IMDb-BEWERTUNG
6,6/10
5251
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuWhile training at the gym 11-year-old tomboy Toni becomes entranced with a dance troupe. As she struggles to fit in she finds herself caught up in danger as the group begins to suffer from f... Alles lesenWhile training at the gym 11-year-old tomboy Toni becomes entranced with a dance troupe. As she struggles to fit in she finds herself caught up in danger as the group begins to suffer from fainting spells and other violent fits.While training at the gym 11-year-old tomboy Toni becomes entranced with a dance troupe. As she struggles to fit in she finds herself caught up in danger as the group begins to suffer from fainting spells and other violent fits.
- Auszeichnungen
- 15 Gewinne & 22 Nominierungen insgesamt
Lynnette R. Freeman
- Coach
- (Synchronisation)
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Independent Director Anna Rose Holmer (Producer of Jody Lee Lipes' "Ballet 422"), along with writer Saela Davis, present a female coming of age project filled with few words, yet provocative in meaning and intention. The cast is filled with real life youth Cincinnati drill team members, featuring strong raw performances by Toni (Royalty Hightower), her cool brother Donte (Antonio A.B. Grant Jr.), and the lovable Breezy (Alexis Noblest), all who are trying to find their way in a society that has forgotten about them. Because dialogue is at a minimum here, with individual performances driving the film and dialogue delivery at times amateur, the viewing audience must make what they will out of the vague storyline presented. Unfortunately, this lazy-faire direction by Holmer leaves the film with spurts of boredom. However, when the viewing experience is over, one can't help but want to speak to someone about what was just presented. Is "The Fits" about the desire to fit in, the epidemic currently playing out in Flint Michigan, about bonding at all costs, or something completely else? While the film may be garnering a lot of attention, I heard more "C" ratings than "A" ratings at the screening I attended (including mine), and many film attendees (again including myself) were left with more questions than the film answered.
This brief feature film debut from Anna Rose Holmer is among the most interesting and enjoyable independent films of 2016. At first, the film was a bit slow and didn't seem to be going anymore, but once the plot kicked in I was very pleased. After watching the entire film, I am grateful for the slow build up because of its moodiness and great introduction to the characters and setting. The only reason the slow moving atmosphere is a flaw in my eyes is because I thought that the whole film was going to be that plot less, and that, in the end, it would have had no climax, conflict, etc. But it does have a climax, and it does have a conflict. At its core, the film is a powerful little tale about fitting in. Its charming, beautifully filmed, and at times ingeniously unsettling.
The only real flaw was how wooden some of the child actors were. At times, certain performances kind of ruined the film's realistic vibe.However, the characters were likable and their struggles were well executed and written enough for these performances not to completely ruin the experience. But, other than that this was a really impressive little film debut that really has me believing that this first time filmmaker will be going places!
The only real flaw was how wooden some of the child actors were. At times, certain performances kind of ruined the film's realistic vibe.However, the characters were likable and their struggles were well executed and written enough for these performances not to completely ruin the experience. But, other than that this was a really impressive little film debut that really has me believing that this first time filmmaker will be going places!
"The Fits" (2015 release; 72 min.) brings the story of Toni, an 11 yr. old girl. As the movie opens, we see Toni doing push-ups and working out in the boxing gym alongside her older brother. But afterwards she watches a nearby dancer troupe doing their workouts, and it's clear Toni wants to join them. Toni's brother encourages her and it's not long before Toni enters a whole new world. To tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: this is the debut full-length feature from writer-director Anna Rose Holmer. Here she picks a familiar topic (coming of age, fitting in and social acceptance), but Holmer brings it in a unique way, focusing on an 11 yr. old girl whom we watch as she tries to find her way. There is no dialogue to speak of during the first 20-25 minutes of the movie. Instead, we decipher all we need to know from Toni's face and body expressions. Newcomer Royalty Hightower as Toni as an absolute sensation. Did I mention that the entire cast of this film is African-American? (Interestingly, Holmer herself is not.) The movie is set entirely in Cincinnati's gritty West End neighborhood (much of the film being set at the Lincoln Community Center). As a complete aside, I also noticed in the opening credits that the movie is presented by the Biennale di Venezia, yes, the famous arts fest. Bottom line: "The Fits" is an abstract, yet very real comment on a young girl's coming of age, dealing with social acceptance and related challenges.
The movie opened recently at my local art-house theater here in Cincinnati. The Tuesday evening screening where I saw this at was PACKED, to my great (but pleasant) surprise. The fact the movie was shot here surely had a lot to due with it. Equally surprising was to see how many young kids were in the audience. If you are on the fence, perhaps because the movie's short running time, please do yourself a favor and check this out, be it in the theater, on VOD or eventually on DVD/Blu-ray. You will thank me later.
Couple of comments: this is the debut full-length feature from writer-director Anna Rose Holmer. Here she picks a familiar topic (coming of age, fitting in and social acceptance), but Holmer brings it in a unique way, focusing on an 11 yr. old girl whom we watch as she tries to find her way. There is no dialogue to speak of during the first 20-25 minutes of the movie. Instead, we decipher all we need to know from Toni's face and body expressions. Newcomer Royalty Hightower as Toni as an absolute sensation. Did I mention that the entire cast of this film is African-American? (Interestingly, Holmer herself is not.) The movie is set entirely in Cincinnati's gritty West End neighborhood (much of the film being set at the Lincoln Community Center). As a complete aside, I also noticed in the opening credits that the movie is presented by the Biennale di Venezia, yes, the famous arts fest. Bottom line: "The Fits" is an abstract, yet very real comment on a young girl's coming of age, dealing with social acceptance and related challenges.
The movie opened recently at my local art-house theater here in Cincinnati. The Tuesday evening screening where I saw this at was PACKED, to my great (but pleasant) surprise. The fact the movie was shot here surely had a lot to due with it. Equally surprising was to see how many young kids were in the audience. If you are on the fence, perhaps because the movie's short running time, please do yourself a favor and check this out, be it in the theater, on VOD or eventually on DVD/Blu-ray. You will thank me later.
This mysterious and intriguing indie will probably only appeal to a certain slice of viewer, especially those that don't need the plot elements of a film to all fit neatly together. I usually like my movies to have decent resolutions to any questions raised, but this movie kept me interested throughout its sparse 1 hr. and 12 min. time frame.
Royalty Hightower is exceptional in her starring role here as 11-year- old Toni, who's training for boxing at a Cincinnati community center with her older brother Jermaine (De'Sean Minor), who is employed there. When Toni sees an acclaimed dance team training at the center she joins them, but has trouble fitting in due her her shyness. She will eventually bond with another new young dancer Beezy, very ably played by Alexis Nesblett.
Soon however, things become very strange, as several of the older girls begin to get seizure-like symptoms, labeled "the fits". No one can seem to find the cause of these fits, and this causes chaos amongst the dance team.
Overall, this film's strengths are the natural acting of the cast and its very creepy atmospherics. However, don't expect any character development or entire resolutions to the plot machinations. Also, I would say Anna Rose Holmer, who is making her major motion picture debut as writer and director, shows good promise here, and I'd certainly be interested in seeing what else she brings to the screen.
Royalty Hightower is exceptional in her starring role here as 11-year- old Toni, who's training for boxing at a Cincinnati community center with her older brother Jermaine (De'Sean Minor), who is employed there. When Toni sees an acclaimed dance team training at the center she joins them, but has trouble fitting in due her her shyness. She will eventually bond with another new young dancer Beezy, very ably played by Alexis Nesblett.
Soon however, things become very strange, as several of the older girls begin to get seizure-like symptoms, labeled "the fits". No one can seem to find the cause of these fits, and this causes chaos amongst the dance team.
Overall, this film's strengths are the natural acting of the cast and its very creepy atmospherics. However, don't expect any character development or entire resolutions to the plot machinations. Also, I would say Anna Rose Holmer, who is making her major motion picture debut as writer and director, shows good promise here, and I'd certainly be interested in seeing what else she brings to the screen.
I always find it somewhat of a shame when a movie that has everything going for it falls flat on its face. That's what happens in "The Fits". The description here on IMDb properly describes the movie. Unfortunately the movie itself does little more to take it beyond that description.
The directing and acting is excellent, especially by lead actor Royalty Hightower. She is not alone, backed up by some excellent casting for the parts of her best friend and her brother.
Were this a simple slice-of-life movie it would be acceptable and interesting. But it doesn't qualify as such. It takes the viewer down a specific road of semi-realistic insight into the life of a black adolescent girl, then throws that all out the window with what can only be described as a plunge into script-writing and directing self-indulgence. I always wonder how so many people can be involved in creating a work like this without someone stepping up and saying, "Hey, has anyone noticed the plot line stinks?" At the end, the viewer is left asking, "What was that supposed to be all about?". The result is a mixture of enjoyment, shock and disappointment as we realize yet another movie with potential has been flippantly cast to the canines.
Yes, pun intended. You'll need some humor after watching this.
The directing and acting is excellent, especially by lead actor Royalty Hightower. She is not alone, backed up by some excellent casting for the parts of her best friend and her brother.
Were this a simple slice-of-life movie it would be acceptable and interesting. But it doesn't qualify as such. It takes the viewer down a specific road of semi-realistic insight into the life of a black adolescent girl, then throws that all out the window with what can only be described as a plunge into script-writing and directing self-indulgence. I always wonder how so many people can be involved in creating a work like this without someone stepping up and saying, "Hey, has anyone noticed the plot line stinks?" At the end, the viewer is left asking, "What was that supposed to be all about?". The result is a mixture of enjoyment, shock and disappointment as we realize yet another movie with potential has been flippantly cast to the canines.
Yes, pun intended. You'll need some humor after watching this.
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- WissenswertesThe drill team was given part ownership of the film.
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 166.425 $
- Eröffnungswochenende in den USA und in Kanada
- 10.602 $
- 5. Juni 2016
- Weltweiter Bruttoertrag
- 169.236 $
- Laufzeit
- 1 Std. 12 Min.(72 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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