Free Fire

Boston, 1973. Members of the IRA and an arms dealer come to an abandoned warehouse to make a deal to buy some machine guns. Everything is supposed to go smoothly until one member from the one group draws out a gun and shoots the other because of a previous incident. And all hell breaks.

Ben Wheatley's previous film, High Rise, I was not a fan of. High Rise felt too disturbing with heavy-handed messaging while lacking a coherent plot. Free Fire is by far a major improvement with hilarious dialogue, fun and well-written characters and non-stop action. I saw the movie at TIFF today and was pleasantly surprised. Wheatley turns this empty warehouse into a war zone with each of these character taking cover behind various objects and firing blindly. Unlike a lot of generic action movies where characters seem to magically dodge bullets, no one is safe and everyone eventually gets scraped or hit by bullets. This leads to some fun sequences of characters crawling on the ground to get from one cover to the next.

Surprisingly the two standouts are Cillian Murphy and Armie Hammer. Both were surprisingly funny in subtle ways. Sharlto Copley once again plays another weird but yet still hilarious and fun character. I also give strong shout-outs to Sam Riley and Jack Reynor. And Brie Larson is bad-ass as she holds her own weight against her male co- stars.

If I can say one negative it's that this isn't a movie with a lot of depth. It's not flat but don't expect this to be too much of a complex film. It is just simply about the these 2 trigger-happy groups trying either to kill or survive. It is more of a black comedy/thriller.

Free Fire is definitely one of the most fun and exciting action movies you will see so it is definitely worth a shot to watch once it releases in theatres.

Free Fire is unfortunately Ben Wheatley's first misfire. Whilst the film isn't terrible by any stretch of the imagination, it does have a-lot of issues. Firstly the overall concept is an interesting idea. A 90 minute shoot-out in a single location sounds like a great idea. And for the first 30-40 minutes the film was highly entertaining. But when a character asks another "how long has it been" you know the film is starting to wear thin.

The film is loaded with an extremely talented cast featuring Cillian Murphy, Brie Larson, Sharlto Copley, Michael Smiley. They all give boisterous, lively performances but their characters are paper thin. For the type of film this is I didn't need any character background, but a little bit of development and growth would've given the film a little more direction.

One of the biggest issues I had with the film was that it meandered for the majority of the second half. This caused me to lose interest in the film as the overall intensity dropped. Another issue I had was the tone of the film, whilst it does have some good moments of levity, the film played itself far too straight. Going in I has expecting and action film with plenty of moments of dark humour, but that was few and far between. And a-lot of the jokes didn't land for me.

Free Fire was an over-all disappointment made even more-so by the fact I'm a huge fan of Ben Wheatley. In the end Free Fire was an interesting experiment that seemed better in concept rather than in its execution.

I watched this at a Cineworld Unlimited showing. Before it played, there was a little intro from Ben Wheatley the director. He described the movie as a fun action film, with lots of violence and lots of swearing, and that it was mercifully short. I'm not sure I can characterise it much better than that. So I'm not going to try.

When I saw the trailers for this film, I turned to my wife and said "I really hope this whole film is contained in the one room, if they do that, then it will have to stand and fall on the script, the characters and the acting, rather than just rely on some special effects and the action". I am pleased to report, I got my wish.

The setup is simple. We're in 1978, a group of Irish men (presumably IRA) are trying to buy guns in American, Boston to be precise, so they ship them back to Ireland, and use them to shoot the British. The 'brains' of the outfit are Chris and Frank played by Cillian Murphy and Michael Smiley respectively. The (and I'm using this next word in the loosest possible way) 'muscle' (but in all fairness, they certainly don't seem to have any brains) are Stevo and Bernie.

On the other side, we have the sellers, headed up by Vern, played by Sharlto Copley, and Ord played by Armie Hammer.

Both parties seem to have been brought together by the only woman in the film, Justine played by Brie Larson.

So, we have a briefcase full of cash, and a van full of guns, all we have to do is swap one for the other. What could go wrong?

Let's just say that there is a disagreement over someone's actions, and things quickly spiral out of control.

I'm not going to get into details, because to be honest, there aren't very many, and if you've read any of my other reviews I don't like to spoil. We can just say that bullets start flying, left, right and centre, and we have a film.

The films hangs on the humour of the situation. The one liners, the insanely inappropriate comments, the wonderful character interactions.

The exchanges between Frank and Ord are wonderful.

Vern is hilarious, and his reactions to Chris chatting up Justine are a great running joke. It really will make you giggle, often at things you'd wish didn't make you laugh. Watching people get shot shouldn't be funny, but in this context, it just is.

This is the ultimate Mexican standoff. Luckily none of the characters have a particularly good aim, so the ridiculousness lasts exactly 90 minutes, and that feels just about right. There is only so much chaos, bursts of gunfire interlinked with witty banter that an audience can take.

This isn't a great film by any stretch of the imagination, but it is a wonderful example of a guilty pleasure movie. Lots of action, lots of jokes, and a little more intrigue then you originally expect. Oh, didn't I say it doesn't play out quite as simply as you'd assume? No? Well it doesn't, it actually keeps you on your toes, that is when you're not rolling around on the floor.

Remember to listen carefully, because some of the best jokes come in the middle of gunshots, or are said in a ridiculously over the top South African accent.

Well worth 90 minutes of anyone's time.

Free Fire starts off well. Music is amazing and it gets you excited about the movie, and the dialogue works amazingly well. It's the perfect kind of dialogue. If you're an aspiring screenwriter it might make you think oh right, that's how you're supposed to do it.

The beginning may feel a bit stretched out, but when s##t hit the fan, I almost started to miss that slow, dialogue-heavy beginning of the movie. Mostly because after that, most of the movie seemed more like just shooting without any kind of actual point to it. It desperately needs something more story driven there.

The entirety reminds me of Reservoir Dogs, but like a weird, simpler version missing the charm Tarantino put in his work - apart from the dialogue of course. The set-up is good, but the story isn't close to as great as it could be. There's so much potential that seems to be wasted since it comes to the weird part where the film is mostly shooting and throwing in bits of great dialogue every here and there. It's hard to keep track of, especially when most of the characters look the same and the names are thrown in there so casually you barely remember three of them. Also the structure makes the movie feel way longer than it is.

Free Fire has potential, but it needs some better way to wrap things up, and better way to keep the audience invested in the characters. This way it's just watching and wondering who's going down next and what the hell is even happening.

Ben Wheatley certainly has a twisted sense of humour, evident in films such as Sightseers and High-Rise, and he brings it to proceedings once again in Free Fire, a relentlessly entertaining action comedy. Featuring an impressive ensemble cast, Free Fire was a film that had been on my radar for a while.

Boston, 1978, and two gangs set a meeting in an abandoned warehouse for an arms deal. It doesn't all exactly go to plan and it's not long before a full on shootout between the two gangs occurs, leading to bullets flying all over the place and a game of survival for everyone involved.

Free Fire wastes no time in getting into things and when the entire cast are together, the film really does fire on all cylinders. Ben Wheatley's film is by no means the best film I'll ever see but it is the perfect choice for an entertaining time at the cinema, making sure it doesn't overstay its welcome with a swift ninety minute runtime.

Wheatley collaborates once again with Amy Jump to write the film and the result is a quick screenplay that delivers plenty of wit and humour, as well as a shootout that the films builds itself around, which becomes farcical due to the sheer amount of incompetent characters the film plays host to.

A screenplay like this deserves a cast to do it justice and Free Fire has exactly that in the shape of an ensemble cast to get excited about. Cillian Murphy has one of the more prominent roles and he manages to bring the coldness we are so used to seeing from him to the role of Chris. Brie Larson gives the film its singular female character and she's certainly no pushover, Larson playing Justine with a sense of grit and superior intellect over her male counterparts. Then there is Armie Hammer, who shines as the overly sarcastic and suave Ord.

The man who steals the film from everyone else though is Sharlto Copley as Vernon, an arms dealer who runs his mouth a little too much. Sure, his South African accent makes him sound funnier but there is no doubt that Copley's Vernon gets the majority of the film's quips., and he absolutely revels in them. There's some fine support from Jack Reynor and Sam Riley on show too as a couple of warring members from their respective gangs.

For a fun night at the cinema, I can't recommend Free Fire enough. If you're someone who is easily offended by foul language or doesn't like loud noises though, I feel as if you'd take an instant dislike to this film, which would certainly be your loss.