Childhood's End - Die letzte Generation

Now that the Syfy Channel has released Arthur C. Clarke's "Childhood's End" as a six hour miniseries, it is fair to compare it to the classic novel, but it should be judged on its own merits. I am pleased to say that all but one half hour is quite exciting and suspenseful. That half hour, which is near the end, suffers from bad editing.

The story combines science fiction with what could be called elements of supernaturalism, depending up on how you interpret it. Regardless, the story is captivating. With every revelation, there are even greater mysteries to be revealed--something that is unusual in fiction.

I don't want to reveal much of the story and rob anyone of the powerful surprises in "Childhood's End" and the thrill of living the story through the characters, but the story starts with occurrences that affect the lives of everyone on Earth. The narrative follows the lives of a small number of people, showing how their lives are changed and the challenges they face. Clarke's story is rife with religious imagery and symbolism. While he was an atheist, his earlier stories are filled with supernatural elements. "Childhood's End" includes some that are reminiscent of "2001: A Space Odyssey"--the work he is best known for.

How does one grade a work that is 85% awesome? That's a matter of opinion. But I hope the show gets plenty of viewers, because it is provocative--even sixty years after it was written. And it might encourage some to read about Clarke's notable career as a writer.

I have read and loved the book long time ago so was excited to see this production. It is uneven and has a bit of missed potential but still worth a viewing.

Part 1 - 8/10 Has all the elements of good sci-fi and took a decent take on the marvelous Arthur C Clarke novel. It had philosophical issues, clever dialogue ("you are my world'), situations and good visual effects. It had both emotional resonance and distance

Part 2 - 7/10 Starts brilliantly with the boy now being an astrophysicist and the appropriately chosen Imagine song (Eva Cassiy version of John Lennon masterpiece) with the visual montage and narration at the beginning that are as idyllic as the utopia it portrays. It falters with the introduction of a new family and their problem child. It focuses too much on religion and starts to become too much like the Exorcist, Stigmata, Da Vinci Code or any movie too focused on Devil/Evil parables and paranormal. The bond between the astrophysicist and his friend is great and their acting. The setting in he South Africa party is also a good ambiance. The Overlord powers are downplayed here versus part 1 when their power is almost infinite. The line that humans are deceiving themselves (in answer to the part 2 title) is priceless! Some good moments to be had with a few faux pas.

Part 3 - 7/10 Has a good relationship angle between the astrophysicist and his girlfriend as well as his/their journey. The love triangle with the main character continues to be well written and acted. The ending is strong in the way that it is daring and unexpected, however the whole children aspect is played out rather poorly in my view. A fitting ending but that could have been done much better with more dramatic tension and better screenplay. The last video-recording of the scientist feels out of place and scope. Pop tarts? Pop art?

Almost.

I've read Arthur C. Clarke's Childhood's end so many years ago that I've managed to forget about it till this show came out. I was excited to see how this novel will be converted to television, but i've managed to contain my excitement, because the producing network was Syfy, a network known to me for it's mediocre half baked endeavours.

Alas, I was not wrong. It's like the producers were afraid of taking risks, so they used a well tested formula to generate a bunch of generic characters with generic backstories. Resulting in a parade of melodrama infused into Arthur C. Clarke's Childhood's end universe, it almost feels like a soap opera with spaceships.

Perhaps I'm being too harsh, it's a decent enough show, if it weren't an interpretation of a beloved novel, I might have even thought it was pretty good. Unfortunately the producer's lack of creativity made it hard for me to enjoy.

I just watched the first episode, and, all I can say is 'Wow'.

First of all, the story is sixty years old. Many of the 'tropes' came from this story, so accusing it of being a blatant ripoff of x, y and z isn't going to work.

Second of all, Syfy made this. I had to double check. Seriously. This combined with "The Expanse" hopefully marks a shift towards good... no, great, content in Syfy's future.

As for the story? Epic, heartwarming, goosebump raising. Think back fifty years to a time of optimism for the future. Put yourself in that mindset, leave your jaded selves at the door and enjoy yourself for a short time.

This is a vision of a first encounter. In that the show succeeds brilliantly. If one were only to watch the first episode then one could be quite satisfied. I was. It was foolish of me to want the second episode so soon afterward. The second episode starts meandering into the realms of predictable, that is, all is not what it seems. The third episode does not satisfy. The viewer is left wondering why all sorts of things are happening and it's a huge why all the way to the end. It needed science to back the fiction, to join the dots, and for me, as a lover of science fiction, it fell short.

I think it's an important compliment to the overall canon of science fiction shows out there, after all, it was originally quite a good book. The photography, editing, acting and so forth, including the effects, all are done extremely well. There is a love story as well but we never understand how that is relevant except in a very loose way if one compares the fate of the lovers to the fate of the world. Again, a huge why? In fact fate, as a theme, seems here to be very close to what others would see as plot holes. I understand the higher message the show is aiming for and it's OK as science fiction, but it was cruel to expand what is basically a poetic idea suitable for a paperback into over three hours of visual drama. Two hours with less irrelevant flashbacks and a brave stab at an evolutionary science explanation for that 'why' would have improved everything.

I'm not in agreement with those that say this show didn't follow the book and that is what is missing. I read the book at least forty years ago but it couldn't have been all that bright as I only remembered the initial theme, the arrival.

It's definitely not a rip off, but I think there are lessons here. It's not far off the mark and if the people behind this production move on to another science fiction theme then I certainly will want to see it .