Kurz nachdem er einen Patienten in ein unterbesetztes Krankenhaus gebracht hat, erlebt ein Polizist seltsame und gewalttätige Ereignisse, die scheinbar mit einer Gruppe mysteriöser Kapuzenfi... Alles lesenKurz nachdem er einen Patienten in ein unterbesetztes Krankenhaus gebracht hat, erlebt ein Polizist seltsame und gewalttätige Ereignisse, die scheinbar mit einer Gruppe mysteriöser Kapuzenfiguren verbunden sind.Kurz nachdem er einen Patienten in ein unterbesetztes Krankenhaus gebracht hat, erlebt ein Polizist seltsame und gewalttätige Ereignisse, die scheinbar mit einer Gruppe mysteriöser Kapuzenfiguren verbunden sind.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 2 Nominierungen insgesamt
Trish Rainone-DiLuzio
- The Mother
- (as Trish Rainone)
Michael J. Walsh
- Transformed Beverly
- (as Michael Walsh)
Empfohlene Bewertungen
First off, I've seen some negative reviews on here that have truly surprised me. After growing up as a fan of Horror during that wonderful 80's period, I can honestly say The Void felt as comfortable as it does uncomfortable, especially if you're a fan of those movies of that time. Yes there are some very strong Clive Barker influences running throughout the movie (both Hellraiser and Nightbreed for example), but I think that's what kept me hooked throughout. That with a dash of Lovecraftian themed fantasy here and there really gave this movie a lot of (albeit dark) charm. I think the last time I saw something this twisted was probably the Turkish movie 'Baskin', with which it shares a lot of similarities, but The Void tends to push the boundaries a bit further, The landscape and atmosphere are nightmarish, imaginative, and gleefully sinister and foreboding. If they set out to create a true vision of hell then I can safely say that they've achieved that goal and then some.
Its only true flaw is probably some moments of shoddy dialogue but they by no means break the movie. I can think of a lot of top box office Horror's that have far worse dialogue in fact.
One of the things that I found most pleasing was the return to practical effects, so if you're a fan of movies like Carpenter's 'The Thing' then you're in for a real treat here. I think I only saw one moment of CGI in the entire picture, which was extremely refreshing. Nothing kills horror like bad CGI ('Mama', I'm looking at you) but its obvious from the get go that this is a movie made by people who respect the genre, and want to bring it back to its roots.
Ignore the negative reviews. If you're a true fan of the genre then I'm sure you'll find a lot to love about this movie. Its one hell of a trip, literally!
Its only true flaw is probably some moments of shoddy dialogue but they by no means break the movie. I can think of a lot of top box office Horror's that have far worse dialogue in fact.
One of the things that I found most pleasing was the return to practical effects, so if you're a fan of movies like Carpenter's 'The Thing' then you're in for a real treat here. I think I only saw one moment of CGI in the entire picture, which was extremely refreshing. Nothing kills horror like bad CGI ('Mama', I'm looking at you) but its obvious from the get go that this is a movie made by people who respect the genre, and want to bring it back to its roots.
Ignore the negative reviews. If you're a true fan of the genre then I'm sure you'll find a lot to love about this movie. Its one hell of a trip, literally!
"The Void" has been compared, quite a bit, to John Carpenter's 1980's remake of "The Thing", and understandably so. The use of practical effects in this movie are really its highest selling point. Like "The Thing", this film does not shy away from showing you some extremely well crafted and effective monsters. However, to compare this film with "The Thing" for reasons outside of practical effects, does not make a lot of sense.
In short, "The Void", is well worth a watch. If the trailer interested you, the movie will absolutely deliver. In a recent rash of indie horror films, "The Void" stands out for several reasons. In many of the recent indie horror films, there is usually something glaring that needs to be overlooked in order to make the film enjoyable. Whether it be poor acting, loose plot lines, or an over abundance of things that attempt to shock, many recent indie horror titles have been held back by mediocrity. "The Void" as a sum of its individual parts its a well crafted and enjoyable ride that I would feel comfortable recommending to most horror fans. The special effects are easily its highest selling point, but the film is held together by a decent story line and fair acting. The characters are believable for the most part, and the story does a good job explaining the necessity of the effects.
Where the film falters the most however, is in its lack of atmosphere. The film feels as if it should be claustrophobic and isolating, but for some reason, I was unable to connect with these themes. I am usually an advocate for a movie telling less to the audience, in order for the viewer to create some of the more frightening aspects in their mind, bu with this particular film, I was left wanting more exposition. Unlike the original "Hellraiser" film, "The Void" did not leave the origins of the monsters creation completely unexplained, but the origin story was a little to vague, and it made it difficult to connect as deeply to the conclusion of the film as I may have liked.
Overall, "The Void" is a good movie to throw on for a horror movie night with some friends who enjoy some good over the top gore and monster effects.
In short, "The Void", is well worth a watch. If the trailer interested you, the movie will absolutely deliver. In a recent rash of indie horror films, "The Void" stands out for several reasons. In many of the recent indie horror films, there is usually something glaring that needs to be overlooked in order to make the film enjoyable. Whether it be poor acting, loose plot lines, or an over abundance of things that attempt to shock, many recent indie horror titles have been held back by mediocrity. "The Void" as a sum of its individual parts its a well crafted and enjoyable ride that I would feel comfortable recommending to most horror fans. The special effects are easily its highest selling point, but the film is held together by a decent story line and fair acting. The characters are believable for the most part, and the story does a good job explaining the necessity of the effects.
Where the film falters the most however, is in its lack of atmosphere. The film feels as if it should be claustrophobic and isolating, but for some reason, I was unable to connect with these themes. I am usually an advocate for a movie telling less to the audience, in order for the viewer to create some of the more frightening aspects in their mind, bu with this particular film, I was left wanting more exposition. Unlike the original "Hellraiser" film, "The Void" did not leave the origins of the monsters creation completely unexplained, but the origin story was a little to vague, and it made it difficult to connect as deeply to the conclusion of the film as I may have liked.
Overall, "The Void" is a good movie to throw on for a horror movie night with some friends who enjoy some good over the top gore and monster effects.
As much as one might try to watch each movie unconditioned, unprejudiced and ready to judge it for what it is, it's really hard to tackle a title such us the void and not to expect another B horror movie filled with cliché and disastrous acting. Luckily, it takes but a few minutes to realize "The void" is something else, a bold take on cult movies with a very limited budget.
If there's something "The void" stands out for, that's its Lovecraftianish feel. You've got the cult, got the creatures, got the parallel dimension, got the eerie atmosphere that spans through the whole film, with a story that tells you just enough to keep you hooked and, at the same time, unaware of what it's going on. Sure, it's got its holes, and contradictions, and its unexplained events, as is to be expected of any indie flick mimicking a Lovecraft universe, but the film is so well paced and the action so packed, you can't but overlook them and let you drown in the thick nightmare and the gore fest.
With acting performance that don't let down (except for a few exceptions -ahem, Ellen Wong-) and a solid music score, "The void" won't win big awards or be labeled as movie of the year, but it's probably one of the most pleasant surprises 2017 will bring us, we who long longed for a flick drinking from 80s classics such us The thing or Reanimator.
If there's something "The void" stands out for, that's its Lovecraftianish feel. You've got the cult, got the creatures, got the parallel dimension, got the eerie atmosphere that spans through the whole film, with a story that tells you just enough to keep you hooked and, at the same time, unaware of what it's going on. Sure, it's got its holes, and contradictions, and its unexplained events, as is to be expected of any indie flick mimicking a Lovecraft universe, but the film is so well paced and the action so packed, you can't but overlook them and let you drown in the thick nightmare and the gore fest.
With acting performance that don't let down (except for a few exceptions -ahem, Ellen Wong-) and a solid music score, "The void" won't win big awards or be labeled as movie of the year, but it's probably one of the most pleasant surprises 2017 will bring us, we who long longed for a flick drinking from 80s classics such us The thing or Reanimator.
I'm floored by the poor reception this movie got. It's a loving throwback to horror classics with modern polish, clearly influenced by HP Lovecraft and body horror classics like Hellraiser and The Thing. If you like "classic" horror - i.e., horror before CGI and jump scares replaced practical effects and slow dread - you owe it to yourself to watch this movie.
It does drag a little bit at the end, but the opening and middle are fantastic. I would have given this movie a 10/10 if the denouement had been done more efficiently. But honestly, it's very watchable right up to the credits.
This movie has some of the best damn body horror I have EVER seen, period. I don't know how much of it was accomplished by practical effects, but it does seem like a lot. The acting is mostly good, and the pacing, while slower than most modern horror movies, is brisk enough that I didn't get bored.
I really wish horror movies like this were still getting made.
It does drag a little bit at the end, but the opening and middle are fantastic. I would have given this movie a 10/10 if the denouement had been done more efficiently. But honestly, it's very watchable right up to the credits.
This movie has some of the best damn body horror I have EVER seen, period. I don't know how much of it was accomplished by practical effects, but it does seem like a lot. The acting is mostly good, and the pacing, while slower than most modern horror movies, is brisk enough that I didn't get bored.
I really wish horror movies like this were still getting made.
Imagine if John Carpenter had decided to combine his remake of THE THING with ASSAULT ON PRECINCT 13, and set it in a hospital, like in HALLOWEEN 2. Add to that, the murdering madness of EVENT HORIZON, and the overarching, occult horror of HP Lovecraft, seasoned with a dash of HELLRAISER, and you're close to THE VOID.
If you're one who craves practical monster / gore effects that work, then watch this film! If you want grisly, intense action, then look no further! When it all hits the fan, it breaks the blades! Suspense? In spades, along with a fantastic sense of mystery, bleakness and impending doom. Satisfying throughout, the final abomination is a wonder to behold!
As an homage, this movie pushes every button its bloody fingers reach for! As a horror story, it proves what can still be accomplished with some imagination and skill...
If you're one who craves practical monster / gore effects that work, then watch this film! If you want grisly, intense action, then look no further! When it all hits the fan, it breaks the blades! Suspense? In spades, along with a fantastic sense of mystery, bleakness and impending doom. Satisfying throughout, the final abomination is a wonder to behold!
As an homage, this movie pushes every button its bloody fingers reach for! As a horror story, it proves what can still be accomplished with some imagination and skill...
Wusstest du schon
- WissenswertesHardly anything in the film is CGI. All of the monsters, gore, etc are real effects created by the team behind the movie.
- PatzerA hospital wouldn't keep narcotics like morphine sitting on a shelf like that, DEA regulations require that they be kept in a locked cabinet or drawer separate from other medications that are not controlled substances.
- Zitate
Dr. Richard Powell: You'd be surprised at the things you find when you go looking...
- VerbindungenFeatured in Chris Stuckmann Movie Reviews: The Void (2017)
- SoundtracksBye And Bye We're Going to See The King
Written by Unknown - traditional
Performed by Darrell Simpson / Jahmeel Russel / Amy de Blois
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Conjuros del más allá
- Drehorte
- Sault Ste Marie, Ontario, Kanada(Studio)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 151.042 $
- Eröffnungswochenende in den USA und in Kanada
- 50.026 $
- 9. Apr. 2017
- Weltweiter Bruttoertrag
- 368.372 $
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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