Realive

Something of a mood piece leaning toward gattica over trek in styling and pace, it's a good one to watch when you've seen almost everything and have a cold or for whatever reason get stuck indoors. It's more mature sci-fi instead of talking rodents and giant smurfs.

Considering a movie has such a short time to convey complicated ideas, this film is put together well and shoots and hits at more of those targets than one would expect.

Presentation is good on all fronts. The lead role could have been written for anyone really, male or female and they had to choose one particular lifestyle to represent the story and the one they chose was OK, but some wont like it.

This is a movie that could have gone longer in many directions. The actual science of it all was done well and can serve as an example of a direction that could have gone longer. That's what a good movie does. Makes you want more.

A once watch flick that makes an impact. I'll buy it for the box art and put it on my recommend list.

It's more of a sad love story than a sci-fi!! Lack of drama, poorly written characters!!

A thoughtful , original and clever Science fiction with little special effects dealing with a successful and sympathetic artist called Marc : Tom Hughes , but he is really an ill of cancer who chooses cryogenic freeze to wake up in a remote future , as he hopes to be thawed and go on his life. The painter Marc sadly says goodbye to the love of his life , Naomi : Olga Chaplin, but 68 years later he discovers many surprises due to things doesn't occur in the idyllic terms he dreamed earlier dying. Immortality is only a matter of time !

"Realive" is an intriguing and thought-provoking futuristic movie blending past , present and future, including a lot of flashbacks. In the film there is intense drama , philosophy , suspense , a long love story , but it results to be slow-moving and that's why is a bit boring and tiring , though the runtime is adjusted . This pessimist picture isn't an ordinary Sci-Fi , but an intelligent , brooding parable about immortality . It is a serious and cold Sci-Fi in the wake of "Code 46" or "Gattaca" . As the narrative could have been better , but the interpretation , filmmaking and compelling backdrop are all strong . It pays tribute to "Martin Scorsese's The Last temptation of Christ" with Willem Defoe in the emotive scenes when Lazarus is brought back to life . Mateo Gil direction is pretty acceptable , however , displaying some failures , inconsistent developing throughout this strange output , but he gives an usually nice bet it you want to attempt something different if not wholly successful . Performances are uniformly good , as Tom Hughes as the young who becomes the first risen cryonized body in the history mankind , the young Brit woman and Charles Chaplin's granddaughter , Oona Chaplin, as his intimate sweetheart , the French Charlotte Le Bon as the nurse who cares for him whenever he was sick or useless , Julio Perillan as Dr. Serra , Barry Ward as West , Bruno Sevilla , Melina Matthews and cameos from Tony Corvillo and Willem Defoe .

It contains an atmospheric and adequate ciinematography by Paul Esteve . As well as sensitive and stirring musical score by Lucas Vidal . The motion picture was well and decently written and directed by Mateo Gil , though it packs some flaws . Mateo is a notorious screenwriter , as he wrote various films for Alejandro Amenabar as "Agora" , "Mar Adentro", "Abre los Ojos" and "Tesis" . And he has directed a few films as the interesting thriller : "Nobody Knows Anybody" , the romantic comedy "The Laws of Thermodynamics" and a twilight Western : "Blackthorn" . The yarn will appeal to intelligent science fiction movies enthusiasts . Rating : 6/ 10 . Acceptable and passable . Well worth watching .

Ambitious, not often successful story of a young man who made his way of life triumphantly,and who ,terminally-ill ,chooses cryogenic freeze , to be able to "realive" in the future when the science,in the shape of Dr West (a nod to the excellent "re-animator " feat. Jeffrey Combs ), is able to give him a second chance in another era .

Although there's numerous hints at religion (the Lazarus project :"lazarus ,come forth !"), the fact that immortality may make gain another world but lose your soul ;in fact ,you want to find back what you've lost , but time moves like a jet plane and it's a brand new world you have to face .

Thanks to a brand new technology ,you can record your memories (why not? A hundred years ago ,who would have thought of the computering revolution? ),but those memories are a jumble,for they come from every moment of your life ( cruelty to animals -the lizard and the hen-is gratuitous and pointless);besides , Naomi ,to do what she does ,must have experimented l'amour fou and nothing really shows it (unless a would be torrid sex scene counts);besides, Marc's impossibility to adapt himself to another way of life (the new sex lib is not that much new ,it recalls the hippies) is not fully exploited :it was already brillantly treated in Frankenheimer's sensational film ,"seconds"(1966)

This film is interesting but it is mainly a missed golden opportunity.

So, a lot of people went into this movie expecting to be dazzled by hi- tech conceptualizations of the future, and were disappointed. That's understandable. The tech is a background at best, although every character does seem to blend seamlessly with it. It is a background that is tastefully crafted, realistically employed and never flickers.

To add insult to injury, however, the 2 hour hypotech is stuffed with sentimentality and philosophy, rather than action and sex, as many sci- fi's are. For most people, action and sex are a far better filler than the heartfelt musings of a struggling soul, regardless of the context.

For those of us not seeking to escape to the future, we were treated to a salient, cerebral wine-tasting, of sorts...and a sobering one at that. The film seems to offer up so many spiritual, cultural messages, from so many vantage points, that it's impossible to label one bottle and drink from it. For the single-minded it's a mess. For others, it's an awakening to new flavors of suffering, and a perversion of our taste buds. Some things, once sweet on our tongue, now stain with an aftertaste. Other drinks, like death, may now crisply tinkle in the glass and repel us a bit less.

All I'm saying is that this film is more art than entertainment. Some people drink wine to get drunk and have sex. Others sip it carefully to explore its variety. Realive is certainly a film for the sipping class.