Queen of Katwe

Mira Nair returns to Uganda once again, three decades after she made Mississipi Masala. This is a much better film. While Mississipi Masala centered around an upper middle class Indian-Ugandan family, Queen of Katwe is set in the slums of Uganda. Nair doesn't attempt to go easy on the slum visuals here. The filth and squalor are in your face here, from beginning to end. I haven't seen a film depicting poverty in this way for a long time. Even Slumdog Millionaire wasn't so strong. Otherwise Queen of Kawate is a fairly predictable story of an under-privileged girl rising to success against the odds. The medium of her rise is chess. She's the pawn who turns into a queen, as sometimes happens in chess. The performances are uniformly good, especially given that most of them are child actors (Mira Nair's first film was Salaam Bombay and she is pretty good at handling children). I found the end credits rather moving, where the real characters pose with the actors who played them on screen. All in all a very warm, watchable film.

Loved it well made and well acted. Teary in parts. It has been a while since a movie has had all the components of this movie. It captures how privileged we are in the west and out of pure will and following your passion you can come to be whom you really are against all odds.

The actors portrayed the story with great depth and conviction. I loved the end and hope all true story's have the chance to show (Those that are still living) their real persons as I felt it adds a realness to the story and movie final. Well directed as well.

There is a star in the making with actress Madina Nalwanga i am sure we will see allot more of her out standing performance.

Here is another beautiful film by Mira Nair who made 'Monsoon Wedding'. The cinematography captures the true colors and life in a slum of Uganda, Africa. The characters were really believable and the acting was excellent. Madina Nalwanga's acting was very convincing and true to her heart. She understands how to portray her emotions in front of the camera. The children in the film were brilliant and all the cast gave good performances. Some scenes were heartbreaking and moving. Mira Nair directs her actors with great skill and confidence which is visible on the screen. Its really beautiful to experience another culture and I was very happy to experience Uganda. A big congrats to Mira Nair for a good film. I met Mira Nair few years ago when she came to San Francisco for a film premiere. She was very nice and sweet lady.

I can see why this type of film would be hard to market. It may not be as complex to appeal to an adult audience and it may also not appeal to kids of young ages. I feel like it could have made a splash at the Academy Awards had it been handled better with its release. As it is, it's a good film and pretty much everything that I expected. Its screenplay is good, if predictable, and the performances really elevate the story and make all of its more formulaic emotional beats work as well. Oyelowo and Nyong'o really bring a lot of heart to the story in the background while Nalwanga is able to carry the film. Definitely recommended, although it's probably not for all types of audiences.

I was hesitant to see the movie, although I marked it for my 2016 must watch list some time ago. There were things that discouraged me to prioritize this movie before all the other I have seen from 2016 so far - like its Disney poster, its genre of "from the bottom to the top" (always a danger to fall into clichés), and lack of exposure and reviews.

I am glad I finally watched it today, as it successfully managed to avoid clichés and 2D story-line so often seen in this genre and clichés of over-romanticizing of poverty and Africa in general. I think that the main reason this movie didn't succeed much in USA or Europe on commercial merit is that people didn't really get through those clichés yet. That, and perhaps the African accent that to some western ears may sound "too stupid and slow", so people often correlate that with intelligence of people who speak it.

For me, it was refreshing to see finally a good movie set out in Africa and even more so, I applaud the director's decision to shoot it in actual Katwe. It added up on the scale of authenticity and I bet it helped to facilitate actors performance as well- which is also on very high level. I especially liked Lupita Nyong'o's portrayal of the mother of Phiona - the main hero of the story. But surprisingly all child actors are really good too, even though most of them (I heard) never stood before camera (or maybe exactly because of that).

As I mentioned the story is classical "from the bottom to the top" genre, but what sets this movie apart from its stereotype genre is willingness to explore characters depth, and not only that of the protagonist (Phiona), but movie managed also to depict other characters with depth and I'd say there are three protagonists in this movie: Phiona (chess prodigy), her mother, and her coach Robert Katende. Story explores their limitations and strength, with nuance, character and intelligence. There are some beautiful scenes where characters above realize their own limitations and as they try to find the way to support each other's strength despite their embarrassment. So mainly this emotional intelligence and nuance set the movie apart from clichés of its genre.

Also there are many subtle references to class prejudices in Uganda (which, I think, people from every country can relate to). So bonus point for that too. We saw not just poor slums of Uganda - the dirt, poverty and tacit acceptance of it, we also saw middle class Uganda and upper rich class of Western-like style of Uganda. It was all too familiar to watch the power relations withing Uganda, although with different colour and context.

All in all, a story that deserved to be told. I thought it's impossible to make a movie about chess, but this movie kind of made me thinking about learning it! And all in all, a movie that deserves to be watched and acknowledged.I definitely liked it a lot and even managed to shed a tear here and there! I also liked the final credits where you could see the actors standing besides the real people they portrayed in the movie.