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The Birth of a Nation - Aufstand zur Freiheit

Originaltitel: The Birth of a Nation
  • 2016
  • 16
  • 2 Std.
IMDb-BEWERTUNG
6,5/10
22.404
IHRE BEWERTUNG
The Birth of a Nation - Aufstand zur Freiheit (2016)
Set against the antebellum South, 'The Birth of a Nation' follows Nat Turner (Nate Parker), a literate slave and preacher, whose financially strained owner, Samuel Turner (Armie Hammer), accepts an offer to use Nat's preaching to subdue unruly slaves. As he witnesses countless atrocities - against himself and his fellow slaves - Nat orchestrates an uprising in the hopes of leading his people to freedom.
trailer wiedergeben2:38
52 Videos
84 Fotos
Eine TragödieZeitraum: DramaBiographieDramaGeschichte

Nat Turner, ein gebildeter Sklave und Prediger, der in den Südstaaten vor Ausbruch des Amerikanischen Bürgerkrieges lebt, organisiert einen Aufstand.Nat Turner, ein gebildeter Sklave und Prediger, der in den Südstaaten vor Ausbruch des Amerikanischen Bürgerkrieges lebt, organisiert einen Aufstand.Nat Turner, ein gebildeter Sklave und Prediger, der in den Südstaaten vor Ausbruch des Amerikanischen Bürgerkrieges lebt, organisiert einen Aufstand.

  • Regie
    • Nate Parker
  • Drehbuch
    • Nate Parker
    • Jean McGianni Celestin
  • Hauptbesetzung
    • Nate Parker
    • Armie Hammer
    • Penelope Ann Miller
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,5/10
    22.404
    IHRE BEWERTUNG
    • Regie
      • Nate Parker
    • Drehbuch
      • Nate Parker
      • Jean McGianni Celestin
    • Hauptbesetzung
      • Nate Parker
      • Armie Hammer
      • Penelope Ann Miller
    • 143Benutzerrezensionen
    • 252Kritische Rezensionen
    • 69Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 5 Gewinne & 32 Nominierungen insgesamt

    Videos52

    Official Trailer
    Trailer 2:38
    Official Trailer
    Teaser Trailer
    Trailer 1:57
    Teaser Trailer
    Teaser Trailer
    Trailer 1:57
    Teaser Trailer
    Hark And Esther Get Married
    Clip 0:48
    Hark And Esther Get Married
    Im Proud Of You
    Clip 0:59
    Im Proud Of You
    False Prophets
    Clip 0:59
    False Prophets
    The Birth Of A Nation: I'm Proud Of You
    Clip 0:59
    The Birth Of A Nation: I'm Proud Of You

    Fotos84

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    + 79
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    Topbesetzung89

    Ändern
    Nate Parker
    Nate Parker
    • Nat Turner
    Armie Hammer
    Armie Hammer
    • Samuel Turner
    Penelope Ann Miller
    Penelope Ann Miller
    • Elizabeth Turner
    Jackie Earle Haley
    Jackie Earle Haley
    • Raymond Cobb
    Mark Boone Junior
    Mark Boone Junior
    • Reverend Walthall
    • (as Mark Boone Jr.)
    Colman Domingo
    Colman Domingo
    • Hark
    Aunjanue Ellis-Taylor
    Aunjanue Ellis-Taylor
    • Nancy
    • (as Aunjanue Ellis)
    Dwight Henry
    Dwight Henry
    • Isaac Turner
    Aja Naomi King
    Aja Naomi King
    • Cherry
    Esther Scott
    Esther Scott
    • Bridget
    Roger Guenveur Smith
    Roger Guenveur Smith
    • Isaiah
    Gabrielle Union
    Gabrielle Union
    • Esther
    Tony Espinosa
    Tony Espinosa
    • Young Nat Turner
    Jayson Warner Smith
    Jayson Warner Smith
    • Earl Fowler
    Jason Stuart
    Jason Stuart
    • Joseph Randall
    Chiké Okonkwo
    Chiké Okonkwo
    • Will
    Katie Garfield
    Katie Garfield
    • Catherine Turner
    Kai Norris
    • Jasper
    • Regie
      • Nate Parker
    • Drehbuch
      • Nate Parker
      • Jean McGianni Celestin
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen143

    6,522.4K
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    Empfohlene Bewertungen

    7ma-cortes

    Historical and epic film about ¨Nat Turner's Rebellion¨ , it was a slave rebellion that took place in Southampton County, Virginia, during August 1831

    A good film , though it has extremely violent events , sadism , physical abuse , lynchings and other racist excesses . Nat Turner's Rebellion , also known as the Southampton Insurrection , is set against the antebellum South , it follows Nat Turner (Nate Parker), a literate slave and preacher , he was highly intelligent and learned how to read and write at a young age and he grew up deeply religious and was often seen fasting , praying or immersed in reading the stories of the Bible . Then , his financially strained owner , Samuel Turner (Armie Hammer) , accepts an offer to use Nat's preaching to subdue unruly slaves . Later on , there takes place the brutal sexual assault by white men on Turner's wife (Aja Naomi King) , it feeds a rage that sets the rebellion in motion . Soon after, , Nat leads a slave rebellion that took place in Southampton County , Virginia, during August 1831 . As Nat orchestrates an Southern uprising in the hopes of leading his people to freedom .

    The film packs crude scenes full of brutality and cruelty in which the African-American slaves suffer humiliations , flagellation , beating , degradation , and mistreats by their owners . As Nat Turner witnesses countless atrocities - against himself and his fellow slaves . As Nat Turner well played by Nat Parker carries out an upheaval against the ruthless proprietaries in the antebellum South , this rebellion occurred in Southampton Co. VA. August 21- 23, 1831 . Nat Parker gives an acceptable acting as the literate slave and preacher who orchestrates a bloody riot . Support is frankly fine , such as : Penélope Anne Miller , Aja Naomi King , Gabrielle Union , Mark Boone Junior , Colman Domingo , Aunjanue Ellis , Dwight Henry , and special mention for Jackie Earle Haley as the villain slave hunter Raymond Cobb , among others . It displays a thrilling as well as sensitive musical score by Henry Jackman , adding evocative African songs . Colorful cinematography by Elliot Davis , being shot on a former plantation between Springfield and Clyo, Georgia, about thirty miles north of Savannah . The picture was well shot by Nat Parker and it was filmed in a month , approx . Nat has filmed with all of the power and realism at its command but some scenes in exploitation style , including strong tortures , lashing , rape , grisly killings and many other things .

    This ¨The birth of a nation¨ is correctly based on true events , these are the followings : Turner rebellion was, according to his own writings, based on spiritual visions . Turner had various visions , as "the Saviour was about to lay down the yoke he had borne for the sins of men, and the great day of judgment was at hand" . Nat attempts to challenge racism and white supremacy in America, to inspire a riotous disposition toward any and all injustice in this country and abroad and to promote the kind of honest confrontation that will galvanize our society toward healing and sustained systemic change . Led by Nat Turner, he started with several trusted fellow slaves, and ultimately gathered more than 70 enslaved and free blacks, some of whom were mounted on horseback . The rebels traveled from house to house, freeing slaves and killing all the white people they encountered. Because the rebels did not want to alert anyone, they discarded their muskets and used knives, hatchets, axes, and blunt instruments instead of firearms. The rebel slaves killed from 55 to 65 people, the highest number of fatalities caused by any slave uprising in the Southern United States. A white militia with twice the manpower of the rebels and reinforced by three companies of artillery eventually defeated the insurrection . The rebellion was put down within a few days, but Turner survived in hiding for more than two months afterwards . The rebellion was effectively suppressed at Belmont Plantation on the morning of August 23, 1831. There was widespread fear in the aftermath of the rebellion, and white militias organized in retaliation against the slaves. The state executed 56 slaves accused of being part of the rebellion . In the frenzy, many non-participant slaves were punished . Approximately 120 slaves and free African Americans were murdered by militias and mobs in the área . Across the South, state legislatures passed new laws prohibiting education of slaves and free black people, restricting rights of assembly and other civil rights for free black people, and requiring white ministers to be present at all worship services.
    CinemaClown

    Does Justice To The Legacy Of Nat Turner Despite A Few Shortcomings.

    The beloved darling of last year's Sundance Film Festival is a competently crafted biographical drama that brings the story of Nat Turner to life in splendid detail and exhibits expert workmanship in all aspects of filmmaking but it still fails to bring anything new to the table and feels like something that we have seen many times before.

    Set in 19th century America, The Birth of a Nation tells the story of Nat Turner, an enslaved man & a preacher who's taken to different plantations by his financially strained owner to preach to other negro slaves and, after witnessing countless acts of barbarity inflicted upon them by their owners, orchestrates an uprising to lead his people to freedom.

    Co-written, co-produced & directed by Nate Parker who also stars in the leading role, The Birth of a Nation takes its time to set up its premise and is quite violent & disturbing when it's meant to be but there are also times when it needlessly indulges in some petty allegorical bullshit & unneeded flashbacks which hamper its steady narration by an extent.

    While it's evident that the film is a product of extensive research, no real effort is made to separate its look n feel from other examples that deal with the subject of slavery. Its iconography has a lot in common with Steve McQueen's 12 Years A Slave but it is still lacking in the raw emotional power of that powerfully-moving feature. Nevertheless, for a debut feature, this is an impressive start.

    Its 120 minutes of runtime could've been further trimmed, for there are plenty of scenes that don't add much to the story and at times take the focus away from what's relevant. Camera keeps itself firmly fixed on Nat Turner, the cold colour palette is finely utilised, and the decision to capture the violence & brutality in its raw, unadulterated form is a welcome one. Lastly, all of it is wonderfully supported by its evocative score.

    Coming to the performances, the cast consists of Nate Parker, Armie Hammer, Jackie Earle Haley, Aja Naomi King & others, and although all chip in with apt inputs in their given roles, their screen time is shortened to keep the focus on Parker's character. Parker's measured performance packs wide range of emotions and he expresses them convincingly for the most part and manages to render Nat Turner on the screen with effectiveness.

    On an overall scale, The Birth of a Nation does justice to the legacy of Nat Turner despite its many shortcomings and is at its best during the final act when the inner rage of the enslaved bursts out in masterly-shot acts of brutality, violence & retaliation. Yet none of it lingers long after the credits have rolled and in the end, it feels like one of those movies that lifts certain elements from different examples of its genre but fails to provide its own touch of originality to it.
    7SnoopyStyle

    solid slavery drama

    Nat Turner (Nate Parker) grew up a slave in Virginia. It was better than most slaves and he was taught to read the bible by Elizabeth Turner. His father ran away after killing a slave catcher. Raymond Cobb (Jackie Earle Haley) is one of those evil slave catchers. With fears of a slave revolt, Reverend Walthall suggests that the debt-ridden drunk Samuel Turner (Armie Hammer) hire out Nat's preaching to soothe other restless plantations. Nat talks Samuel into buying and saving Cherry-Ann. Nat witnesses and experiences countless injustices. When he dares to baptize a white man, he is whipped. Finally, he organizes a slave revolt.

    This is competently made. It is sincere but it doesn't have that extra something to put it over the top. Nate Parker is a good actor but Nat Turner is a passive character for the first half of the movie. He could have made more with the religious aspect. That would be a different angle to get at this subject matter. Whatever it is, the movie needs a new spin to angle this shot.
    8dalente

    An enthralling directorial debut

    Nate parker writes, produces, acts, and directs this landmark in American history. The story of Nat Turner is one that is relatively uncharted territory in the realm of cinema, with that being said, Nate Parker does a great job of of telling the story, albeit a little shortsighted as to the backlash that transpired afterwards.

    Also, I don't know what this other critic user is talking about in regards to calling this movie, "racist crap" and giving it a 1 out of 10. The movie tells the story of a rebellious slave who does whatever he needs to, to achieve freedom from the oppressive south. With that being said, his story simply tells the truth of our nations racial relations at this time. In this particular context, Blacks and whites surely were not singing kumbaya, our relationship was highly one-sided, volatile, and largely disturbing. So, to anyone who is not prepared to see a small glimpse of historical truth in regards to our nations past, do not see this movie. You'll just end up like this other user, offended because this movie doesn't depict white people as saviors, heroes, etc, like most movies...it depicts a more sinister side that too often goes untold, unseen, and therefore, unnoticed.
    8trublu215

    A film that wallows in the shadow of it's story and never really escapes it.

    Nate Parker's stirring portrayal of Nat Turner's rebellion is a film that tries extremely hard to be something more than what it is. This is not the Oscar contender you read it to be, this is not some revelation in the vein of Roots, this is just another slavery film. Nate Parker's film sheds no new light on the brutality of slavery and does his absolute best to make sure you despise the white villains in this as anyone should as they are portrayed with much relish from the actors especially Jackie Earle Haley's menacing slave owner that serves as the main villain of the film. The problems that The Birth of a Nation has are ones that exist in it's director's overbearing ego and overwhelming goal to bring something powerful to the table. Parker succeeds haphazardly unfortunately. The Birth of a Nation tells the story of Nat Turner, a preacher turned rebellion leader as he fights racism in the south with a violent and brutal fist. The film is powerful and Jackie Earle Haley and Gabrielle Union are absolute gems in this film, with Union giving the best performance of her career and Nate Parker giving...well, a performance. The problems here lie with the film itself. The story plays like a more realistic version of Django Unchained, even lifting some inspiration from that film a little too heavily for the scenes in which the slaves are beaten and abused. However, the film also delves into the religious aspects of Turner so heavy handedly that it borders along the fine line of a parody more often than not. The other film that Parker must have had playing on his tablet while directing some scenes is Braveheart because, the last battle in particular, is riddled with countless homages to that film that border plagiarism. Between the way Parker conveys his violence and the way he immortalizes Nat Turner by making him more of a saint than he ought to be, the film gradually feels less and less genuine as the running time winds down. That was my biggest gripe with the film honestly. Nate Parker failed to convey anything human about Nat Turner outside of him witnessing the brutalization that went on around him. There is something divine in the way Parker conveys Turner and it is just too much for a film that is steeped in this much history and realism. It fails to accurately portray to rebellion as it happened. There are very few mentions of what the rebellion actually did in reality as opposed to what it did in the film. While I am not saying that Turner's Rebellion was without cause, the film dilutes the harsh realities of what Turner's Rebellion did. In a sense, I felt it was a bit disrespectful to the victims of his Rebellion both black and white. With that being said, this is a film and not a documentary, so there is some room for some creative liberties, within reason. However, this does stand as Nate Parker's first directorial effort and, for a first film, it is a damn fine effort that should lead to more work as a director. Despite this fact, it still is nowhere near enough to sustain this as a film worthy of accolades and praise. Quite frankly, there is a lot wrong with the film. The pacing is either mind-numbingly slow or so quickly cut and erratic that you can barely grasp what is going on. Also, the extreme close shots are so constant and abundant that it is just another contributing factor to it feeling very incoherent. The story is bland and has been done before and done better despite this being Nat Turner's first on-screen portrayal, the story has inspired many films that have come out in recent years such as the previously mentioned Django Unchained. The sound design, at least on the Sundance version that I saw, was very flat and felt a bit too post-production sounding. Despite all this, I can't fully write this film off. There are some truly powerful performances in the film and some well done battle sequences to enjoy but other than that, this is an average film.

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    Handlung

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    • Wissenswertes
      The film was shot in 27 days.
    • Patzer
      The accents used in the film are typical of the modern Deep South, not of early-19th-century Tidewater, Virginia.
    • Zitate

      Nat Turner: [after Nat watches a horrific scene between a slave and slave owner and has to preach to the slaves] Brethren, I pray you'll sing to the Lord, a new song. Sing praise in assembly of the righteous. Let the saints be joyful in glory, let them sing aloud on their beds. Let the high praise of God be on the mouths of the saints and a two-edged sword in their hand to execute vengeance on the demonic nations! And punishment on those peoples! To bind their kings with chains, and their nobles with fens of iron! To execute on them this written judgement! This honor have all his saints! PRAISE THE LORD! PRAISE THE LORD! SING TO HIM A NEW SONG! PRAISE THE LORD! PRAISE THE LORD!

    • Verbindungen
      Featured in Rise Up: The Legacy of Nat Turner (2016)
    • Soundtracks
      Couldn't Hear Nobody Pray
      Performed by the Wiley College Choir

      SATB Arranger: Stephen Hayes (as Stephen L. Hayes)

      Melody researched by Frederick D. Hall, Sr.

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    FAQ21

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    Details

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    • Erscheinungsdatum
      • 13. April 2017 (Deutschland)
    • Herkunftsländer
      • Vereinigte Staaten
      • Kanada
    • Offizielle Standorte
      • Official Facebook
      • Official site
    • Sprache
      • Englisch
    • Auch bekannt als
      • The Birth of a Nation
    • Drehorte
      • Savannah, Georgia, USA
    • Produktionsfirmen
      • BRON Studios
      • Phantom Four Films
      • Mandalay Pictures
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    Box Office

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    • Budget
      • 8.500.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 15.861.566 $
    • Eröffnungswochenende in den USA und in Kanada
      • 7.004.254 $
      • 9. Okt. 2016
    • Weltweiter Bruttoertrag
      • 16.779.212 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 2 Std.(120 min)
    • Farbe
      • Color
    • Seitenverhältnis
      • 2.39 : 1

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