Ein Mann muss sich und seine Familie schützen, als sie nachts bei Vollmond von einem tödlichen Werwolf verfolgt, terrorisiert und heimgesucht werden.Ein Mann muss sich und seine Familie schützen, als sie nachts bei Vollmond von einem tödlichen Werwolf verfolgt, terrorisiert und heimgesucht werden.Ein Mann muss sich und seine Familie schützen, als sie nachts bei Vollmond von einem tödlichen Werwolf verfolgt, terrorisiert und heimgesucht werden.
- Regie
- Drehbuch
- Hauptbesetzung
Leigh Whannell
- Dan
- (Synchronisation)
Lucy Bowden
- Journalist
- (Nicht genannt)
James Ketteridge
- Tyler
- (Nicht genannt)
Rob MacBride
- SFPD
- (Nicht genannt)
Zusammenfassung
Reviewers say 'Wolf Man' offers a fresh take on the werewolf genre with a realistic transformation and strong atmosphere, but suffers from a predictable story and slow pacing. Practical effects and sound design are lauded, while the creature design divides opinions. Christopher Abbott's performance is praised, but Julia Garner's role is criticized as underutilized. The film attempts innovation but struggles with narrative and character depth.
Empfohlene Bewertungen
I appreciated the simplicity of the story which allowed the directing, atmosphere, cinematography and soundtrack to really be at the forefront in their storytelling.
These elements of the film made a somewhat simple story engaging and beautiful to look at on the big screen. Even for a horror movie I was surprised with the strength of the characters, family bond and overall theme of the film especially with the connection to the prior events in the past.
However, I felt the film could've been a bit more bold, took more risks and try to be inventive. Especially with the director's previous film's "upgrade" and "the invisible man" which took some risks which definitely paid off in some great and memorable moments. I just thought that the conclusion to the film teetered on lacklustre.
However, I was happy that the film did not become too over the top and cheesy in which some horror films that have come out recently have. As stated before, the simplicity of the story allowed us to focus on the characters relationship and the atmospheric setting.
All in all a solid horror film to begin the 2025 campaign however, I think a bolder final act could've made it more memorable.
These elements of the film made a somewhat simple story engaging and beautiful to look at on the big screen. Even for a horror movie I was surprised with the strength of the characters, family bond and overall theme of the film especially with the connection to the prior events in the past.
However, I felt the film could've been a bit more bold, took more risks and try to be inventive. Especially with the director's previous film's "upgrade" and "the invisible man" which took some risks which definitely paid off in some great and memorable moments. I just thought that the conclusion to the film teetered on lacklustre.
However, I was happy that the film did not become too over the top and cheesy in which some horror films that have come out recently have. As stated before, the simplicity of the story allowed us to focus on the characters relationship and the atmospheric setting.
All in all a solid horror film to begin the 2025 campaign however, I think a bolder final act could've made it more memorable.
From the director of The Invisible Man comes a reboot of yet another Universal Classic Monster, this time offering a modern spin on the studio's lycanthropic franchise. But unlike his impressive last feature, Wolf Man fails to create any sort of intrigue or interest, is formulaic & forgettable in every possible way, and makes for a bland, banal & boring offering with nothing worth investing into.
Co-written & directed by Leigh Whannell (Insidious: Chapter 3 & Upgrade), the premise is paper-thin, characters are poorly sketched & devoid of personality and the plot is predictable from afar with not many (or any) surprises in store. And if that's not enough, the sappy melodrama & lame dialogues don't do the film any favour either. And the ride is furthermore hampered by its lack of suspense.
There is no sense of direction to where the plot is headed, the family unit isn't developed enough and the horror set pieces also lack the expected ferocity & flesh-tearing carnage. Performances are lifeless, and even the werewolf design fails to impress. Whannell intended to address themes of parenting, marriage, sickness & death here but for those to work, the fundamentals needed to be solid which isn't the case here.
Overall, Wolf Man is ineffective in its storytelling, flat in its execution and underdeveloped as a whole. Terribly directed, shoddily scripted, tediously paced & weakly acted, there's nothing that clicks here nor is there anything to latch onto, thus resulting in a finished product that has no bite. An uneven, uninspiring & underwhelming reimagining that's not only devoid of tension & scares but is also lacking in narrative & emotional depth.
Co-written & directed by Leigh Whannell (Insidious: Chapter 3 & Upgrade), the premise is paper-thin, characters are poorly sketched & devoid of personality and the plot is predictable from afar with not many (or any) surprises in store. And if that's not enough, the sappy melodrama & lame dialogues don't do the film any favour either. And the ride is furthermore hampered by its lack of suspense.
There is no sense of direction to where the plot is headed, the family unit isn't developed enough and the horror set pieces also lack the expected ferocity & flesh-tearing carnage. Performances are lifeless, and even the werewolf design fails to impress. Whannell intended to address themes of parenting, marriage, sickness & death here but for those to work, the fundamentals needed to be solid which isn't the case here.
Overall, Wolf Man is ineffective in its storytelling, flat in its execution and underdeveloped as a whole. Terribly directed, shoddily scripted, tediously paced & weakly acted, there's nothing that clicks here nor is there anything to latch onto, thus resulting in a finished product that has no bite. An uneven, uninspiring & underwhelming reimagining that's not only devoid of tension & scares but is also lacking in narrative & emotional depth.
What unbreakable did for super heroes movies, Wolf-man did for werewolf movies. Its execution felt similar. But much like Unbreakable I believe the reviews will dip lower than this movie deserves to be. I remember people hating Unbreakable because of the slowness and "seeming" anti-climactic nature of it but over time people began to realize the brilliance of it. This feels similar. The tension is great and atmosphere spot on. I kept waiting for a cringy or overtop moment make me roll my eyes but it never did and stayed the course it was on. Not the modern American werewolf in London I've been searching for but definitely an emerald I didn't expect to find while mining for diamonds. Go see it.
This film is just alright, maybe a little better than that. But it's nothing to write home about: close, but no cigar.
It plays it too safe. Just when you think something interesting is going to transpire, it doesn't. The film is an adaptation of a decades-old story, and yet it doesn't break any new ground nor offer up any new ideas.
The cinematography and acting are the two standouts. The presentation of the Oregonian outdoors is beautiful, as is the use of lighting throughout. Abbott and Garner turn in great performances, but the actress playing their daughter is not very good to the point that she often took me out of the film. The film felt like it was leading up to something really climactic, but didn't really. Ultimately it ends up feeling rather generic. There are a few jump scares and creepy imagery, but overall it isn't all that scary.
That said, the film is worth checking out if you're looking for an entertaining, spooky little time. The runtime is short, and it clips along pretty nicely.
It plays it too safe. Just when you think something interesting is going to transpire, it doesn't. The film is an adaptation of a decades-old story, and yet it doesn't break any new ground nor offer up any new ideas.
The cinematography and acting are the two standouts. The presentation of the Oregonian outdoors is beautiful, as is the use of lighting throughout. Abbott and Garner turn in great performances, but the actress playing their daughter is not very good to the point that she often took me out of the film. The film felt like it was leading up to something really climactic, but didn't really. Ultimately it ends up feeling rather generic. There are a few jump scares and creepy imagery, but overall it isn't all that scary.
That said, the film is worth checking out if you're looking for an entertaining, spooky little time. The runtime is short, and it clips along pretty nicely.
A January horror movie. You never quite know what you're going to get. More times than not it's where studios dump their worst of the year. I don't think that's going to be the case with 'Wolf Man' though. It's nothing special, but it's a passable 103 minutes.
The film gets off to a very slow start. There was an intriguing opening scene which I had high hopes for, but it never really went anywhere interesting and was more just an extended way to explain the set up for the film.
From there we are introduced to the characters of the family and I thought this was too drawn out and not done in an interesting way. There were some lengthy dialogue-heavy scenes and it was hard not to check out, because they were just done in such a dull way.
Finally we then get into the meat of the movie. Leigh Whannell is a talented director and there are some well done scenes in here. There is one jump-scare that was very well executed. The problem for me though was it felt very safe. This didn't feel like a horror film where anything could happen at any moment.
'Wolf Man' was filmed in New Zealand so there is some beautiful scenery to look at in a few scenes. It's a well made film but ultimately I think it will be pretty quickly forgotten. 6/10.
The film gets off to a very slow start. There was an intriguing opening scene which I had high hopes for, but it never really went anywhere interesting and was more just an extended way to explain the set up for the film.
From there we are introduced to the characters of the family and I thought this was too drawn out and not done in an interesting way. There were some lengthy dialogue-heavy scenes and it was hard not to check out, because they were just done in such a dull way.
Finally we then get into the meat of the movie. Leigh Whannell is a talented director and there are some well done scenes in here. There is one jump-scare that was very well executed. The problem for me though was it felt very safe. This didn't feel like a horror film where anything could happen at any moment.
'Wolf Man' was filmed in New Zealand so there is some beautiful scenery to look at in a few scenes. It's a well made film but ultimately I think it will be pretty quickly forgotten. 6/10.
Wusstest du schon
- WissenswertesLeigh Whannell explained how he conceived the werewolf's point-of-view shots, saying: "I had this idea of the camera moving around the room and suddenly what seemed like gibberish became legible, and you realized there was some invisible wall that the camera had crossed through. I started researching wolves, how they see, the colors of their eyes. I was thinking about how animals hear. When we talk to our dogs, we all anthropomorphize our pets. I have whole conversations with my dog where I'm like, "What are you doing? Oh, you're upset. What are you upset about?" You know that he's just staring at you. They recognize tone and maybe up to 20 words. I was thinking about that. This classic Wolf Man story is a great way to use this because usually in Wolf Man stories, the transformation is very quick. I was like, what if you slowed this down and treated it more like a degenerative illness? I was thinking more of a film like "Still Alice."
- PatzerThough the city scene is set in San Francisco, California, New Zealand traffic lights are visible.
- VerbindungenFeatured in Jeremy Jahns: Wolf Man - Movie Review (2025)
- SoundtracksLes Feuilles Mortes
Music by Joseph Kosma
Performed by Cannonball Adderley
Courtesy of Blue Note Records under license from Universal Music Enterprises
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Details
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 20.707.280 $
- Eröffnungswochenende in den USA und in Kanada
- 10.897.495 $
- 19. Jan. 2025
- Weltweiter Bruttoertrag
- 34.151.868 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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