IMDb-BEWERTUNG
7,5/10
32.988
IHRE BEWERTUNG
Filmemacher Brett Morgen untersucht das Leben und die Karriere von Kurt Cobain.Filmemacher Brett Morgen untersucht das Leben und die Karriere von Kurt Cobain.Filmemacher Brett Morgen untersucht das Leben und die Karriere von Kurt Cobain.
- Für 7 Primetime Emmys nominiert
- 4 Gewinne & 17 Nominierungen insgesamt
Kurt Cobain
- Self
- (Archivfilmmaterial)
Buzz Osborne
- Self
- (Archivfilmmaterial)
- (Synchronisation)
Tracy Marander
- Self - Kurt's Girlfriend
- (as Tracey Marander)
Nirvana
- Themselves
- (Archivfilmmaterial)
Dave Grohl
- Self - Nirvana
- (Archivfilmmaterial)
Chad Channing
- Self - Nirvana
- (Archivfilmmaterial)
Jason Everman
- Self - Nirvana
- (Nur genannt)
Pat Smear
- Self - Nirvana
- (Archivfilmmaterial)
Dale Crover
- Self - Nirvana
- (Archivfilmmaterial)
Dan Peters
- Self - Nirvana
- (Nur genannt)
Dave Foster
- Self - Nirvana
- (Nur genannt)
Aaron Burckhard
- Self - Nirvana
- (Archivfilmmaterial)
Empfohlene Bewertungen
An overly long and indulgent disappointment of a rock doc that brings nothing new to the party. Much is left out with gaps filled in by inexplicable meandering 'art'. Be very suspicious of 'officialy sanctioned' films, especially those that miss out key figures, white wash others and look like they were thrown together.
Some will complain that the documentary doesn't focus enough on Nirvana, and there's a very good reason for that. It's not a documentary about Nirvana; the film is intended to provide a more intimate look at Kurt Cobain as a person and provide insight into his more private and guarded moments. In that respect it is pretty successful. Nirvana's history is very well publicised, and the film assumes it's viewers are already fans that know a lot about the band (Why else would you watch a movie about the band's frontman?)
The films biggest selling point is that for the first time a director had the full cooperation of Cobain's family and access to the archive of materials he left behind, much of it had never been seen by the public eye before. These include home movies dating back to him as baby, behind the scene footage, and audio recordings. There is also going to be a companion book dedicated to never before seen photos and other materials that were unearthed. Unfortunately, it's not as exciting as it sounds. There may have been information I had never heard before, but none of it was surprising or profound. It all falls in line with what you would expect if you knew anything about Kurt going in. (I'm sure some people will disagree and say they found it shocking, but I didn't.) That being said the archival materials were well utilized and had a good presentation that fit into the story that was being told. It was nice to see them even if it was an over- hyped aspect of the movie.
From a technical standpoint the film really is a marvel. The animated transitions were a great way to incorporate the drawings and doodles that littered Kurt's notebooks. There are also scenes featuring puppetry and stop motion that are also inspired by his art and/or song lyrics. These are all really cool and actually provide more insight to his artistic style and writing process than you would think.
Additionally, several segments are entirely animated, and they look beautiful. Doing this is much more captivating than just just showing people talk about events or have a voice-over with a slideshow of pictures. It was a very good choice, and adds a lot to the viewing experience.
The film's soundtrack features live Nirvana recordings, covers and remixes, as well as music by other artist that fit the scenes, such as the Buddy Holly song that plays over his parents home movies from the '60s. This is well executed and I particularly love the violin rendition of "Smell Like Teen Spirit" that was used to mimic an orchestral score in the longest animated sequence.
Overall the film is an energetic and seemingly honest look at Kurt Cobain and the man he was. It was well made, entertaining, and a worthwhile documentary that stands head and shoulders above any other documentaries about him.
The films biggest selling point is that for the first time a director had the full cooperation of Cobain's family and access to the archive of materials he left behind, much of it had never been seen by the public eye before. These include home movies dating back to him as baby, behind the scene footage, and audio recordings. There is also going to be a companion book dedicated to never before seen photos and other materials that were unearthed. Unfortunately, it's not as exciting as it sounds. There may have been information I had never heard before, but none of it was surprising or profound. It all falls in line with what you would expect if you knew anything about Kurt going in. (I'm sure some people will disagree and say they found it shocking, but I didn't.) That being said the archival materials were well utilized and had a good presentation that fit into the story that was being told. It was nice to see them even if it was an over- hyped aspect of the movie.
From a technical standpoint the film really is a marvel. The animated transitions were a great way to incorporate the drawings and doodles that littered Kurt's notebooks. There are also scenes featuring puppetry and stop motion that are also inspired by his art and/or song lyrics. These are all really cool and actually provide more insight to his artistic style and writing process than you would think.
Additionally, several segments are entirely animated, and they look beautiful. Doing this is much more captivating than just just showing people talk about events or have a voice-over with a slideshow of pictures. It was a very good choice, and adds a lot to the viewing experience.
The film's soundtrack features live Nirvana recordings, covers and remixes, as well as music by other artist that fit the scenes, such as the Buddy Holly song that plays over his parents home movies from the '60s. This is well executed and I particularly love the violin rendition of "Smell Like Teen Spirit" that was used to mimic an orchestral score in the longest animated sequence.
Overall the film is an energetic and seemingly honest look at Kurt Cobain and the man he was. It was well made, entertaining, and a worthwhile documentary that stands head and shoulders above any other documentaries about him.
This documentary told me little I didn't already know about the great Kurt Cobain. With supposed access to numerous home videos, journals and members of Kurt's immediate family, friends and band mates, I find it curious the aspects of Kurt's life the director chose to focus on. It is evident that the aim of the documentary is to portray Kurt as a troubled and depressed soul, yet it doesn't provide any real insight into the events that created such a feeling in him. One such oddity is the interview with Kurt's mother which never delved deeper than the surface points of some of the major events of Kurt's life (ones that we've already learned more about from other journalists in years past). For instance: They touch on Kurt's homelessness as a teen, yet don't venture into the circumstances that caused his homelessness or have any depth of discussion about this major point in Kurt's life. How Kurt came to be the man and artist that captivated so many is still as mysterious now as it was before I watched this documentary.
Apart from the documentary's questionable focus and content, the style in which the story is told is well done, with fluid interchanges between Kurt's journal entries, old home videos, photos, sound recordings and interviews. The use of animation helped pull everything together and added a dreamy dimension to the story telling.
All in all an enjoyable, well made film, but an informative and insightful documentary it is not.
Apart from the documentary's questionable focus and content, the style in which the story is told is well done, with fluid interchanges between Kurt's journal entries, old home videos, photos, sound recordings and interviews. The use of animation helped pull everything together and added a dreamy dimension to the story telling.
All in all an enjoyable, well made film, but an informative and insightful documentary it is not.
Some say that you're not a true rock and roll legend until you've had an extensive authorized documentary made about your legacy. Just kidding, nobody says that. Kurt Cobain was a legend as soon as Nevermind hit record stores, and his legacy continues today, immortalized by Nirvana and the massive impact his genius had on punk rock. But not only was he one of the best rockers who ever lived, Kurt Cobain was one of the most extraordinary and misunderstood minds of his generation, whose own brilliance caused his self destruction. He's a complex and intricate spider web of a person, and Kurt Cobain: Montage of Heck goes on the deepest and most intimate exploration of this enigmatic genius that has ever been done.
Montage of Heck chronicles Cobain's entire life, beginning with his parents meeting and Kurt's childhood, all the way up to his suicide in 1994 which is nothing more than a title card at an abrupt end of the film. Don't think that this is a Nirvana documentary, or a Courtney Love documentary, or any other kind of documentary other than a Kurt Cobain documentary. Montage of Heck examining his relationship with his family, his lovers, his band, and Nirvana's massive following which played on Kurt as a blessing and a maddening curse.
Montage of Heck is directed by Brett Morgen, the director of my personal favorite ESPN 30 for 30 episode, June 17th, 1994, a sports documentary that only uses news footage from one particular day in sports to tell its story. Morgen employs similar techniques here. The amount of home video footage that exists of Cobain from his adolescence all the way through his relationship with Courtney Love (which includes some pretty disturbing drug induced home video), is astounding. Montage of Heck is brilliantly pieced together through this home video footage, interviews with people close to Kurt, audio recordings of Kurt and friends, and Kurt's own journal writings and drawings, gloriously animated in what makes for the most fascinating look into the mind of this troubled genius.
Some of the best parts of the film take us through his journals where his mad scientist scribbles and macabre H.R. Giger-esque drawings show us his reactions and feelings towards the band, their rising popularity, Courtney Love, etc. all to paint a fascinatingly intricate portrait of this man. To call Montage of Heck an examination of Kurt Cobain would be doing a disservice to this great doc. Montage of Heck is less of an examination and more of a journey, a violent yet graceful boat ride into the seas of one of rock and roll's most dynamic minds. It's a film that is as beautiful as it is brutal, and as sentimental as it is visceral.
This is the most honest and in depth insight into a man who seemed to have everything, yet battled demons all his life to find what really could make him happy. Sadly, those demons won, but not before Kurt Cobain could be immortalized as a rock and roll icon. And now we're lucky enough to have this film which celebrates all that he left behind. A film that shows us not only who Kurt Cobain was on stage, but who he was as a passionately flawed human being who wanted nothing more than to love, be loved, and rock the f out.
Montage of Heck chronicles Cobain's entire life, beginning with his parents meeting and Kurt's childhood, all the way up to his suicide in 1994 which is nothing more than a title card at an abrupt end of the film. Don't think that this is a Nirvana documentary, or a Courtney Love documentary, or any other kind of documentary other than a Kurt Cobain documentary. Montage of Heck examining his relationship with his family, his lovers, his band, and Nirvana's massive following which played on Kurt as a blessing and a maddening curse.
Montage of Heck is directed by Brett Morgen, the director of my personal favorite ESPN 30 for 30 episode, June 17th, 1994, a sports documentary that only uses news footage from one particular day in sports to tell its story. Morgen employs similar techniques here. The amount of home video footage that exists of Cobain from his adolescence all the way through his relationship with Courtney Love (which includes some pretty disturbing drug induced home video), is astounding. Montage of Heck is brilliantly pieced together through this home video footage, interviews with people close to Kurt, audio recordings of Kurt and friends, and Kurt's own journal writings and drawings, gloriously animated in what makes for the most fascinating look into the mind of this troubled genius.
Some of the best parts of the film take us through his journals where his mad scientist scribbles and macabre H.R. Giger-esque drawings show us his reactions and feelings towards the band, their rising popularity, Courtney Love, etc. all to paint a fascinatingly intricate portrait of this man. To call Montage of Heck an examination of Kurt Cobain would be doing a disservice to this great doc. Montage of Heck is less of an examination and more of a journey, a violent yet graceful boat ride into the seas of one of rock and roll's most dynamic minds. It's a film that is as beautiful as it is brutal, and as sentimental as it is visceral.
This is the most honest and in depth insight into a man who seemed to have everything, yet battled demons all his life to find what really could make him happy. Sadly, those demons won, but not before Kurt Cobain could be immortalized as a rock and roll icon. And now we're lucky enough to have this film which celebrates all that he left behind. A film that shows us not only who Kurt Cobain was on stage, but who he was as a passionately flawed human being who wanted nothing more than to love, be loved, and rock the f out.
I have read a couple Bios of Nirvana and found this doc to be fairly simplistic. Still I enjoyed seeing the unseen footage and cartoon montages. What I was really hoping for was a bit more focus of Kurt when he lived in Evergreen and was dating Toby Vail(would have liked to of seen her in the doc). The experience he had during that time is what inspired him to write many if not all of the songs from Nevermind. What the doc did include was well done. I also wish there was a few more people included in the doc. Dave Grohl, Chad Channing, Toby Vail, to name a few. Still A must watch for any Nirvana/Kurt Cobain fan. The story of Kurt Cobain is a frustrating one his personality mixed with his addictions was what ultimately led to his downfall. I really wish he would have sucked it up and stuck around a bit. I will admit the Doc did a good job capturing just how sensitive and awkward he was before during and after his fame.
Wusstest du schon
- WissenswertesAccording to an interview in Rolling Stone, director Brett Morgen planned on including Nirvana drummer Dave Grohl in the film, but Grohl was busy filming Sonic Highways (2014). By the time Grohl was available Morgen was satisfied with his cut of the film and decided not to include him.
- VerbindungenFeatures Die Hexe (1922)
- SoundtracksTerritorial Pissings
Written by Kurt Cobain, Chet Powers
Performed by Nirvana
Courtesy of Geffen Records under license from Universal Music Enterprises
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Details
Box Office
- Weltweiter Bruttoertrag
- 686.379 $
- Laufzeit
- 2 Std. 12 Min.(132 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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