The Witch

The Witch is just a great horror film. I loved so much about it. It has a great creepy feel to it, a dark evil vibe mixed in, and a touch of urban legend sprinkled on top.

The film takes place in such a secluded location that it instantly gives you a feeling of loneliness and dread before it even unfolds its beautifully constructed storyline. I loved the plot, the timing, the acting... basically everything about the film. It's also a brilliant display of female empowerment, which is common among horror films, but in a whole new way that's different from the standard last surviving girl motif.

Whether you're a fan of horror, or just great films in general... I highly suggest The Witch to everyone.

A very strong and deserving 8 out of 10!

This is what I call a good movie. But it is not for everyone. After seeing the trailer, lots of people thought they get a horror spectacle. I'll never understand why, because the trailer itself is very slow, just like the whole movie.

The movies has a slow pace but its still intense. And it will only feel intense if you give in and not wait for action and speed. This movie is no Hollywood spectacle.

The movie feels like a depiction of real life. No stupid jokes and exaggerated action scenes. Slow and calm dialogues. I liked the way the witch was enacted too. I am happy to see that she is not shown as a crazy woman jumping around eating toads.

On the other side, I wished there would have been a deeper insight into the witches thoughts.

So... go and see if you want more than silly Hollywood witches.

The Witch (2015)

*** (out of 4)

Extremely well-made horror film set in New England during the 1600s as a family moves away from a colony and starts a new life in a house on the edge of some woods. One day the oldest daughter Thomasin (Anya Taylor-Joy) is watching her baby brother when something from the woods takes the child. Soon the family is torn apart by witchcraft.

Writer-director Robert Eggers' THE WITCH is the latest horror movie that is getting raves from critics and fans and it's also the newest movie to be called the "scariest of all time." I'm not going to sit here and say the movie scared me because it really didn't. With that said, THE WITCH really was a refreshing throwback to various European horror films from the late 60s and early 70s where atmosphere was the most important thing.

I really respected that Eggers tried to deliver a religious horror film that didn't deal with cheap shock effects and needless over-the-top exorcisms. There's really not any graphic violence or gore either. Instead of going for these cheap jump scares the director instead builds up a terrific setting and slowly plays out the action. The film clocks in at just over 90 minutes and rest assure that every single second is well-made, effective and it slowly builds up to its conclusion. I'm sure mainstream teenage viewers won't enjoy such a slow build-up but adults should enjoy this.

The atmosphere is certainly the selling point of the movie. I thought the director made you believe that you were watching something taking place in the 1600s and there's no question that the entire cast does a very good job in their parts. The atmosphere is certainly rich and thick and manages to set the film apart from most of the horror movies out there now. As I said, I wasn't scared by THE WITCH but it did a good job at slowly building up the drama and it plays out extremely well.

I feel like I can't come up with the right words to describe this incredible movie, but I'll try. The lingering atmosphere is done incredibly well from the beginning, helped along by a combination of a tense score and the use of extended periods of silence. The acting is bang-on and you don't know when or how it is going to end. The movie doesn't have 'twists' exactly, but the way it is written keeps you guessing constantly. And I personally loved the ending. Though the potential is there to use a more standard approach, The Witch however opts to go down a more subtle avenue, leading to the true nature of religious persecution that is on full display here. Additionally, elements of the story have been taken from historical documents, adding another layer of grimness. The supernatural elements are obviously up for discussion, but that these tales were written centuries ago somehow adds more to this disturbing film.

The film is set in 1630, in New England, America. A Puritan family is banished from town for their beliefs (or it at least seems this way, perhaps based on real events). They are forced to move to a farm that feels like it is on the edge of the world, as from the opening the woods that line the farm are presented in ominous fashion, almost creating a character that could serve as the scariest element of the film. What exactly goes on in there? Why can't the children venture inside? Suddenly, without warning, tragedy strikes. The family clings to their faith to prevent them from starving as their crops die; with nothing they can do to prevent it.

The period is an appropriate choice given how humans treated each other centuries ago, and an ideal setting for a horror tale. Some conversations require a little more attention, as the characters speak in 'ye olde English' which takes a little getting used to, but it adds another layer of mystery as the family is struck by more inexplicable hardships, causing them to become wary of each other, which in turn leaves them in a increasingly vulnerable state. I can't say I is scared, but I do know that I is gripping the armrests pretty hard for most of the film. Hell, they manage to make a scene where a man is hunting a rabbit seem tense and creepy! Additionally, this is not for inattentive viewers; I could see clock-watching all around me. The incredible camera-work almost reminds me of Paul Thomas Anderson in There Will Be Blood, with many long takes, often slowly panning or zooming in. There is also a focus on facial close-ups reminiscent of Bergman, all of which is a feast to watch on an IMAX screen. The score matches this camera-work almost to perfection, while there is often a lengthy silence between dialogue to contrast the tense music. It also must be mentioned that the child actors really shine, out-doing their older counterparts.

This really is my sort of horror film. No jump-scares, convincing acting and a focus on a dark, foreboding atmosphere rather than the grotesque and bloody. This is another of those films I would label as a psychological thriller, as the supernatural horrors are kept almost completely out of view as we witness the downfall of a family who are all affected, turning on each other as their faith is truly tested.

This film couldn't have catered to my interests more; I can't recommend it to everybody, but if you go in with no preconceived notions you'll be in for a tasty, if not nasty surprise. The suspense is almost unparalleled among recent films, and the 'horror' genre conventions are cleverly subverted to deliver a film that is better than 'It Follows' while being a completely different film. In addition to all this, there is much to take in thematically if you are so inclined… Hell, I'd love to see this again to do just that.

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This is a story set in the early colonial period of New England. It has the authenticity of a well-researched historical drama, up to and including dialogue delivered in a period accent and vocabulary (softened a bit so that it's easy to understand). Instead of drawing on historical events, though, it draws on historical folklore -- it's the story of witchcraft afflicting a family, such as might have been told at the time.

The characters are a very believable, ordinary family, with the sorts of tensions and problems you'd expect from people living a hard and substantially isolated life after being exiled from the local colonial town. They also have period Calvinist attitudes, and the storytelling doesn't present an outsider's view of this or offer a modern commentary, but instead it just displays these attitudes and tells a story from the characters' standpoint.

Their reliance on period folklore means that it doesn't strictly follow modern horror movie tropes, either. It has the slow build of a modern psychological horror/thriller as well as the standard formula where tragedies start from tragic flaws, but the traditions it's drawing on depend on a Calvinist's conception of flaws, and treat witchcraft as a horrible, well-understood occurrence rather than a shocking supernatural surprise. This story applies these perspectives.

It's very well done in terms of writing, acting, and other aspects of execution, so it might have cross-over appeal to fans of horror, folklore, or straight period drama from colonial America.