Shriver

A very inspiring, and lovingly made, testament to humanity and the literary alter at which we are able to embrace our being in all of the faults that make up our perfection as a species. Based on Chris Belden's novel "Shriver", writer-directer Michael Maren, and the entire cast and production staff through their hard work, have brought a bountiful feast of food for the soul to the motion picture screen (be it a cinema screen or on a laptop). If you love how words can be turned into music, or even if there is not enough time in the day to read much, the characters in this film and their predicaments certainly resonate with all of us. My hat is off as I bow to this troupe of filmmakers to offer my gratitude. Thank you. And as a final note to my long lost friend Lynn, who has spent her entire life avoiding putting her words on paper, it is never too late to put ink to quill. Catharsis for writer and reader awaits. ***NOTE*** I did not mention the amazing actors by name in this picture because every one of them in all of their roles empowered this picture with their truly heartfelt and well tuned performances, no matter if they worked for just one day or the entire run of the project. In short, the actors are great across the board, one and all bringing life to this work of love.

This movie draws you in slowly and then once you come to realize the deeper truths at work, goes a bit haywire in the last 10 minutes. I loved it, with reservation. Zach Braff is misplaced, he's acting a goofy comedy which this is not. The role of the detective is also played too light, in what could have added menace to the story. The role of the girl on the plane/writer is again misplaced. She becomes Shriver's buddy incredibly fast and is, again, playing it too light. Kete Hudson is the best Kate Hudson so far, and Shannon delivers the role made for him. Don Johnson is fine. The last 10 minutes, the film switches tone and becomes a farcical comedy straight out of some 80s romcom. What? Great up to that point.. Definitely watch, just be ready for the misguided tonal twist at the end.

A Little White Lie might be the worst marketed movie and yet the best ratings sleeper since My Cousin Vinnie. IMBD currently has a score of 5.9 Why? The trailer and promotional materials list it as a zany romantic comedy. Director Michael Maren didn't make that movie; rather he turned Chris Belden's hilarious book Shriver - a campy case of mistaken identity and turned it into a brilliant portrayal of imposter syndrome and writers block. The production values are more in keeping with a low budget comedy - such as Caddyshack or Dodgeball - and the cast including Kate Hudson and Don Johnson (and their scripts) would be perfectly appropriate for a rom com. The giveaway is the sublime Michael Shannon. He was the top choice by Maren after the untimely death of Philip Seymour Hoffman. It's his movie. Conjuring an exquisite metamorphosis worthy of Kafka. From a janitor who doesn't read to a a suspect invitee at a literary conference to perhaps the real McCoy? Shriver published Goat Time - a singularity of brilliance a la JD. Salinger. 15 years later, he isn't sure about anything. Could he have possibly written it? Is he actually a writer? Yet the festival draws him out of his cocoon. Whether he is the real Shriver or not - I leave to you to find out. Watch this movie. But temper the obvious expectation for a light comedy. It may be the next Being There. And an aside - the marketing team has some serious explaining to do!

I give it a 7 1/2. You might not recognize the lead actor's name "Michael Shannon" but you will recognize him in the movie. He did a marvelous job in a complex role. Just the right amounts of understatement, humor, and insight in his role. His acting made you feel for his situation and made you want him to succeed.

Kate Hudson did a very good job in her role. She was believable, funny, and showed she could act, not just play Kate Hudson.

All of the other actors were excellent in their supporting roles.

The girl who plays the hotel clerk hit it out of the park with her understated performance. Only on screen for a couple of scenes but you can recognize her from every hotel you've stayed at.

The story line is funny, the directing is good, and the movie has good pace. You never look at the clock and wonder how much longer is the movie.

I don't get the low reviews because it is well acted, funny, and very entertaining.

This movie is brilliant. It nails imposter syndrome and the writing community at large. It brought me back to my own days in an MFA program without ever delving into nostalgia. It shows the pain, irony, jealousy, and annoying life of modern writers and writing students.

It is a satire of imposter syndrome and the writing community. Understanding that helps what might seem like a strange story make sense. It kept me cringing, empathizing, hoping, and ultimately encouraged. I highly recommend, and I would show this movie to my writing students-or have them read the book, which, as the movie explains, writing students tend not to enjoy.