The Bad Batch

This is my first, and possibly only, review on IMDB. Felt I needed to come out in defense of this film which I regrettably put off watching for so long. There was initially two things that put me off after I'd seen A Girl Walks Home and wanted more Ana Lily Amirpour: cannibals and Jason Momoa's eyebrows (seriously, those things are straight out of a comic book). Anyway if you can get past a little gore and the f'd up concept of cannibalism this film is a worthy, bigger budget follow up to AGWHAAN. Suki Waterhouse creates an icon with the role, Keanu's character will come at you like a curveball, and everyone else is diggable yet understated.

I love Amirpour's pacing and the breath she allows into films. To sum up, you get some dystopian sci-fi, a little horror, and a really good movie about compassion and heart. Watch this film, and keep The Dream alive!

I STRONGLY recommend everyone watch this.

Is it good? No. Is it coherent? Hah! Is it the worst movie ever? Quite possibly.

So why would I recommend anyone watch this steaming pile of incoherent garbage? To come back and read the IMDb reviews after.

There's something cathartic about seeing the immense anger of all the other poor viewers who survived this experience. Their frustration, their rage, their inability to comprehend the world any longer... after you watch this "movie," you too will understand that sensation. And it is truly uniting.

... but from the perspective of a good use of time, no, don't watch this. It has no plot, horrible acting, and dialogue written by (and likely for) a 4 year old. It did have one incredible accomplishment though - the director managed to turn $6 million into $100,000 box office gross. So it has that going for it.

This is a dystopian movie about a young woman left out in a lawless desert with some real choice characters.

This film starts off very brutally but calms down considerably after the first few scenes.

The characters, acting, production and filming are really good. The story is adequate for needs. The scenery and leading lady are absolutely gorgeous.

So why the low score? The pace of this film is cripplingly slow. There are tedious scenes that should be time lapsed but are run in real time, there is lots of staring and grimacing in silence. You really can go and make yourself a sandwich during this and be safe in the knowledge that you are unlikely to miss anything.

A lot of potential, I really wanted to like this, but it is just so slow I was fighting to stay awake.

Hoo boy. This movie requires some effort. What starts off as a brutal exploitation flick, surely to weed out the meek, evolves into an absorbing treatise on primal human conditions in a barren, deserted wasteland.

While Ana Lily Amipour's sophomore effort contains pulpy roots, littered with outrageous characters and circumstances, it also tackles some grand topics. Our white trashy heroine Arlen is unceremoniously turfed out of society to fend for herself behind a Texan fence, where lawlessness and depravity are the rule of the day. She is soon captured by a tribe of cannibals, and mayhem ensues.

Dystopian futures as these don't seem all that far fetched any more. "The Bad Batch" may serve as a warning, but chiefly it serves as dusty entertainment. Much like the "Mad Max" franchise, it is a world full of crazies scrambling to survive in glorious sunbaked vistas.

Sporting a primo porn stash, Keannu Reeves pops up as a bizarro, robe clad cult leader. Giovanni Ribisi slips in several rambling, asylum escapee diatribes, but it is an unrecognizable Jim Carrey who absolutely steals the movie as a wizened bag man.

"The Bad Batch" has the art junk, lost inhibition, drug and music orgy feel of Burning Man, and because it's stealthily asking tough questions, has much more going for it than the cheap veneer may indicate.

This film tells the story of a young woman who is captured by Cannibalistic tribe in the desert.

I cannot believe how bad this film is. The first word is spoken at the twenty minute Mark. The film is constantly provides close ups of amputees, so much that it almost feels like it's a fetishistic thing. There is almost no story, and the only so called story is just to provide reasons for more amputation. The film is beyond terrible. I don't know how it attracted three big actors.