König Charles VI erklärt, dass Ritter Jean de Carrouges seinen Streit mit seinem Gutsherrn beilegt, indem er ihn zu einem Duell herausfordert.König Charles VI erklärt, dass Ritter Jean de Carrouges seinen Streit mit seinem Gutsherrn beilegt, indem er ihn zu einem Duell herausfordert.König Charles VI erklärt, dass Ritter Jean de Carrouges seinen Streit mit seinem Gutsherrn beilegt, indem er ihn zu einem Duell herausfordert.
- Auszeichnungen
- 5 Gewinne & 44 Nominierungen insgesamt
Empfohlene Bewertungen
Seen the film at a screening at the Venice Film Festival.
Even if there is no way of telling that what The Last Duel portrays is entirely how the events took place, or as authentic as it seems to be in depicting middle ages, one thing is certain: it belongs to Ridley Scott's better works, and proves that the 84-year-old filmmaker is still able to deliver memorable films.
The dramatization takes on a three act narrative frame that resembles partly that of Kurosawa's masterpiece Rashomon: three chapters narrate the events, each from the point of view of one of the three protagonists, the two duellists and Marguerite.
The film clearly seeks a historical authenticity, and seems to succeed at achieving it. The almost word-by-word, blow-by-blow adherence to the accounts of the duel seem to confirm such an achievement, and is in a way reminiscent of Scott's debut film The Duellists, known for its methodical reconstruction.
The true essence of this film's stance is the idea that through the study of history more can be learnt about the contemporary world, the past as a mirror of the present.
The Last Duel is, in the end, a film that deals with the present by showing the past, and does so in an exquisite and entertaining fashion.
(extract from my review on comeandreview)
Even if there is no way of telling that what The Last Duel portrays is entirely how the events took place, or as authentic as it seems to be in depicting middle ages, one thing is certain: it belongs to Ridley Scott's better works, and proves that the 84-year-old filmmaker is still able to deliver memorable films.
The dramatization takes on a three act narrative frame that resembles partly that of Kurosawa's masterpiece Rashomon: three chapters narrate the events, each from the point of view of one of the three protagonists, the two duellists and Marguerite.
The film clearly seeks a historical authenticity, and seems to succeed at achieving it. The almost word-by-word, blow-by-blow adherence to the accounts of the duel seem to confirm such an achievement, and is in a way reminiscent of Scott's debut film The Duellists, known for its methodical reconstruction.
The true essence of this film's stance is the idea that through the study of history more can be learnt about the contemporary world, the past as a mirror of the present.
The Last Duel is, in the end, a film that deals with the present by showing the past, and does so in an exquisite and entertaining fashion.
(extract from my review on comeandreview)
If you are blown away by her performance in killing eve get ready to be blown away again by her worthy of an Oscar performance in the last duel , her character is the exact opposite of villanelle and she is equally believable playing this sympathetic character to the point of breaking your heart , she absolutely stole the show , I am so glad she is starting to capitalize on the success of killing eve and getting to play big parts in great movies like this one .
If you want to watch something that has well-developed characters and plot and will really pull you in, give this a go.
It think the strongest thing about this movie is the storytelling, which is very mature, thoughtful and well-paced. It turns what would otherwise be another medieval action flick into an engrossing study about injustices, conflict and how human beings relate with each other. The acting is amazing and it's nice to see Ben Affleck in an unusual role, which he really nails.
Ridley Scott delivers again.
It think the strongest thing about this movie is the storytelling, which is very mature, thoughtful and well-paced. It turns what would otherwise be another medieval action flick into an engrossing study about injustices, conflict and how human beings relate with each other. The acting is amazing and it's nice to see Ben Affleck in an unusual role, which he really nails.
Ridley Scott delivers again.
Legendary acting and scenario... It may just seem a little boring to some people. But that doesn't mean the movie is bad. The plot of the film is very well processed. In addition, the film reflects its time very well. I think it deserves 8 points. I did not give 2 stars. This is because of the last duel that gave the film its title. The last duel didn't go as I expected. I wouldn't expect professional soldiers to fight with many mistakes. And I think the last duel should have lasted longer. Anyway, despite everything, it was a movie that I loved very much. Have a good time. Don't forget to watch this movie in a calm state. This increases the pleasure you will get.
It's 14th century France. Jean de Carrouges (Matt Damon) and Jacques Le Gris (Adam Driver) are comrades-in-arms and best of friends. They are given a new lord in Count Pierre d'Alençon (Ben Affleck). While Jacques becomes the Count's favorite, Jean falls further and further out of favor. It doesn't help that Jean has married Marguerite de Carrouges (Jodie Comer) which leads to complications.
This is directed by Ridley Scott. The structure divides the movie into three chapters. Each chapter takes the point of view from Jean, Jacques, and finally Marguerite. This is good but the Rashomon structure does lead to the feeling of repetition. Then there are the two scenes devoted to the central issue. The one depicting Jacques' point of view needs to be more on his side. After all, this is a case of his says, she says. The two sections leave the question as a degree rather than a decision. There is no question to the basic case. That may be deliberate but it does not increase the tension. The intensity needs to be higher although I do like the actual duel. There is a reality in the brutal repeated battering.
This is directed by Ridley Scott. The structure divides the movie into three chapters. Each chapter takes the point of view from Jean, Jacques, and finally Marguerite. This is good but the Rashomon structure does lead to the feeling of repetition. Then there are the two scenes devoted to the central issue. The one depicting Jacques' point of view needs to be more on his side. After all, this is a case of his says, she says. The two sections leave the question as a degree rather than a decision. There is no question to the basic case. That may be deliberate but it does not increase the tension. The intensity needs to be higher although I do like the actual duel. There is a reality in the brutal repeated battering.
Wusstest du schon
- WissenswertesAt the wedding, the clergy kiss each other, then one kisses Carrouges, then he kisses his bride. This was a real practice in a medieval Nuptial Solemn Mass; the "kiss of peace" was given by the priest celebrant to the deacon, who in turn gives it to the subdeacon, who gives the kiss to any other clergy present in choir dress, and it is also given to the groom, who then gives the kiss of peace to his bride. The kiss of peace was also given to royalty, if present at a Solemn Mass. At modern Catholic Masses, the sign of peace is usually a handshake, exchanged by all people present at the Mass.
- PatzerThe crowd shouts, cheers, and gasps during the duel. This feels completely believable, but in real life trials by combat (including the one depicted in the film) actually took place in absolute silence, as any spectator making noise or otherwise disturbing the judicial duel was punishable by death.
- Zitate
Marguerite de Carrouges: I am telling the truth.
Nicole de Carrouges: The truth does not matter.
- VerbindungenFeatured in Metatron: The Last Duel: HALF HELMET? What On Earth!? (2021)
- SoundtracksLa blanche biche
Traditional
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- El Último Duelo
- Drehorte
- Cahir Castle, Cahir, County Tipperary, Irland(as Argentan ; Carrouges and Le Gris reconcile)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 100.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 10.853.945 $
- Eröffnungswochenende in den USA und in Kanada
- 4.759.151 $
- 17. Okt. 2021
- Weltweiter Bruttoertrag
- 30.552.111 $
- Laufzeit
- 2 Std. 32 Min.(152 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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