IMDb-BEWERTUNG
5,1/10
3170
IHRE BEWERTUNG
Ein Wissenschaftler-Ehepaar erschafft ein modernes Monster.Ein Wissenschaftler-Ehepaar erschafft ein modernes Monster.Ein Wissenschaftler-Ehepaar erschafft ein modernes Monster.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 wins total
Peter Adrian Sudarso
- Guard 1
- (as Peter Sudarso)
Mckenna Grace
- Molly
- (as McKenna Grace)
Ron Rogge'
- Officer Woodcock
- (as Ron Roggé)
Empfohlene Bewertungen
This is a very interesting take on the Frankenstein tale. We get to see the Monster basically take his first breath and become born into this world. He slowly becomes accustomed to being alive when suddenly he's betrayed by his creator and thus sets about on a rampage. This film illustrates it fairly well and I feel like the character of Adam/Monster is fairly sympathetic. He lacks a vocabulary like in the novel and in the 1994 adaptation, but it's far more realistic for the vocalization capacity of a newly formed creature. Bernard Rose does a fairly good job directing and the pastoral dream sequences are nice in particular. It has a nice pace and good use of practical special effects. The Monster's transformation was thoroughly engaging and I feel if anyone is a fan of the horror genre that they should at least do themselves a favor and see this interpretation.
Bernard Rose has successfully translated Mary Shelley's original novel by turning it into a Cronenbergian body horror tragedy.
The performances are stellar with Xavier Samuel making a heartbreaking Monster and Tony Todd stealing the show as a blind musician.
The direction is superb and horror fans will be pleased by the gruesome practical effects. If there are any weak points here, it would be the extremely brisk pacing and a few odd editing decision.
The ending is also frustratingly abrupt. Beyond that, it is nothing less than a triumph of genre filmmaking and the sort of thing I wish to see more of from the horror world.
The performances are stellar with Xavier Samuel making a heartbreaking Monster and Tony Todd stealing the show as a blind musician.
The direction is superb and horror fans will be pleased by the gruesome practical effects. If there are any weak points here, it would be the extremely brisk pacing and a few odd editing decision.
The ending is also frustratingly abrupt. Beyond that, it is nothing less than a triumph of genre filmmaking and the sort of thing I wish to see more of from the horror world.
Modern update of the famous story, here set in LA. Instead of a nuts and bolts style monster, such as Karloff, we have a pretty boy who is fond of saying the word "Mum". We get the young girl thrown into the lake, plus the befriending by a blind guy (well played by Tony Tod, who generously pays for Adam - I mean the monster - to have his wicked way with a hooker!). Plenty of gore. And production values are all good enough too. Now I'm all in favour of reimagening classic stories but I felt that this one didn't quite work and if I want to see a Frankenstein movie then give me Universal or Hammer instead.
Frankenstein (2015) is a modernized telling of the legendary tale that I recently watched on Prime. The storyline follows a scientist and his wife working on bringing dead cells to life. They are successful and create a living human from spare body parts. The monster they create they leave to become an orphan and eventually a homeless person begging for funds to survive. When things become desperate so do his actions. He'd love to get revenge for what his "parents" did to him...
This movie is written and directed by Bernard Rose (Candyman) and stars Tony Todd (Candyman), Carrs-Anne Moss (The Matrix), Xavier Samuel (Fury), Danny Huston (21 Grams) and Maya Erskine (DC League of Super Pets).
This was way better than I anticipated. The storyline was very interested and the sub plots they modernized were well written. I adored the cast and characters. Numerous strong performances in this picture. I loved Tony Todd and Maya Erskine in this and Samuel delivers a strong leading performance too. Moss was ruthless in this film and reminded me of her character in Momento. There's definitely some good kill scenes, gore, blood splatter and his skin was wild. The hospital breakout and sequences with police were outstanding. The ending was worthwhile.
Overall, this is an underrated addition to the horror genre that's a fun watch. I would score this a 7/10 and strongly recommend it.
This movie is written and directed by Bernard Rose (Candyman) and stars Tony Todd (Candyman), Carrs-Anne Moss (The Matrix), Xavier Samuel (Fury), Danny Huston (21 Grams) and Maya Erskine (DC League of Super Pets).
This was way better than I anticipated. The storyline was very interested and the sub plots they modernized were well written. I adored the cast and characters. Numerous strong performances in this picture. I loved Tony Todd and Maya Erskine in this and Samuel delivers a strong leading performance too. Moss was ruthless in this film and reminded me of her character in Momento. There's definitely some good kill scenes, gore, blood splatter and his skin was wild. The hospital breakout and sequences with police were outstanding. The ending was worthwhile.
Overall, this is an underrated addition to the horror genre that's a fun watch. I would score this a 7/10 and strongly recommend it.
6.75 of 10. Frankenstein zombie or Frankenstein clone? It's definitely not Frankenstein robot. Nonetheless, it feels like a horror story inspired by Philip K. Dick's Do Androids Dream of Electric Sheep? - or at least the the question, not the more developed Blade Runner adaptation.
It's better than any of the film/TV versions of Frankenstein. Rather than trying to stay literal to a story we know is, at least technically, nonsense, it pursues a more realistic though still at the moment purely sci-fi angle.
What makes the film engaging beyond the slightly revised plot setup is the pacing and the thoughtful adaptation and fitting in of the book characters that interact with "Monster". What makes it less engaging is the narration. By the end it feels like a setup for either a TV series or a sequel or 2 rather than a complete story.
It's better than any of the film/TV versions of Frankenstein. Rather than trying to stay literal to a story we know is, at least technically, nonsense, it pursues a more realistic though still at the moment purely sci-fi angle.
What makes the film engaging beyond the slightly revised plot setup is the pacing and the thoughtful adaptation and fitting in of the book characters that interact with "Monster". What makes it less engaging is the narration. By the end it feels like a setup for either a TV series or a sequel or 2 rather than a complete story.
Wusstest du schon
- WissenswertesAs Wanda is searching her phone for information on Elizabeth Frankenstein, a quick shot suggests that the Frankensteins were affiliated with some corporation named Shelley. This is a direct reference to Mary Wollstonecraft Shelley, who wrote the original story.
- PatzerAt the end, Elizabeth is dead. But when Adam carries her, her arm is completely wrapped around his neck as he carries her to the fire. A dead person's arm could not maintain such a position, even if placed there by the carrier; only a live person, using muscles, would be able to keep the arm up like that. Without muscles, it would just hang down behind him. Also, as he carries her, his left arm is supporting her torso and her head is upright. Again, a head maintaining such a position would be impossible for a dead person. A dead person would have no muscles to keep a head up. Instead, it would droop backwards in the direction of gravity. Finally, as he places her down on the burning logs, her head slowly descends, whereas it should fall down, since, again, there are no working muscles to control its descent. All of this is also true if she were merely unconscious.
- VerbindungenReferenced in The Candyman Legacy with Tony Todd (2015)
- SoundtracksMannish Boy
Written by Melvin London, Bo Diddley (as Elias McDaniel) and Muddy Waters (as McKinley Morganfield)
Performed by Tony Todd
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- 253.514 $
- Laufzeit1 Stunde 29 Minuten
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- 1.78 : 1
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What is the Canadian French language plot outline for Frankenstein - Das Experiment (2015)?
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