Queen of Katwe

Mira Nair previously focused on Uganda in 1991's "Mississippi Masala" (about an Indian family forced into exile by Idi Amin). "Queen of Katwe" is the true story of Phiona Mutesi, who started playing chess to get out of Kampala's slums. Katwe is the sort of place where you have to bribe people to do even minimal tasks. Lupita Nyong'o plays Phiona's mother, the sort of person who knows the slums all too well and isn't thrilled with her daughter's goal.

One of the most effective scenes is when the Katwe children compete against the students of King's College: the Katwe children wear the traditional Ugandan attire while the rich children wear western clothes, showing the disconnect between the social classes (a scene towards the end of "Mississippi Masala" showed something similar: when the father returns to Uganda, he looks westernized while the Ugandans wear the traditional clothes).

Admittedly, I don't know how accurate the movie is, especially since I had never heard of the story before the movie's release. Nonetheless, it's a powerful, uplifting story. The people involved in this movie deserve ample recognition for their contributions, and I hope that it draws more attention to Phiona Mutesi's achievements.

Mira Nair returns to Uganda once again, three decades after she made Mississipi Masala. This is a much better film. While Mississipi Masala centered around an upper middle class Indian-Ugandan family, Queen of Katwe is set in the slums of Uganda. Nair doesn't attempt to go easy on the slum visuals here. The filth and squalor are in your face here, from beginning to end. I haven't seen a film depicting poverty in this way for a long time. Even Slumdog Millionaire wasn't so strong. Otherwise Queen of Kawate is a fairly predictable story of an under-privileged girl rising to success against the odds. The medium of her rise is chess. She's the pawn who turns into a queen, as sometimes happens in chess. The performances are uniformly good, especially given that most of them are child actors (Mira Nair's first film was Salaam Bombay and she is pretty good at handling children). I found the end credits rather moving, where the real characters pose with the actors who played them on screen. All in all a very warm, watchable film.

I was hesitant to see the movie, although I marked it for my 2016 must watch list some time ago. There were things that discouraged me to prioritize this movie before all the other I have seen from 2016 so far - like its Disney poster, its genre of "from the bottom to the top" (always a danger to fall into clichés), and lack of exposure and reviews.

I am glad I finally watched it today, as it successfully managed to avoid clichés and 2D story-line so often seen in this genre and clichés of over-romanticizing of poverty and Africa in general. I think that the main reason this movie didn't succeed much in USA or Europe on commercial merit is that people didn't really get through those clichés yet. That, and perhaps the African accent that to some western ears may sound "too stupid and slow", so people often correlate that with intelligence of people who speak it.

For me, it was refreshing to see finally a good movie set out in Africa and even more so, I applaud the director's decision to shoot it in actual Katwe. It added up on the scale of authenticity and I bet it helped to facilitate actors performance as well- which is also on very high level. I especially liked Lupita Nyong'o's portrayal of the mother of Phiona - the main hero of the story. But surprisingly all child actors are really good too, even though most of them (I heard) never stood before camera (or maybe exactly because of that).

As I mentioned the story is classical "from the bottom to the top" genre, but what sets this movie apart from its stereotype genre is willingness to explore characters depth, and not only that of the protagonist (Phiona), but movie managed also to depict other characters with depth and I'd say there are three protagonists in this movie: Phiona (chess prodigy), her mother, and her coach Robert Katende. Story explores their limitations and strength, with nuance, character and intelligence. There are some beautiful scenes where characters above realize their own limitations and as they try to find the way to support each other's strength despite their embarrassment. So mainly this emotional intelligence and nuance set the movie apart from clichés of its genre.

Also there are many subtle references to class prejudices in Uganda (which, I think, people from every country can relate to). So bonus point for that too. We saw not just poor slums of Uganda - the dirt, poverty and tacit acceptance of it, we also saw middle class Uganda and upper rich class of Western-like style of Uganda. It was all too familiar to watch the power relations withing Uganda, although with different colour and context.

All in all, a story that deserved to be told. I thought it's impossible to make a movie about chess, but this movie kind of made me thinking about learning it! And all in all, a movie that deserves to be watched and acknowledged.I definitely liked it a lot and even managed to shed a tear here and there! I also liked the final credits where you could see the actors standing besides the real people they portrayed in the movie.

This film tells the story of a teenage girl from a Ugandan ghetto. She is discovered by a chess teacher to be brilliant in chess, and hence she embark on a journey on international chess championships to lift her out of the ghetto.

"Queen of Katwe" tells a story that inspires people across the socioeconomic spectrum. Phiona and her family struggles to make ends meet, and yet she does something that is not conventionally economically active. The hardship of living in a ghetto is well depicted in the film, especially in the eviction scene and the car accident scene. The story is touching, especially when it tells how Phiona is under pressure. I notice how they depict Phiona under pressure during a chess game, and the opponents looking confident by staring fiercely into Phiona. This adds dimension to the story.

I can see why this type of film would be hard to market. It may not be as complex to appeal to an adult audience and it may also not appeal to kids of young ages. I feel like it could have made a splash at the Academy Awards had it been handled better with its release. As it is, it's a good film and pretty much everything that I expected. Its screenplay is good, if predictable, and the performances really elevate the story and make all of its more formulaic emotional beats work as well. Oyelowo and Nyong'o really bring a lot of heart to the story in the background while Nalwanga is able to carry the film. Definitely recommended, although it's probably not for all types of audiences.