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White Girl

  • 2016
  • TV-MA
  • 1 Std. 28 Min.
IMDb-BEWERTUNG
5,7/10
12.234
IHRE BEWERTUNG
Morgan Saylor and Brian Marc in White Girl (2016)
Summer, New York City. A college girl falls hard for a guy she just met. After a night of partying goes wrong, she goes to wild extremes to get him back.
trailer wiedergeben1:59
2 Videos
41 Fotos
Drug CrimeCrimeDrama

Sommer, New York City. Eine Studentin verliebt sich schwer in einen Kerl, den sie gerade erst kennengelernt hat. Nach einer schiefgegangenen Partynacht macht alles, um ihn zurückzugewinnen.Sommer, New York City. Eine Studentin verliebt sich schwer in einen Kerl, den sie gerade erst kennengelernt hat. Nach einer schiefgegangenen Partynacht macht alles, um ihn zurückzugewinnen.Sommer, New York City. Eine Studentin verliebt sich schwer in einen Kerl, den sie gerade erst kennengelernt hat. Nach einer schiefgegangenen Partynacht macht alles, um ihn zurückzugewinnen.

  • Regie
    • Elizabeth Wood
  • Drehbuch
    • Elizabeth Wood
  • Hauptbesetzung
    • Morgan Saylor
    • Brian Marc
    • Justin Bartha
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,7/10
    12.234
    IHRE BEWERTUNG
    • Regie
      • Elizabeth Wood
    • Drehbuch
      • Elizabeth Wood
    • Hauptbesetzung
      • Morgan Saylor
      • Brian Marc
      • Justin Bartha
    • 73Benutzerrezensionen
    • 31Kritische Rezensionen
    • 65Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 3 Nominierungen insgesamt

    Videos2

    Official Trailer
    Trailer 1:59
    Official Trailer
    Red Band Trailer
    Trailer 1:59
    Red Band Trailer
    Red Band Trailer
    Trailer 1:59
    Red Band Trailer

    Fotos40

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    + 36
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    Topbesetzung38

    Ändern
    Morgan Saylor
    Morgan Saylor
    • Leah
    Brian Marc
    Brian Marc
    • Blue
    Justin Bartha
    Justin Bartha
    • Kelly
    Adrian Martinez
    Adrian Martinez
    • Lloyd
    Chris Noth
    Chris Noth
    • George
    Bobbi Salvör Menuez
    Bobbi Salvör Menuez
    • Katie
    • (as India Menuez)
    Anthony Ramos
    Anthony Ramos
    • Kilo
    Ralph Rodriguez
    Ralph Rodriguez
    • Nene
    Annabelle Dexter-Jones
    Annabelle Dexter-Jones
    • Alexa
    Eden Marryshow
    Eden Marryshow
    • Undercover Cop
    Charles Barboza
    • Carlos
    • (as Charles Baboza)
    Graig Guggenheim
    Graig Guggenheim
    • Limo Driver
    Brendan Burke
    Brendan Burke
    • Correction's Officer
    • (as Brendan Burke)
    Jermel Howard
    Jermel Howard
    • Darnell on Train
    Grim Reaper Q.
    • Le Baron Bouncer
    • (as Anthony Quarles)
    Pete Klein
    • Bouncer #2
    Kyanna Simone
    Kyanna Simone
    • Pregnant Girl
    • (as Kyanna Simone Simpson)
    Nancy Eng
    • Restaurant Cashier
    • Regie
      • Elizabeth Wood
    • Drehbuch
      • Elizabeth Wood
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen73

    5,712.2K
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    Empfohlene Bewertungen

    5markgj75

    White Girl is about being white. And being a girl.

    Thematically, White Girl is exactly what it says on the tin, it's about race, and about gender. It's an attempt at outlining the main character's naivety and her ability to come out of it unscathed as a result of her privilege. An idea that, if it wasn't already obvious enough, Elizabeth Wood beats us over the head with in the scene where Leah has dinner with the lawyer.

    White Girl is unapologetically feminist, and being directed by a woman, it gets a lot of this right, Leah isn't a trope, she's not a stereotype, she's a naive young girl who makes a lot of really, really terrible decisions. But while this is the basis of her character, the protagonist, as well as the rest of the people in this film, are only explored on a surface level. Meaning that it's difficult to care about what they do, or what happens to them. Especially Leah, who knows that as a pretty white girl, there's a lot that she can get away with, and come out unharmed. And we know that too.

    Not only is White Girl difficult to get pulled in to as a result of its lack of a real sense of consequence, it also seems to push us away with its sloppy attempt at shock cinema. Every other scene is someone snorting coke, getting their tits out, or puking their guts up (is there anyone in this movie who doesn't do drugs?) Some of the comments on sexuality, especially female sexuality are interesting, and there's clearly a lot to say here about the male gaze and the danger of that towards young women, but then the gratuitous sex scenes never stop in an attempt to shock us, and we lose interest.

    As a drug dealer drama, and a comment on race, Wood hits all of the tropes that we'd expect. Many of the characters are stereotypes, and the writing for the male drug dealers sounds like it was written by my dad, guessing how he things a drug dealer probably talks. The attempts at making the love interest more of a love interest and less of a sex interest were hilarious at times, this movie just couldn't get the dialogue right for those characters at all, it was awkward as hell.

    White Girl was summed up for me when Doug from The Hangover got cocaine snorted off his dick.

    4.5/10
    4landenmeadors

    Tf people talking about?

    This movie is terrible. Obviously the ending is the worst part but that doesn't mean the rest is any good. People saying how "real" this movie is but they have no idea what they're talking about. I'm being generous with a 4/10, go watch something else.
    7spiritof67

    Scary, Tense and Wild...And In Some Ways Too Real

    Unlike most reviewers I saw this movie with intimate knowledge of street life, and the director got a whole lot right there. And as well, I've known noobs like the lead actress who got themselves into a life about which they knew very little until they were so deep in so fast they couldn't get back out. So with that, I was on my seat edge as our heroine went from precipice to precipice, nearly always avoiding the fall. Without a spoiler alert, she does virtually everything in this film you could to get killed or maimed and the writer/director finds ways for her to fail yet survive.

    There's a lot of grit here, from hard parties to transactional activities between employer and employee, and then client and counsel. It was all done very realistically, scarily so in many cases.I would love to know where the writer/director got her adviser on street sales - whoever it was really knew the game. See this movie.But be prepared to be scared, if you know the streets.
    5katiej-35441

    I just didn't grab me

    I just could not connect with this film. There is no message, no "learning curve" or "lesson learned" or saving grace and I don't like that. It was brutal, and confronting and and the downward spiral of the female lead was sickening and pointless. I get that this is while happens in real life, and this perhaps is where the film was lost on me... I'm a privileged white girl who now at 35 years of age has managed to keep my nose completely clean because I made good choices. I get that this is the downward spiral of so many, who either get caught up or deliberately put themselves in those situations. I found it really really hard to watch and considered turning it off halfway through but pushed through, I feel like I've wasted 2 hours and got no enjoyment whatsoever out of it - and the film hasn't really made a point or has a purpose for me. This review will probably upset a few people and going of majority of the reviews, I have a completely different opinion on the film to many others...
    7doxxman5

    I would drink nail polish remover if you handed it to me

    This is an interesting film, one with probably more potential for future greatness than actual rewatch value. The acting is top notch all around, from the two leads who go through many changes to the lawyer who has truly seen it all delivering a chilling speech about black people in jail. A very promising debut from a female director that knows her stuff, from the moment doves fly away when two lovers are reunited or that moment when the camera gets tired of watching the white girl getting taken advantage of too many times and hides from the scene behind a wall before going back to a mirror reflection of said image. While at times playing like a softcore porno a la Game of Thrones and there are too many sex scenes just thrown around, the drama is intact and the WAY that the story is told is very compelling.

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Elizabeth Wood based this film on journal entries about her own life experiences during her adolescence.
    • Patzer
      Leah puts a cigarette in her mouth, tobacco end first, then tamps the same end down in a small pile of cocaine (to get some in the cigarette?) then puts it back into her mouth, again tobacco end first. When she removes her hand, the cigarette has reversed so that the filter end is now magically in her mouth.

      This occurs at about 54 mins.

      However, the cigarette is not seen to be put in her mouth. It could be flicked the right way around off screen.
    • Zitate

      Leah: Yo. I was wondering if you guys know where I can get some weed or anything?

      [Blue whistles]

      Blue: You think we're some drug dealers or something man?

      Leah: Uh... no? I just thought you guys maybe know were the hook is...

      Blue: Nah, for real shorty... You can't be coming straight and ask strangers like that. Aright?

      Leah: Are you serious?

      Blue: Do I look serious?

      [Leah walks away, Blue lights up a joint]

      Blue: Hey shorty!

      [Leah turns]

      Blue: Don't do drugs, aright?

    • Soundtracks
      Cristo Redentor
      Performed by Harvey Mandel

      Written by Duke Pearson

      Published by Gailantcy Music

      Courtesy of The Estate of Duke Pearson

      Courtesy of Virgin Records, Ltd., under license from Universal Music Enterprises

    Top-Auswahl

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    FAQ

    • How long is White Girl?
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    Details

    Ändern
    • Erscheinungsdatum
      • 2. Dezember 2016 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • 白色女孩
    • Drehorte
      • Brooklyn, New York City, New York, USA(location)
    • Produktionsfirmen
      • Bank Street Films
      • Supermarché
      • Killer Films
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 200.242 $
    • Eröffnungswochenende in den USA und in Kanada
      • 34.058 $
      • 4. Sept. 2016
    • Weltweiter Bruttoertrag
      • 200.242 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 28 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 2.35 : 1

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