The Gilded Age

The show is set during the era of the so-called 'rober barons'...incredibly wealthy men who made huge fortunes no matter what the cost to their poor employees. But the program doesn't center very much on these poor but the rich, their friends as well as their servants. The vibe is very much like "Downton Abbey" and it's written by the same man. Overall, a very satisfying and beautiful program which will likely have you longing to see more.

I really loved watching both seasons (up to now season three has not yet been released) and was ready to give the show a 10. But it is, at times, a bit predictable...but also incredibly unpredictable (such as the finale of season two). The predictability are many of the romantic relationships (particularly of the lead)...but considering how rich the characters are, I'll cut this some slack.

I've been waiting this for a while, especially since Fellowes mentioned it, I knew the premise could deliver a good show, and so it is. I'm giving it a 7* for the time being for I know it could be an 8 but I will reserve judgement until the end of the season.

Plus, all Fellowes' dramas are slow burners, even Downton Abbey was a bit much at first, there were dozens of characters presented at once, nothing made much sense until episode 3 so I knew what to expect on that regard but I want to make a defense, should that be the word, of this series. Aside of minor mistakes, façades not being the right stone, streets missing small details, the show presents the age rightly, especially one that was written a lot about, and mostly from a women's feud views. The men offer the backside of this, they didn't care about their wives' issues, they make business in between each other and let them manage the social side of their lives.

The show is heavily inspired from Alva Vanderbilt's takedown on Old New York, her bid on becoming socially acceptable agains Mrs Astor's 400, the Knickerbockers. Old ways vs the new way, Americans, especially Newyorkers, finding their footing in the new order where the US was beginning to be a power in its own right, and so, then, of course, the Buccaners, the most famous 3: Minnie Stevens, Jennie Jerome, and Consuelo Vanderbilt, the first 2 ones ran away from NY due to the lack of acceptance their families had, Alva was of a sterner material, first she won at home, and then she placed Consuelo as a duchess in England. Shortly after she divorced her husband, marry the love of her life, and then became an activism for women rights, vote, etc. What a woman, ha!

I also disagree with those who refer to this as woke, luckily is not, Fellowes loves to introduce these "downstairs" stories, and it is going to be one of the lines to go, so I like that, he is also usually thorough when it comes to details, I mean, don't expect seeing Peggy marrying a Vanderbilt or an Astor, he does not play with history on that regard but there will some surprise there for sure.

I hope this one follows its course, it could run for 4 season easily, and more.

There are a metric ton of poor reviews for the Gilded Age, most of which seem disappointed that it's not Downton Abbey. Of course it's not. Nor is it Gosford Park, Belgravia, The English Game, Doctor Thorne, nor any number of other series and movies that the Baron Fellowes of West Stafford has written or produced.

The Gilded Age is best reviewed as a stand-alone series, and not any sort of spin-off or successor to the immensely successful Downton Abbey. Yes, the costumes and sets are spectacular, and the casting is sublime, led by the magnificent Carrie Coon (not "Coons", good grief. If you're going to put down her acting, the very least you can do is spell her name correctly). Other standouts are Morgan Spector, as robber baron. George Russell, and the always entertaining Nathan Lane, Cynthia Nixon and particularly Christine Baranski, as the witty, but sharp tongued Aunt Agnes.

It's not necessarily the best show on television, but it's far from the worst, and an easy binge watch, with consecutive story arcs that are well conceived and written. It's not historical drama, it's a costume drama, with a superb cast, and tightly scripted dialogue. It's not Downton Abbey, nor does it pretend to be. It is, however, a peek into the extravagant lives of the very rich in Post Civil War America.

What's not to like? Fabulous sets, beautiful and authentic costumes, Broadway actors, and an intriguing story line. This isn't something to over-analyze; just enjoy it!!

Julian Fellowes' mighty pen is back (and even more cheekier) in this lavish production. This time dealing with aristocratic socialite snobbery of the ugly kind, ruthless business affairs, political sabotaging, hidden homosexual relationships, racial prejudices, and society control freaks. (But I'm sure there is more after only viewing three episodes.)

And we're talking about the year - 1882! A radical period in New York upper-society with the changing of the guard among the wealthy, and the young radical breed coming into play. All carried out in the delicious Fellowian style. With snappy and sassy dialogue, infused with a grand soap opera worthy of a Verdi music score.