
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A pretty but lifeless version of Du Maurier's gothic melodrama. I never thought I'd find myself saying this, but Henry Koster did it better. Mind you he did have Olivia de Havilland and a brooding young Richard Burton in the leads.
My Cousin Rachel is one of my favourite books. I was full of awe at how passionate and skilled Daphne du Maurier's mastery was. I was excited at the thought that a very skilled actress like Rachel Weiz will now bring Rachel to life. I was terribly disappointed. The movie left out key elements from the book, which is fine if the movie itself was intent on having its own direction. But it neither followed the book nor presented anything new. It felt like an edit of a better story. In the book, Du Maurier leaves us to make up our own minds whether Rachel was a murderer or not. Personally, I thought she was innocent. The movie doesn't present us with the same question. It tries but fails and instead presents us with a flat and annoying obsession from a young lad with a woman of the world. Rachel in the movie is not Rachel in the book. In the movie she's more obvious and boring. In total the whole movie is dull. Might entertain someone who didn't read the book although I even doubt that.
Another reviewer on here said this might have been amazing with a Hitchcockian style of direction and I have to agree. The story has all the ingredients for a good slow-burn suspense mystery, but the necessary ingredients are missing from this adaptation-- namely tension or intrigue. The leads have no chemistry and the presentation of the material is just plodding and dull. The whole affair was so cold that the passion needed to make the behavior of the characters work was simply not there.
It's pretty but that's about all I can give it.
It's pretty but that's about all I can give it.
Rachel, of course, comes out of the heart and mind of Daphne Du Maurier, the same author who gave us Rebecca and even if we never met her we discover she was a nasty piece of business, she also gave us Melanie Daniels in The Birds, the spoiled rich girl from San Francisco. Here, Rachel is more of an enigma and as played by Rachel Weisz, a dangerously, too good to be true lady of mystery. Rachel Weisz is absolutely captivating and perhaps that's why I was so aware of Sam Claflin's shortcomings as an an actor. I don't want to be unkind. He has presence and charm but I was painfully aware of the performance, specially when he has Rachel Weisz being totally present in the moment. Roger Michell allows the candles, the jewels and the locations to have their moments, beautifully. Recommend it for a stormy Sunday afternoon.
Rachel Weisz plays the subtleties of the titular character with perfection, however, the many twists and turns of the "Did she?!" "Maybe not!?" tension eventually tires and the resolution is made completely flat. This was rather disappointing. I give the film a 6 (fair) out of 10. {Gothic Romantic Mystery}
Wusstest du schon
- WissenswertesThe white horse Rachel Weisz rides in the film had been trained for the TV series Game of Thrones (2011) and was taught to 'play dead' when its rider tugged hard on the left rein. Being unaware of this, at one point Rachel got partially trapped under the horse's left flank for a brief period after it rolled over onto its left side.
- Alternative VersionenFor the film's Australian release, the distributor chose to remove some stronger material, such as the use of strong language in order to obtain a PG classification. The uncut version was later classified M without cuts for a DVD/Video release.
- SoundtracksLancashire
Written by H. Smart
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Box Office
- Bruttoertrag in den USA und Kanada
- 2.716.368 $
- Eröffnungswochenende in den USA und in Kanada
- 969.941 $
- 11. Juni 2017
- Weltweiter Bruttoertrag
- 9.200.168 $
- Laufzeit
- 1 Std. 46 Min.(106 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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