IMDb-BEWERTUNG
6,6/10
4286
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuNewport-City 2029: Major, an advanced female cyborg, is in charge of the anti-terrorism etc. unit reporting directly to the government. Taking out terrorists and freeing hostages at an embas... Alles lesenNewport-City 2029: Major, an advanced female cyborg, is in charge of the anti-terrorism etc. unit reporting directly to the government. Taking out terrorists and freeing hostages at an embassy doesn't go smoothly. Major investigates why.Newport-City 2029: Major, an advanced female cyborg, is in charge of the anti-terrorism etc. unit reporting directly to the government. Taking out terrorists and freeing hostages at an embassy doesn't go smoothly. Major investigates why.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Nominierungen insgesamt
Maaya Sakamoto
- Motoko Kusanagi
- (Synchronisation)
Ken'ichirô Matsuda
- Batou
- (Synchronisation)
Ikkyû Jaku
- Daisuke Aramaki
- (Synchronisation)
- (as Ikkyu Juku)
Kazuya Nakai
- Borma
- (Synchronisation)
Kenji Nojima
- Tsumugi
- (Synchronisation)
Mayumi Asano
- Kurutsu
- (Synchronisation)
Megumi Han
- Chris
- (Synchronisation)
Miyuki Sawashiro
- Logicoma
- (Synchronisation)
Mugihito
- Robert Lee
- (Synchronisation)
Naoto
- Osamu Fujimoto
- (Synchronisation)
Shunsuke Sakuya
- Ishikawa
- (Synchronisation)
Takurou Nakakuni
- Saito
- (Synchronisation)
Tarusuke Shingaki
- Togusa
- (Synchronisation)
Felecia Angelle
- Tsumugi (young)
- (English version)
- (Synchronisation)
Philip Annarella
- Additional Voices
- (English version)
- (Synchronisation)
Dawn M. Bennett
- Additional Voices
- (English version)
- (Synchronisation)
- (as Dawn Michelle Bennett)
Empfohlene Bewertungen
I think I liked 1 part of this movie and that was when the major broke that guys arm near the beginning of the movie. From then on it just gets confusing and boring.
I accidentally put this movie in thinking it was the origional and made me wonder why it was an 8/10 but I soon realised and continued to watch to the end.
If I were you, I would not continue watching to the end.
Ghost in the Shell is one of the most enduring and beloved anime franchises, also widely known for inspiration for the Matrix. It's also one of the most reworked franchises, with many iterations and alternate versions, which aren't entirely accessible for some viewers. If one can pass this hindrance, the literal New Movie possesses high quality sci-fi with excellent artworks and voice acting.
Plot is a continuation from the most recent Arise: Alternative Architecture TV animation, which is television version of Arise four movies. If all of these etymologies confuse you, it's all right, this series is known for its complexity. Arise itself is a new rework, thus the artwork might not look like old version, especially the slimmer protagonist Motoko Kusanagi.
While this is not so out-of-the-world like many previous iterations, it's not easily available for newcomers, even for fans who didn't watch the Arise version. It's skimped on many narratives and character introductions. It certainly doesn't have "previously on" segments, so this can feel alienating, especially when the movie has many specific jargon and terms associated with the plot.
Fortunately, the sheer production is brilliant enough to compensate for the inaccessibility. The world Motoko lives on is very splendidly done, it's also the world with prejudice, not for skin color but for the prosthetic parts one wears inside. Motoko is born fully augmented, making her a special operative. The same technologies are also used on different aspects like stealth, warfare, and even communication with virtual private chat, so the characters might seem speaking telepathically.
The visual is very aesthetically and thematically pleasing. It's a futuristic setting, but not so far off that it becomes unidentifiable. There are tons of cultural and urban scenery, some of which look utterly gorgeous, even those in brief scenes. Bits of graphical details scatter on the vista, as nifty foundations for intriguingly futuristic world.
Aside for the immense amount of details, action is also fluid and inclusion of 3D effect looks admirably fitting. Voice actors do wonderful jobs here, especially the veteran Maaya Sakamoto who delivers wide range of emotions, there are subtle variations even with the stoic character.
For fans, this is a nice continuation of new series with polished execution. For newcomers, it's almost akin to watching The Matrix straight on its second movie, rather overwhelming but can be still pleasing due to its sheer production.
Plot is a continuation from the most recent Arise: Alternative Architecture TV animation, which is television version of Arise four movies. If all of these etymologies confuse you, it's all right, this series is known for its complexity. Arise itself is a new rework, thus the artwork might not look like old version, especially the slimmer protagonist Motoko Kusanagi.
While this is not so out-of-the-world like many previous iterations, it's not easily available for newcomers, even for fans who didn't watch the Arise version. It's skimped on many narratives and character introductions. It certainly doesn't have "previously on" segments, so this can feel alienating, especially when the movie has many specific jargon and terms associated with the plot.
Fortunately, the sheer production is brilliant enough to compensate for the inaccessibility. The world Motoko lives on is very splendidly done, it's also the world with prejudice, not for skin color but for the prosthetic parts one wears inside. Motoko is born fully augmented, making her a special operative. The same technologies are also used on different aspects like stealth, warfare, and even communication with virtual private chat, so the characters might seem speaking telepathically.
The visual is very aesthetically and thematically pleasing. It's a futuristic setting, but not so far off that it becomes unidentifiable. There are tons of cultural and urban scenery, some of which look utterly gorgeous, even those in brief scenes. Bits of graphical details scatter on the vista, as nifty foundations for intriguingly futuristic world.
Aside for the immense amount of details, action is also fluid and inclusion of 3D effect looks admirably fitting. Voice actors do wonderful jobs here, especially the veteran Maaya Sakamoto who delivers wide range of emotions, there are subtle variations even with the stoic character.
For fans, this is a nice continuation of new series with polished execution. For newcomers, it's almost akin to watching The Matrix straight on its second movie, rather overwhelming but can be still pleasing due to its sheer production.
I love Ghost in the Shell. The original movie was great, the series were a bit different, but still making the viewer think about the nature of self and the direction technology takes us in. All of that was enabled by great stories and wonderful music.
While "The New Movie" is a good piece of animation and with an interesting story, it doesn't quite catch the magic of the original. Also, as a continuation of the GitS:Arise four episode series, it makes it difficult for newcomers to understand what it is all about. But probably what bothered me most was the soundscape. While not bad, it is a far cry from Kenji Kawai's work.
Perhaps the problem is that, in attempting to reboot the franchise, they went too soft. Less blood, less killing, less subtlety and instead just a modernized corporate Yakuza fight that is easy to understand from the perspective of the Japanese viewer. Ghost in the Shell was never about the present, though, it was about the future, its role to make the viewer think things forward and see the predictions of the anime come true in the years to come. "The New Movie" doesn't quite do that and so I feel a slight disappointment with it.
Still, a flawed GitS movie is a lot better than no GitS movie and I was glad to watch it. The excitement of the original, though, I didn't find it here.
While "The New Movie" is a good piece of animation and with an interesting story, it doesn't quite catch the magic of the original. Also, as a continuation of the GitS:Arise four episode series, it makes it difficult for newcomers to understand what it is all about. But probably what bothered me most was the soundscape. While not bad, it is a far cry from Kenji Kawai's work.
Perhaps the problem is that, in attempting to reboot the franchise, they went too soft. Less blood, less killing, less subtlety and instead just a modernized corporate Yakuza fight that is easy to understand from the perspective of the Japanese viewer. Ghost in the Shell was never about the present, though, it was about the future, its role to make the viewer think things forward and see the predictions of the anime come true in the years to come. "The New Movie" doesn't quite do that and so I feel a slight disappointment with it.
Still, a flawed GitS movie is a lot better than no GitS movie and I was glad to watch it. The excitement of the original, though, I didn't find it here.
Yes, when compared to previous installments, the storylines for GITS Arise are inferior to the original. Even the title: "GITS The New Movie" is a very weak title and more could be been done to make this standout. Why not call it "Ghost In The Shell: Origins" or something else more original? Despite that, I enjoyed this film. Great animation, great action scenes, even the FUNimation English dub has a solid voice cast. I prefer the original 1995 film and the Stand Alone Complex TV show, but this film is not worth all the hate it's been getting. Just my opinion.
Though this sequel prequel is better than the first sequel, Ghost In The Shell - Innocence, it still doesn't match up to the original, Ghost In The Shell.
What the screenwriters John Burgmeier, Clint Bickham, and Tow Ubukata, give the audience is the story of Major Motoko Kusanagi and her perfect machine of paid mercenaries. I like the idea that she sees her team as a well-oiled machine, each person represents a working part of the machine and every part (man) is required to make her perfect machine. Since she is a cyborg, I could quite easily see her making this simile. It's the story of how they were recruited into Section 9.
The story is stronger than the last as the Disney influence is no longer there and the philosophical issues are once again interwoven throughout the story, which helps to give it strength and carry the viewer along. However, there are not as many twists in the tale.
Also, the CGI is used to much better ability, as it's mixed in with the traditional animation style to help build better effects and ambiance. I particularly liked the scene near the beginning where a child is running through a flowery archway... The flowers are so bright and vivid it's very dreamlike.
There is so much right with this animation that I cannot pick any faults, except it's just not as hard-hitting as the original... or as stylised.
If you've watched the original then I'd say forget watching Innocence and opt to watch this one instead. It's soo much better and has a similar taste, tone, and mood to the first. These two together what a treat, not just for the eyes but for the mind also.
What the screenwriters John Burgmeier, Clint Bickham, and Tow Ubukata, give the audience is the story of Major Motoko Kusanagi and her perfect machine of paid mercenaries. I like the idea that she sees her team as a well-oiled machine, each person represents a working part of the machine and every part (man) is required to make her perfect machine. Since she is a cyborg, I could quite easily see her making this simile. It's the story of how they were recruited into Section 9.
The story is stronger than the last as the Disney influence is no longer there and the philosophical issues are once again interwoven throughout the story, which helps to give it strength and carry the viewer along. However, there are not as many twists in the tale.
Also, the CGI is used to much better ability, as it's mixed in with the traditional animation style to help build better effects and ambiance. I particularly liked the scene near the beginning where a child is running through a flowery archway... The flowers are so bright and vivid it's very dreamlike.
There is so much right with this animation that I cannot pick any faults, except it's just not as hard-hitting as the original... or as stylised.
If you've watched the original then I'd say forget watching Innocence and opt to watch this one instead. It's soo much better and has a similar taste, tone, and mood to the first. These two together what a treat, not just for the eyes but for the mind also.
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Box Office
- Bruttoertrag in den USA und Kanada
- 101.203 $
- Weltweiter Bruttoertrag
- 1.713.406 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1
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