Eine Schauspielerin erhebt ihre drei Töchter, während sie unter dem Druck steht, in Hollywood zu arbeiten und alleinerziehend zu sein.Eine Schauspielerin erhebt ihre drei Töchter, während sie unter dem Druck steht, in Hollywood zu arbeiten und alleinerziehend zu sein.Eine Schauspielerin erhebt ihre drei Töchter, während sie unter dem Druck steht, in Hollywood zu arbeiten und alleinerziehend zu sein.
- Für 2 Primetime Emmys nominiert
- 6 Gewinne & 38 Nominierungen insgesamt
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I love that this show is centered on a working mom in her 40s/50s. So much raw, relatable content. It doesn't glamorize the inner workings of day to day family life. But, and it's a big BUT, the oldest children are spoiled and entitled. Sure, that makes for conflict and drama. But it's becoming unwatchable the way she portrays herself as this martyr for enduring her own two older children's behavior. It's beginning to make her an unlikable character for me. It is not endearing to watch her ALLOW her children to be monsters. Aside from that, there's plenty of good stuff there.
Pamela Adlon offers much richer characterizations for her trio of young co-stars this year, and it's hard to think of another tv series since Malcolm in the Middle that has had such an ingenious representation of the youngest-middle-oldest sibling dynamic. The writing is indelibly sharp too, as just like Louie the show is as precious as it is hilarious, and it's captured in a way that's simply beautiful on every level. In a year with no new seasons for Atlanta or Louie, FX subscribers that appreciate more subversive comedies with a knack for subtlety will find all they desire here, in Better Things.
I find much of Better Things quite amusing, and very realistic, but -- familiar as I am with the volatile nature of the adolescent female -- I still find some of the dialogue written for the girls to be shocking. If I'd ever said to either of my parents even half of what spews out of the character of Frankie, I'd've awakened in the hospital being fed through a tube. There definitely are episodes which make it clear that there is an overload of undiluted estrogen in that house.
Funny, real and inspiring. I have loved Pam since Californication. The story is original. I love that men are not saving these women. They are facing the world on their own not waiting for a man to help them. They deal with real world problems in a non forgiving world of social media, changing family structure and the role of women in society is changing. Cannot wait to see where life takes these women.
I was looking forward for seeing this show for a long time and it didn't disappoint me. Again im looking at the score on the site and cant understand how this show couldn't get a higher one. Ofcoure a lot of people don't trust the score and watch whatever they want before making any mind about it but still it can be a little confusing when it comes to the score on site. This one is a good show put together by brilliant comedians to tell a story about a family from a funny point of view and it works perfectly fine if you ask me , yes there still a little drama here and there but if you look at the big picture , this show lacks the mistakes that are done by so many comedy shows out there , no clichés , no stupid jokes , just life from a funny perspective.
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- WissenswertesThe long gap between season 2 and 3 came about due to the firing of co-creator Louis C.K., who co-wrote every episode. So Pamela Adlon needed the extra time to put together a writers' room and learn how to run it, a big change regarding the making of the first two seasons.
- VerbindungenFeatured in Conan: Bob Costas/Pamela Adlon/Mary Mack (2016)
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